The very diversity of the décor seems to suggest a sense of rootlessness, reinforced by Pavel's behaviour here; the possibility that he is trying to ‘hide from the very walls themselves what was happe...The very diversity of the décor seems to suggest a sense of rootlessness, reinforced by Pavel's behaviour here; the possibility that he is trying to ‘hide from the very walls themselves what was happening to his face’. Even in the sanctuary of his own rooms on his brother's estate he seems to find himself alienated amongst the no doubt impressive, yet strangely soulless artefacts he has gathered around him.
The very diversity of the décor seems to suggest a sense of rootlessness, reinforced by Pavel's behaviour here; the possibility that he is trying to ‘hide from the very walls themselves what was happe...The very diversity of the décor seems to suggest a sense of rootlessness, reinforced by Pavel's behaviour here; the possibility that he is trying to ‘hide from the very walls themselves what was happening to his face’. Even in the sanctuary of his own rooms on his brother's estate he seems to find himself alienated amongst the no doubt impressive, yet strangely soulless artefacts he has gathered around him.
