However, art in Florence and northern Italy during the period between 1200 and 1400 was still in transition; it was a bridge in Art History between the Medieval period and Byzantine and Gothic styles,...However, art in Florence and northern Italy during the period between 1200 and 1400 was still in transition; it was a bridge in Art History between the Medieval period and Byzantine and Gothic styles, and the Early Modern period and Renaissance styles. Duccio, Maestà, 1308–1311: Duccio’s work demonstrates the emerging Renaissance style, as seen in the developed form of the figures, as well as the older Byzantine styles and the Sienese preference for materiality with the use of gold.
However, art in Florence and northern Italy during the period between 1200 and 1400 was still in transition; it was a bridge in Art History between the Medieval period and Byzantine and Gothic styles,...However, art in Florence and northern Italy during the period between 1200 and 1400 was still in transition; it was a bridge in Art History between the Medieval period and Byzantine and Gothic styles, and the Early Modern period and Renaissance styles. Duccio, Maestà, 1308–1311: Duccio’s work demonstrates the emerging Renaissance style, as seen in the developed form of the figures, as well as the older Byzantine styles and the Sienese preference for materiality with the use of gold.
