Skip to main content
Humanities LibreTexts

3.7: The Harlem Renaissance

  • Page ID

    \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)

    \( \newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\)

    ( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\)

    \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

    \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\)

    \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)

    \( \newcommand{\Span}{\mathrm{span}}\)

    \( \newcommand{\id}{\mathrm{id}}\)

    \( \newcommand{\Span}{\mathrm{span}}\)

    \( \newcommand{\kernel}{\mathrm{null}\,}\)

    \( \newcommand{\range}{\mathrm{range}\,}\)

    \( \newcommand{\RealPart}{\mathrm{Re}}\)

    \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

    \( \newcommand{\Argument}{\mathrm{Arg}}\)

    \( \newcommand{\norm}[1]{\| #1 \|}\)

    \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)

    \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\AA}{\unicode[.8,0]{x212B}}\)

    \( \newcommand{\vectorA}[1]{\vec{#1}}      % arrow\)

    \( \newcommand{\vectorAt}[1]{\vec{\text{#1}}}      % arrow\)

    \( \newcommand{\vectorB}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \( \newcommand{\vectorC}[1]{\textbf{#1}} \)

    \( \newcommand{\vectorD}[1]{\overrightarrow{#1}} \)

    \( \newcommand{\vectorDt}[1]{\overrightarrow{\text{#1}}} \)

    \( \newcommand{\vectE}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash{\mathbf {#1}}}} \)

    \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)

    The Harlem Renaissance

    According to Britannica, the Harlem Renaissance was an igniting of African American culture, most notably in the creative arts, that occurred between 1918-37. It is the most significant movement in African American literary history. Artists worked to “reconceptualize ‘the Negro’ apart from the white stereotypes that had influenced Black peoples’ relationship to their heritage and to each other” (Hutchinson). This movement is unique in its close relationship to civil rights reforms. Significant contributions to the movement were made by intellectuals W.E.B. Du Bois, Marcus Garvey, Cyril Briggs, and Walter Francis White. Writers and poets Zora Neale Hurston, Effie Lee Newsome, Countee Cullen; visual artists Aaron Douglas and Augusta Savage. Legendary musicians Louis Armstrong, Count Basie, Duke Ellington, Billie Holiday, Josephine Baker, Fats Waller, Jelly Roll Morton.

    Political cartoon shows two dogs, one dog with a black person's head labeled "negro labor", and another dog with a white person's head labeled "white labor", which are fighting over a bare bone. At the same time, while the two dogs fight over the scrap, another dog labeled "capital" slyly eats a whole leg of ham below them which is labeled "profits". The caption on the cartoon reads: "Drop that bone and get the ham! You are just working dogs!"
    Photo published in The Messenger in 1919 is in the public domain.

    Civil Rights and the Harlem Renaissance

    Most importantly, the Harlem Renaissance instilled in African Americans across the country a new spirit of self-determination and pride, a new social consciousness, and a new commitment to political activism, all of which would provide a foundation for the Civil Rights Movement of the 1950s and 1960s. In doing so, it validated the beliefs of its founders and leaders like Alain Locke and Langston Hughes that art could be a vehicle to improve the lives of the African Americans.

    Artists of the Harlem Renaissance

    What great art and artists rose during this period? What is the impact of their work? Two important poets of the era are Langston Hughes and Claude McKay in part because of the content of their work.

    Drawing of Langston Hughes by Winold Reiss
    Langston Hughes by Winold Reiss is in the public domain.
    "I too" by Langston Hughes
    “I too” by Langston Hughes is in the public domain.


    Photo of the poet, novelist and short story writer Claude McKay is in the Public Domain

    “In Bondage” by Claude McKay

    I would be wandering in distant fields
    Where man, and bird, and beast, lives leisurely,
    And the old earth is kind, and ever yields
    Her goodly gifts to all her children free;
    Where life is fairer, lighter, less demanding,
    And boys and girls have time and space for play
    Before they come to years of understanding—
    Somewhere I would be singing, far away.
    For life is greater than the thousand wars
    Men wage for it in their insatiate lust,
    And will remain like the eternal stars,
    When all that shines to-day is drift and dust
    But I am bound with you in your mean graves,
    O black men, simple slaves of ruthless slaves.
    “In Bondage” by Claude McKay is in the public domain.

    Zora Neale Hurston

    Zora Neale Hurston was an author, anthropologist, and filmmaker. She portrayed racial struggles in the early-1900s American South. A prolific writer, her most popular novel is Their Eyes Were Watching God, which was published in 1937. The settings for much of her work are based on her upbringing in the South. She attended Barnard College and Columbia University, where she studied anthropology. She was interested in African-American and Caribbean folklore and how these contributed to the community’s identity.

    Hurston’s works concerned both the African-American experience and her struggles as an African-American woman. Her novels went relatively unrecognized by the literary world for decades. In 1975, fifteen years after Hurston’s death, interest in her work was revived after author Alice Walker published an article, “In Search of Zora Neale Hurston” (later retitled “Looking for Zora”), in the March issue of Ms. magazine that year.

    One or more interactive elements has been excluded from this version of the text. You can view them online here:

    Questions to Consider: How did these writers help readers of the time make new discoveries? What were those discoveries? Do readers today make the same discoveries in reading their works?

    Cover of Opportunity: A Journal of Negro Life
    Cover of Opportunity: A Journal of Negro Life, January 1925. Schomburg Center for Research in Black Culture, Jean Blackwell Hutson Research and Reference Division, The New York Public Library Digital Collection

    Work Cited

    Hutchinson, George. “Harlem Renaissance.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 26 Jan. 2023,

    Questions to Consider: What is the Harlem Renaissance? Why is is important? What are the lasting impacts of it?

    • Was this article helpful?