The narrative seems to be made up of fragmented, unrelated associations; the father's ‘hairy face’; the mysterious Betty Byrne and her even more mysterious ‘lemon platt’; the random and sometimes dist...The narrative seems to be made up of fragmented, unrelated associations; the father's ‘hairy face’; the mysterious Betty Byrne and her even more mysterious ‘lemon platt’; the random and sometimes distorted snatches of song and the sinister nursery-rhyme-like refrain ‘Pull out his eyes /Apologise’; and the unexpected reference to Michael Davitt and Parnell, which we need some knowledge of Irish politics to understand fully.
The narrative seems to be made up of fragmented, unrelated associations; the father's ‘hairy face’; the mysterious Betty Byrne and her even more mysterious ‘lemon platt’; the random and sometimes dist...The narrative seems to be made up of fragmented, unrelated associations; the father's ‘hairy face’; the mysterious Betty Byrne and her even more mysterious ‘lemon platt’; the random and sometimes distorted snatches of song and the sinister nursery-rhyme-like refrain ‘Pull out his eyes /Apologise’; and the unexpected reference to Michael Davitt and Parnell, which we need some knowledge of Irish politics to understand fully.
