Search
- Filter Results
- Location
- Classification
- Include attachments
- https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_II_(Kuznetsova)/12%3A_Baroque_Instrumental_Music_A._Vivaldi/12.02%3A_ConcertoThe concerto grosso is a form of baroque music in which the musical material is passed between a small group of soloists (the concertino) and full orchestra (the ripieno or concerto grosso). The conce...The concerto grosso is a form of baroque music in which the musical material is passed between a small group of soloists (the concertino) and full orchestra (the ripieno or concerto grosso). The concerto grosso form was superseded by the solo concerto and the sinfonia concertante in the late eighteenth century, and new examples of the form did not appear for more than a century.
- https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_II_(Kuznetsova)/13%3A_The_Classical_Era_Classical_Forms_and_Symphony_J._Haydn/13.01%3A_Overview_of_the_Classical_Era_of_MusicThis led to changes in the way music was performed, the most crucial of which was the move to standard instrumental groups and the reduction in the importance of the continuo—the rhythmic and harmonic...This led to changes in the way music was performed, the most crucial of which was the move to standard instrumental groups and the reduction in the importance of the continuo—the rhythmic and harmonic ground of a piece of music, typically played by a keyboard (harpsichord or organ) and potentially by several other instruments.
- https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_II_(Kuznetsova)/09%3A_The_Renaissance/9.02%3A_Renaissance_MusicAs in the other arts, the music of the period was significantly influenced by the developments which define the early modern period: the rise of humanistic thought; the recovery of the literary and ar...As in the other arts, the music of the period was significantly influenced by the developments which define the early modern period: the rise of humanistic thought; the recovery of the literary and artistic heritage of ancient Greece and Rome; increased innovation and discovery; the growth of commercial enterprise; the rise of a bourgeois class; and the Protestant Reformation.
- https://human.libretexts.org/Bookshelves/Music/Music_Education_and_Training/Do_You_Want_to_Major_in_Music%3F_(Wilson_and_Royston)/10%3A_Online_Resources/10.01%3A_Music_TheoryThis page provides a list of websites offering various music theory resources and tutorials. It includes teor??a: Music Theory Web for note-reading and drills, musictheory.net for basic vocabulary and...This page provides a list of websites offering various music theory resources and tutorials. It includes teor??a: Music Theory Web for note-reading and drills, musictheory.net for basic vocabulary and interactive concepts, Music Theory UK for scale construction and key signatures, and Tone Savvy for drills with a subscription. G Major Music Theory offers fundamentals and downloadable music, Musicards for self-drills, and The Music Theory Minute for quick video tutorials.
- https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_II_(Kuznetsova)/15%3A_Classical_Instrumental_and_Chamber_Music_L._Beethoven/15.04%3A_The_Classical_SonataOf the works that Haydn labeled piano sonata, divertimento, or partita in Hob XIV, seven are in two movements, thirty-five are in three, and three are in four; and there are several in three or four m...Of the works that Haydn labeled piano sonata, divertimento, or partita in Hob XIV, seven are in two movements, thirty-five are in three, and three are in four; and there are several in three or four movements whose authenticity is listed as “doubtful.” Composers such as Boccherini would publish sonatas for piano and obbligato instrument with an optional third movement—in Boccherini’s case, twenty-eight cello sonatas.
