17: 3.06-44–55
- Page ID
- 114992
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3.644–55
obstipui “capiat”que “aliquis moderamina!” dixi
meque ministerio scelerisque artisque removi. 645
increpor a cunctis, totumque inmurmurat agmen;
e quibus Aethalion “te scilicet omnis in uno
nostra salus posita est!” ait et subit ipse meumque
explet opus Naxoque petit diversa relicta.
tum deus inludens, tamquam modo denique fraudem 650
senserit, e puppi pontum prospectat adunca
et flenti similis “non haec mihi litora, nautae,
promisistis” ait, “non haec mihi terra rogata est!
quo merui poenam facto? quae gloria vestra est,
si puerum iuvenes, si multi fallitis unum?” 655
Study Questions
- What does the que after capiat (644) link? What the -que after me (645)?
- Parse te (647).
- What is the rhetorical force of scilicet (647)?
- What kind of construction is Naxo … relicta (649)?
- What is the main verb of the sentence that begins with tum deus (650)?
- Parse senserit (651) and explain the mood.
- What does the et at the beginning of line 652 link?
- What noun does the attribute adunca (651) modify?
- Parse flenti (652).
- What kinds (plural!) of dative are mihi in 652 and mihi in 653?
- What noun does the interrogative adjective quo modify (654)? What case is it in?
Stylistic Appreciation
Discuss the rhetorical devices Bacchus uses to express his outrage at the crew’s treachery, with particular attention to the design of 655.
Discussion Points
Can you think of other moments in literature (or other media, such as cinema) in which an all-powerful character initially ‘plays possum’ or feigns naïveté when set upon by a gang of toughs, only to emerge victoriously? What makes this scenario so attractive?