Skip to main content
Humanities LibreTexts

1.2: The Birth of God

  • Page ID
    52233
  • \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \) \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)\(\newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\) \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\) \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\) \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\) \( \newcommand{\Span}{\mathrm{span}}\) \(\newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\) \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\) \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\) \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\) \( \newcommand{\Span}{\mathrm{span}}\)\(\newcommand{\AA}{\unicode[.8,0]{x212B}}\)

    'Good and Evil', 'Good and Bad'

     

    2.           All honor, then, to the noble spirits who would fain dominate these historians of morality. But it is certainly a pity that they lack the historical sense itself, that they themselves are quite deserted by all the beneficent spirits of history. The whole train of their thought runs, as was always the way of old-fashioned philosophers, on thoroughly unhistorical lines: there is no doubt on this point. The crass ineptitude of their genealogy of morals is immediately apparent when the question arises of ascertaining the origin of the idea and judgment of "good.” “Man had originally,'' so speaks their decree, "praised and called 'good' altruistic acts from the standpoint of those on whom they were conferred, that is. those to whom they were useful; subsequently the origin of this praise was forgotten, and altruistic acts, simply because, as a sheer matter of habit, they were praised as good, came also to be felt as good — as though they contained in themselves some intrinsic goodness." The thing is obvious: — this initial derivation contains already all the typical and idiosyncratic traits of the English psychologists — we have "utility," "forgetting," "habit," and finally "error," the whole assemblage forming the basis of a system of values, on which the higher man has up to the present prided himself as though it were a kind of privilege of man in general. This pride must be brought low. this system of values must lose its values: is that attained?

                  Now the first argument that comes ready to my hand is that the real homestead of the concept "good" is sought and located in the wrong place: the judgment "good" did riot originate among those to whom goodness was shown. Much rather has it been the good themselves, that is, the aristocratic, the powerful, the high-stationed, the high-minded, who have felt that they themselves were good, and that their actions were good, that to say of the first order, in contradistinction to all the low, the low-minded, the vulgar, and the plebeian. It was out of this pathos of distance that they first arrogated the right to create values for their own profit, and to coin the names of such values: what had they to do with utility? The standpoint of utility is as alien … The pathos of nobility and distance, as I have said, the chronic and despotic esprit de corps and fundamental instinct of a higher dominant race coming into association with a meaner race, an "under race," this is the origin of the antithesis of good and bad.

                  ...It is because of this origin that the word "good" is far from having any necessary connection with altruistic acts, in accordance with the superstitious belief of these moral philosophers. On the contrary, it is on the occasion of the decay of aristocratic values, that the antitheses between "egoistic" and "altruistic" presses more and more heavily on the human conscience— it is, to use my own language, the herd instinct which finds in this antithesis an expression in many ways. …

    9.           "But why do you talk of nobler ideals? Let us submit to the facts; that the people have triumphed — or the slaves, or the populace, or the herd, or whatever name you care to give them — if this has happened through the Jews, so be it! In that case no nation ever had a greater mission in the world's history. The 'masters' have been done away with; the morality of the vulgar man has triumphed. This triumph may also be called a blood-poisoning (it has mutually fused the races) — I do not dispute it; but there is no doubt but that this intoxication has succeeded. The 'redemption' of the human race (that is, from the masters) is progressing; swimmingly; everything is obviously becoming Judaised, or Christianised, or vulgarised (what is there in the words?). It seems impossible to stop the course of this poisoning through the whole body politic of mankind — but its tempo and pace may from the present time be slower, more delicate, quieter, more discreet — there is time enough. In view of this context has the Church nowadays any necessary purpose? Has it, in fact, a right to live? Or could man get on without it? Quocritur. It seems that it fetters and retards this tendency, instead of accelerating it. Well, even that might be its utility. The Church certainly is a crude and boorish institution, that is repugnant to an intelligence with any pretence at delicacy, to a really modern taste. Should it not at any rate learn to be somewhat more subtle? It alienates nowadays, more than it allures. Which of us would, for- sooth, be a freethinker if there were no Church? It is the Church which repels us, not its poison — apart from the Church we like the poison." This is the epilogue of a freethinker to my discourse, of an honorable animal (as he has given abundant proof), and a democrat to boot; he had up to that time listened to me, and could not endure my silence, but for me, indeed, with regard to this topic there is much on which to be silent.

    10.         The revolt of the slaves in morals begins in the very principle of resentment becoming creative and giving birth to values — a resentment experienced by creatures who, deprived as they are of the proper outlet of action, are forced to find their compensation in an imaginary revenge. While every aristocratic morality springs from a triumphant affirmation of its own demands, the slave morality says "no" from the very outset to what is "out-side itself," "different from itself," and "not itself: and this "no" is its creative deed. This volte-face of the valuing standpoint — this inevitable gravitation to the objective instead of back to the subjective — is typical of resentment": the slave-morality requires as the condition of its existence an external and objective world, to employ physiological terminology, it requires objective stimuli to be capable of action at all — its action is fundamentally a reaction. The contrary is the case when we come to the aristocrat's system of values: it acts and grows spontaneously, it merely seeks its antithesis in order to pronounce a more grateful and exultant "yes" to its own self; — its negative conception, "low," "vulgar." "bad," is merely a pale late-born foil in comparison with its positive and fundamental conception (saturated as it is with life and passion), of "we aristocrats, we good ones, we beautiful ones, we happy ones."

                   Attention should be paid to the almost benevolent stances which, for instance, the Greek nobility imports into all the words by which it distinguishes the common people from itself; note how continuously a kind of pity, care, and consideration imparts its honeyed flavor, until at last almost all the words which are applied to the vulgar man survive finally as expressions for "unhappy," "worthy of pity" (the latter really denoting the vulgar man as labour-slave and beast of burden) — and how, conversely, "bad," "low," "unhappy" have never ceased to ring in the Greek ear ... The "well-born" simply felt themselves the "happy"; they did not have to manufacture their happiness artificially through looking at their enemies, or in cases to talk and lie themselves into happiness (as is the custom with all resentful men) ; and similarly, complete men as they were, exuberant with strength, and consequently necessarily energetic, they were too wise to dissociate happiness from action — activity becomes in their minds necessarily counted as happiness — all in sharp contrast to the "happiness" of the weak and the oppressed, with their festering venom and malignity, among whom happiness appears essentially as a narcotic, a deadening, a quietude, a peace, a "Sabbath," an enervation of the mind and relaxation of the limbs, — in short, a purely passive phenomenon. While the aristocratic man lived in confidence and openness with himself, the resentful man, on the other hand, is neither sincere nor naif, nor honest and candid with himself. His soul squints; his mind loves hidden crannies, tortuous paths and back-doors, everything secret appeals to him as his world, his safety, his balm; he is past master in silence, in not for- getting, in waiting, in provisional self-depreciation and self-abasement…. When the resentment of the aristocratic man manifests itself, it fulfills and exhausts itself in an immediate reaction, and consequently instills no venom: on the other hand, it never manifests itself at all in countless instances, when in the case of the feeble and weak it would be inevitable. An inability to take seriously for any length of time their enemies, their disasters, their misdeeds— that is the sign of the full strong natures who possess a superfluity of molding plastic force, that heals completely and produces forgetfulness: a good example of this in the modern world is Mirabeau, who had no memory for any insults and meannesses which were practiced on him, and who was only incapable of forgiving because he forgot. Such a man indeed shakes off with a shrug many a worm which would have buried itself in another; it is only in characters like these that we see the possibility (supposing, of course, that there is such a possibility in the world) of the real "love of one's enemies." What respect for his enemies is found, forsooth, in an aristocratic man- — and such a reverence is already a bridge to love! He insists on having his enemy to himself as his distinction. He tolerates no other enemy but a man in whose character there is nothing to despise and much to honor! On the other hand, imagine the "enemy" as the resentful man conceives him — and it is here exactly that we see his work, his creativeness; he has conceived "the evil enemy," the "evil one," and indeed that is the root idea from which he now evolves as a contrasting and corresponding figure a "good one," himself — his very self!

    16.         Let us come to a conclusion. The two opposing values, "good and bad," "good and evil," have fought a dreadful, thousand-year fight in the world, and though indubitably the second value has been for a long time in the preponderance, there are not wanting places where the fortune of the fight is still indecisive. It can almost be said that in the meanwhile the fight reaches a higher and higher level, and that in the meanwhile it has become more and more intense, and always more and more psychological; so that nowadays there is perhaps no more decisive mark of the higher nature, of the more psychological nature, than to be in that sense self-contradictory, and to be actually still a battleground for those two opposites. The symbol of this fight, written in a writing which has remained worthy of perusal throughout the course of history up to the present time, is called "Rome against Judaea, Judaea against Rome." Hitherto there has been no greater event than that fight, the putting of that question, that deadly antagonism. Rome found in the Jew the incarnation of the unnatural, as though it were its diametrically opposed monstrosity, and in Rome the Jew was held to be convicted of hatred of the whole human race: and rightly so, in so far as it is right to link the well-being and the future of the human race to the unconditional mastery of the aristocratic values, of the Roman values. ...The Romans were the strong and aristocratic; a nation stronger and more aristocratic has never existed in the world, has never even been dreamed of; every relic of them, every inscription enraptures, granted that one can divine what it is that writes the inscription. The Jews, conversely, were that priestly nation of resentment par excellence, possessed by a unique genius for popular morals: just compare with the Jews the nations with analogous gifts, such as the Chinese or the Germans, so as to realize afterwards what is first rate, and what is fifth rate.

                  Which of them has been provisionally victorious. Rome or Judaea? but there is not a shadow of doubt; just consider to whom in Rome itself nowadays you bow down, as though before the quintessence of all the highest values — and not only in Rome, but almost over half the world, everywhere where man has been tamed or is about to be tamed — to three Jews, as we know, and one Jewess (to Jesus of Nazareth, to Peter the fisher, to Paul the tent-maker, and to the mother of the aforesaid Jesus, named Mary). This is very remarkable: Rome is undoubtedly defeated. At any rate there took place in the Renaissance a brilliantly sinister revival of the classical ideal, of the aristocratic valuation of all things: Rome herself, like a man waking up from a trance, stirred beneath the burden of the new Judaised Rome that had been built over her, which presented the appearance of an ecumenical synagogue and was called the "Church": but immediately Judaea triumphed again, thanks to that fundamentally popular (German and English) movement of revenge, which is called the Reformation, and taking also into account its inevitable corollary, the restoration of the Church — the restoration also of the ancient graveyard peace of classical Rome. Judsea proved yet once more victorious over the classical ideal in the French Revolution, and in a sense which was even more crucial and even more profound: the last political aristocracy that existed in Europe, that of the French seventeenth and eighteenth centuries, broke into pieces beneath the instincts of a resentful populace — never had the world heard a greater jubilation, a more uproarious enthusiasm: indeed, there took place in the midst of it the most monstrous and unexpected phenomenon; the ancient ideal itself swept before the eyes and conscience of humanity with all its life and with unheard-of splendor, and in opposition to resentment's lying war-cry of the prerogative of the most, in opposition to the will to lowliness, abasement, and qualification, the will to a retrogression and twilight of humanity, there rang out once again, stronger, simpler, more penetrating than ever, the terrible and enchanting counter-war-cry of the prerogative of the few! Like a final sign-post to other ways, there appeared Napoleon, the most unique and violent anachronism that ever existed, and in him the incarnate problem of the aristocratic ideal in itself — consider well what a problem it is: — Napoleon, that synthesis of Monster and Superman.


    1.2: The Birth of God is shared under a CC BY-SA 4.0 license and was authored, remixed, and/or curated by LibreTexts.

    • Was this article helpful?