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A2: The Woodwind Family

  • Page ID
    92898
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    All woodwind instruments produce sound when the player blows into the instrument, thereby causing the column of air to vibrate. All woodwinds were at one point in history made of wood, except for the saxophone, which has always been made of metal. However, this is not why they are classified together as a group. The reason for this is their similar construction, which constitutes a tube with holes. The more holes that are covered by fingers or keys, the lower the pitch, while the fewer holes that are covered, the higher the pitch. Additionally, the shape of the tube will influence the timbre: cylindrical instruments produce clear and brilliant timbres, while conical instruments produce round, vocal-like timbres. The inner dimensions of the flute and clarinet exhibit cylindrical bores (the tubing is of a consistent diameter) and the oboe, bassoon, and saxophone exhibit conical bores (the tubing gradually expands in diameter throughout the length of the instrument).

    In many woodwinds, the use of a single or double reed further modifies the timbre. Over time, orchestral composers came to prefer a system of paired woodwinds—2 flutes, 2 clarinets, 2 oboes, 2 bassoons—as the standard woodwind section, adding other instruments as they desired for color.

    Flute

    Flutes can be made of various metals, although most professionals prefer solid silver. The player produces sound by blowing across an open hole near the closed end of the tube, and controls pitches both by depressing keys and increasing or decreasing wind pressure.

    Flutes come in many sizes. It is typical for orchestral music to contain parts for the standard flute and a small, high-pitched flute called a piccolo. However, there are also larger flutes, including the alto, bass, and rare contra-bass flutes.

    Clarinet

    Clarinets are typically made of wood with metal keys. The player creates sound by blowing air into a mouthpiece with a piece of cane (a single reed) attached, which causes the reed to vibrate.

    Like flutes, clarinets come in various sizes. Orchestras typically include a soprano clarinet (also called a B-flat clarinet) and a bass clarinet, which is twice as large (pitched one octave lower). Composers also write for other sizes, including the alto clarinet (which falls between the standard and bass clarinets) and the high- pitched E-flat sopranino clarinet.

    Saxophone

    The saxophone uses a single-reed mouthpiece similar to that of the clarinet, and the body of the instrument is made out of brass. Most sizes feature an upturned bell. The instrument’s unusual name comes from its inventor, Adolphe Sax, who in the 1840s was seeking to create an instrument to blend the agility of the woodwind family with the large dynamic range of the brass family.

    The saxophone is seldom found as a permanent member of the woodwind section in the orchestra, often appearing only as a soloist. However, it has become increasingly prominent in art music of the 20th and 21st centuries. It is best known for its use in jazz and popular music.

    Oboe

    The oboe is similar to the clarinet in construction and appearance, but in place of a mouthpiece containing a single reed it utilizes a pair of reeds protruding from one end. The player blows through these reeds, causing them to vibrate and produce the distinctive nasal timbre of the oboe. All instruments that utilize this method of sound production are referred to as double reeds.

    The English horn is a related double-reed instrument. It is somewhat larger than the oboe and produces a lower, richer sound.

    Bassoon

    The bassoon is the largest double-reed instrument. It gets its own entry here because, unlike the English horn, it is one of the core instruments of the orchestra and is used in almost every piece of music. The bassoon has a distinctive appearance: Its long resonating column rises considerably above the head of the player. Although the bassoon produces pitches in a very low range, composers sometimes employ an even lower-pitched version, the contra-bassoon.


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