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17: 3.06-44–55

  • Page ID
    114992
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    • 3.644–55

      obstipui “capiat”que “aliquis moderamina!” dixi

      meque ministerio scelerisque artisque removi. 645

      increpor a cunctis, totumque inmurmurat agmen;

      e quibus Aethalion “te scilicet omnis in uno

      nostra salus posita est!” ait et subit ipse meumque

      explet opus Naxoque petit diversa relicta.

      tum deus inludens, tamquam modo denique fraudem 650

      senserit, e puppi pontum prospectat adunca

      et flenti similis “non haec mihi litora, nautae,

      promisistis” ait, “non haec mihi terra rogata est!

      quo merui poenam facto? quae gloria vestra est,

      si puerum iuvenes, si multi fallitis unum?” 655

      Study Questions
    • What does the que after capiat (644) link? What the -que after me (645)?
    • Parse te (647).
    • What is the rhetorical force of scilicet (647)?
    • What kind of construction is Naxo … relicta (649)?
    • What is the main verb of the sentence that begins with tum deus (650)?
    • Parse senserit (651) and explain the mood.
    • What does the et at the beginning of line 652 link?
    • What noun does the attribute adunca (651) modify?
    • Parse flenti (652).
    • What kinds (plural!) of dative are mihi in 652 and mihi in 653?
    • What noun does the interrogative adjective quo modify (654)? What case is it in?
      Stylistic Appreciation

      Discuss the rhetorical devices Bacchus uses to express his outrage at the crew’s treachery, with particular attention to the design of 655.

      Discussion Points

      Can you think of other moments in literature (or other media, such as cinema) in which an all-powerful character initially ‘plays possum’ or feigns naïveté when set upon by a gang of toughs, only to emerge victoriously? What makes this scenario so attractive?


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