Search
- Filter Results
- Location
- Classification
- Include attachments
- https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/06%3A_Medieval_Europe_and_Byzantine/6.11%3A_RomanesqueAnd immediately I was in the Spirit, and behold a throne was set in heaven, and one sat on the throne…And round the throne were four and twenty seats; and upon the seats I saw four and twenty elders s...And immediately I was in the Spirit, and behold a throne was set in heaven, and one sat on the throne…And round the throne were four and twenty seats; and upon the seats I saw four and twenty elders sitting, clothed in white raiment; and they had on their heads crowns of gold…And before the throne there was a sea of glass like unto a crystal; and in the midst of the throne, and round about the throne, were four beasts…And the first beast was like a lion, and the second beast like a calf, and th…
- https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/07%3A_Europe_(1300_-_1800)/7.01%3A_A_beginner's_guide_to_the_RenaissanceThough the shape and medium of the altarpiece varied from country to country, the sensual experience of viewing it during the medieval period did not: chanting, the ringing of bells, burning candles, ...Though the shape and medium of the altarpiece varied from country to country, the sensual experience of viewing it during the medieval period did not: chanting, the ringing of bells, burning candles, wafting incense, the mesmerizing sound of the incantation of the liturgy, and the sight of the colorful, carved story of Christ’s last days on earth and his resurrection would have stimulated all the senses of the worshipers.
- https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/07%3A_Europe_(1300_-_1800)/7.08%3A_Northern_Europe_in_the_15th_century-_Northern_RenaissanceThe whole history of that family, from the deeds of knightly bravado, in which the fast-rising fortunes of the first Philip take root, to the bitter jealousy of John the Fearless and the black lust fo...The whole history of that family, from the deeds of knightly bravado, in which the fast-rising fortunes of the first Philip take root, to the bitter jealousy of John the Fearless and the black lust for revenge in the years after his death, through the long summer of that other magnifico, Philip the Good, to the deranged stubbornness with which the ambitious Charles the Bold met his ruin – is this not a poem of heroic pride?
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/06%3A_Medieval_Europe__Byzantine/6.11%3A_RomanesqueAnd immediately I was in the Spirit, and behold a throne was set in heaven, and one sat on the throne…And round the throne were four and twenty seats; and upon the seats I saw four and twenty elders s...And immediately I was in the Spirit, and behold a throne was set in heaven, and one sat on the throne…And round the throne were four and twenty seats; and upon the seats I saw four and twenty elders sitting, clothed in white raiment; and they had on their heads crowns of gold…And before the throne there was a sea of glass like unto a crystal; and in the midst of the throne, and round about the throne, were four beasts…And the first beast was like a lion, and the second beast like a calf, and th…
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/07%3A_Europe_1300_-_1800/7.01%3A_A_beginner's_guide_to_the_RenaissanceThough the shape and medium of the altarpiece varied from country to country, the sensual experience of viewing it during the medieval period did not: chanting, the ringing of bells, burning candles, ...Though the shape and medium of the altarpiece varied from country to country, the sensual experience of viewing it during the medieval period did not: chanting, the ringing of bells, burning candles, wafting incense, the mesmerizing sound of the incantation of the liturgy, and the sight of the colorful, carved story of Christ’s last days on earth and his resurrection would have stimulated all the senses of the worshipers.
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/07%3A_Europe_1300_-_1800/7.08%3A_Northern_Europe_in_the_15th_century-_Northern_RenaissanceThe whole history of that family, from the deeds of knightly bravado, in which the fast-rising fortunes of the first Philip take root, to the bitter jealousy of John the Fearless and the black lust fo...The whole history of that family, from the deeds of knightly bravado, in which the fast-rising fortunes of the first Philip take root, to the bitter jealousy of John the Fearless and the black lust for revenge in the years after his death, through the long summer of that other magnifico, Philip the Good, to the deranged stubbornness with which the ambitious Charles the Bold met his ruin – is this not a poem of heroic pride?
