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2.1.7.2: Hymn to Intellectual Beauty

  • Page ID
    82998
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    Hymn to Intellectual Beauty

    Hymn to Intellectual Beauty License: Public Domain Percy Shelley

    The awful shadow of some unseen Power

    Floats though unseen among us; visiting

    This various world with as inconstant wing

    As summer winds that creep from flower to flower;

    Like moonbeams that behind some piny mountain shower,

    It visits with inconstant glance

    Each human heart and countenance;

    Like hues and harmonies of evening,

    Like clouds in starlight widely spread,

    Like memory of music fled,

    Like aught that for its grace may be

    Dear, and yet dearer for its mystery.

    Spirit of BEAUTY, that dost consecrate

    With thine own hues all thou dost shine upon

    Of human thought or form, where art thou gone?

    Why dost thou pass away and leave our state,

    This dim vast vale of tears, vacant and desolate?

    Ask why the sunlight not for ever

    Weaves rainbows o'er yon mountain-river,

    Why aught should fail and fade that once is shown,

    Why fear and dream and death and birth

    Cast on the daylight of this earth

    Such gloom, why man has such a scope

    For love and hate, despondency and hope?

    No voice from some sublimer world hath ever

    To sage or poet these responses given:

    Therefore the names of Demon, Ghost, and Heaven,

    Remain the records of their vain endeavour:

    Frail spells whose utter'd charm might not avail to sever,

    From all we hear and all we see,

    Doubt, chance and mutability.

    Thy light alone like mist o'er mountains driven,

    Or music by the night-wind sent

    Through strings of some still instrument,

    Or moonlight on a midnight stream,

    Gives grace and truth to life's unquiet dream.

    Love, Hope, and Self-esteem, like clouds depart

    And come, for some uncertain moments lent.

    Man were immortal and omnipotent,

    Didst thou, unknown and awful as thou art,

    Keep with thy glorious train firm state within his heart.

    Thou messenger of sympathies,

    That wax and wane in lovers' eyes;

    Thou, that to human thought art nourishment,

    Like darkness to a dying flame!

    Depart not as thy shadow came,

    Depart not—lest the grave should be,

    Like life and fear, a dark reality.

    While yet a boy I sought for ghosts, and sped

    Through many a listening chamber, cave and ruin,

    And starlight wood, with fearful steps pursuing

    Hopes of high talk with the departed dead.

    I call'd on poisonous names with which our youth is fed;

    I was not heard; I saw them not;

    When musing deeply on the lot

    Of life, at that sweet time when winds are wooing

    All vital things that wake to bring

    News of birds and blossoming,

    Sudden, thy shadow fell on me;

    I shriek'd, and clasp'd my hands in ecstasy!

    I vow'd that I would dedicate my powers

    To thee and thine: have I not kept the vow?

    With beating heart and streaming eyes, even now

    I call the phantoms of a thousand hours

    Each from his voiceless grave: they have in vision'd bowers

    Of studious zeal or love's delight

    Outwatch'd with me the envious night:

    They know that never joy illum'd my brow

    Unlink'd with hope that thou wouldst free

    This world from its dark slavery,

    That thou, O awful LOVELINESS,

    Wouldst give whate'er these words cannot express.

    The day becomes more solemn and serene

    When noon is past; there is a harmony

    In autumn, and a lustre in its sky,

    Which through the summer is not heard or seen,

    As if it could not be, as if it had not been!

    Thus let thy power, which like the truth

    Of nature on my passive youth

    Descended, to my onward life supply

    Its calm, to one who worships thee,

    And every form containing thee,

    Whom, SPIRIT fair, thy spells did bind

    To fear himself, and love all human kind.


    This page titled 2.1.7.2: Hymn to Intellectual Beauty is shared under a CC BY-SA 4.0 license and was authored, remixed, and/or curated by Anita Turlington, Matthew Horton, Karen Dodson, Laura Getty, Kyounghye Kwon, Georgia, & Laura Ng (GALILEO Open Learning Materials) via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.