5.4: Ethics Exercises
- Page ID
- 381574
\( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)
\( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)
\( \newcommand{\dsum}{\displaystyle\sum\limits} \)
\( \newcommand{\dint}{\displaystyle\int\limits} \)
\( \newcommand{\dlim}{\displaystyle\lim\limits} \)
\( \newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\)
( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\)
\( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)
\( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\)
\( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)
\( \newcommand{\Span}{\mathrm{span}}\)
\( \newcommand{\id}{\mathrm{id}}\)
\( \newcommand{\Span}{\mathrm{span}}\)
\( \newcommand{\kernel}{\mathrm{null}\,}\)
\( \newcommand{\range}{\mathrm{range}\,}\)
\( \newcommand{\RealPart}{\mathrm{Re}}\)
\( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)
\( \newcommand{\Argument}{\mathrm{Arg}}\)
\( \newcommand{\norm}[1]{\| #1 \|}\)
\( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)
\( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\AA}{\unicode[.8,0]{x212B}}\)
\( \newcommand{\vectorA}[1]{\vec{#1}} % arrow\)
\( \newcommand{\vectorAt}[1]{\vec{\text{#1}}} % arrow\)
\( \newcommand{\vectorB}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)
\( \newcommand{\vectorC}[1]{\textbf{#1}} \)
\( \newcommand{\vectorD}[1]{\overrightarrow{#1}} \)
\( \newcommand{\vectorDt}[1]{\overrightarrow{\text{#1}}} \)
\( \newcommand{\vectE}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash{\mathbf {#1}}}} \)
\( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)
\(\newcommand{\longvect}{\overrightarrow}\)
\( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)
\(\newcommand{\ket}[1]{\left| #1 \right>}\)
\(\newcommand{\bra}[1]{\left< #1 \right|}\)
\(\newcommand{\braket}[2]{\left< #1 \vphantom{#2} \right| \left. #2 \vphantom{#1} \right>}\)
\(\newcommand{\braopket}[3]{\left< #1 \vphantom{#2}\vphantom{#3} \right| #2 \vphantom{#1}\vphantom{#3} \left| #3 \vphantom{#1}\vphantom{#2} \right>}\)
\(\newcommand{\qmvec}[1]{\mathbf{\vec{#1}}}\)
\(\newcommand{\op}[1]{\hat{\mathbf{#1}}}\)
\(\newcommand{\expect}[1]{\langle #1 \rangle}\)
\(\newcommand{\dfn}[1]{\emph{\textbf{#1}}}\)
This section provides hands-on exercises to help you identify and apply ethical principles throughout your documentary projects.
Ethics Log Journal
Objective: Track and reflect on ethical decisions encountered during documentary production.
Instructions: - Maintain an Ethics Log throughout your production process. - Record any ethical questions, dilemmas, or decisions.
Each entry should include:
- Date
- Situation summary
- Ethical principle(s) involved
- Decision made
- Reasoning
Deliverable: - Submit at least three entries by the end of your project for review and discussion.
“What Would You Do?” Scenario Discussion
Objective: Explore ethical gray areas through group discussion and reasoning.
Scenario: You’re filming a documentary about a local artist. During an interview, they reveal a history of substance abuse and family estrangement. This adds depth to your story, but the subject is hesitant to make it public.
Options:
- Use the footage as filmed.
- Omit the content entirely.
- Negotiate a version the subject is comfortable with.
- Keep it in but blur or otherwise hide their identity.
Discussion Questions:
- What ethical concerns are at play?
- Which documentary ethical principles apply?
- How might your decision affect the subject, the film, and your audience?
Deliverable: - Present your group’s decision and reasoning to the class.
Harm Audit for Sensitive Material
Objective: Evaluate potential harm caused by scenes or topics in your documentary.
Instructions: - Select a scene or story segment from your project or a recent documentary. - Use this checklist to perform a Harm Audit:
- Does this reveal sensitive personal information?
- Could it cause emotional distress?
- Could it damage someone’s reputation?
- Is consent clearly documented?
- Is there a compelling public interest?
- Can harm be reduced (blur faces, change the camera angle, rephrase)?
Deliverable: - Submit a written audit report with recommendations.
Fairness & Balance Scene Analysis
Objective: Identify potential bias and representation issues.
Instructions: - Watch one of the following documentaries: - "The Cove" (full feature on Fandor), "13th", or "Won’t You Be My Neighbor?"
- Whose voices are centered?
- Are opposing views represented?
- How?
- Is the documentary fair to those it critiques?
- Are any ethical compromises evident?
Deliverable: - Submit a 1-2 page written response.
Ethics Code Comparison Project
Objective: Compare existing media ethics codes and adapt them for documentary production.
Instructions: - In pairs, review:
- Society of Professional Journalists Code of Ethics
- International Documentary Association Ethics Guidelines
- Identify: - 3 points of overlap and 2 points of difference
- Draft a Documentary Student Ethics Pledge
Deliverable: - Submit a 1-page draft code of ethics.
Optional Post-Screening Writing Prompts (Short Essays or Discussion)
- The Ethics of Artistic Truth: How can emotional or poetic truth conflict with factual accuracy in a documentary? Where do you draw the line?
- Consent vs. Consequence: Is consent enough if a subject doesn't understand the potential impact of their participation?
- The Spectator’s Role: Do we, as viewers, carry any ethical responsibility for how we consume stories of trauma or injustice?
Add-On: Comparative Analysis Activity
Ask students to compare two films using the six ethical tenets. Provide a table like the one below for their analysis:
|
Ethical Principle |
Film A: __________ |
Film B: __________ |
|
Informed Consent |
||
|
Do No Harm |
||
|
Honest Representation |
||
|
Transparency of Method |
||
|
Responsibility to the Audience |
||
|
Power Dynamics |


