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- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Moving_Pictures_-_An_Introduction_to_Cinema_(Sharman)/00%3A_Front_Matter/04%3A_LicensingA detailed breakdown of this resource's licensing can be found in Back Matter/Detailed Licensing.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Moving_Pictures_-_An_Introduction_to_Cinema_(Sharman)/01%3A_An_Introduction_to_Cinema/01.4%3A_NarrativeThat information, of course, will affect every member of the crew, from the producers and assistant director responsible for scheduling, to the camera crew responsible for lighting the scene, to the p...That information, of course, will affect every member of the crew, from the producers and assistant director responsible for scheduling, to the camera crew responsible for lighting the scene, to the production designer responsible for the look of the location, to the transportation crew responsible for getting everyone there safely.
- https://human.libretexts.org/Courses/Southwestern_College/Art_104%3A_Introduction_To_Art_(Donovan)/10%3A_Film_and_Photography/10.07%3A_Women_in_CinemaBut the net result of this lopsided control over one of the most influential forms of mass media in the 20th century was a seemingly infinite loop of images crafted by men and re-enforcing the idea th...But the net result of this lopsided control over one of the most influential forms of mass media in the 20th century was a seemingly infinite loop of images crafted by men and re-enforcing the idea that women were the “weaker sex”. In fact, in almost all of those early films women characters were relegated to two conflicting roles: the virginal, saintly Madonna in need of saving; or the debased, fallen “loose” woman who must be cast out if not eliminated.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Moving_Pictures_-_An_Introduction_to_Cinema_(Sharman)/zz%3A_Back_Matter
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Moving_Pictures_-_An_Introduction_to_Cinema_(Sharman)/01%3A_An_Introduction_to_Cinema/01.6%3A_EditingTo establish these lines of action and to increase our own sense of dread and anxiety, the editor cuts from the man to the woman to the waterfall in a regular, rhythmic pattern, cross-cutting between ...To establish these lines of action and to increase our own sense of dread and anxiety, the editor cuts from the man to the woman to the waterfall in a regular, rhythmic pattern, cross-cutting between them to constantly remind the audience of the impending doom as we cheer on our hero until the lines of action finally converge.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Moving_Pictures_-_An_Introduction_to_Cinema_(Sharman)/02%3A_Representation_in_CinemaThumbnail: Hooded Klansmen catch Gus, portrayed in blackface by white actor Walter Long. (Public Domain; D. Griffith via Wikipedia)
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Moving_Pictures_-_An_Introduction_to_Cinema_(Sharman)A free and open-source introduction to the art and science of moving pictures, offering in-depth exploration of how cinema communicates, and what, exactly, it is trying to say.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Moving_Pictures_-_An_Introduction_to_Cinema_(Sharman)/01%3A_An_Introduction_to_Cinema/01.7%3A_SoundSo much so that when we talk about the use of sound in cinema we talk about it in terms of sound design, a detailed plan for the immersive effects of a motion picture’s soundscape that begins in pre-p...So much so that when we talk about the use of sound in cinema we talk about it in terms of sound design, a detailed plan for the immersive effects of a motion picture’s soundscape that begins in pre-production before a single frame is shot and extends to the very end of post-production, often the final element in the entire process.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Moving_Pictures_-_An_Introduction_to_Cinema_(Sharman)/00%3A_Front_Matter/01%3A_TitlePageUniversity of Arkansas Moving Pictures - An Introduction to Cinema Russell Sharman
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Moving_Pictures_-_An_Introduction_to_Cinema_(Sharman)/01%3A_An_Introduction_to_Cinema/01.2%3A_How_to_Watch_a_MovieThere may be a thousand different elements flashing before our eyes – a subtle dolly-in here, a rack focus there, a bit of color in the set design that echoes in the wardrobe of the protagonist, a mus...There may be a thousand different elements flashing before our eyes – a subtle dolly-in here, a rack focus there, a bit of color in the set design that echoes in the wardrobe of the protagonist, a music cue that signals the emotional state of a character, a cut on an action that matches an identical action in the next scene, and on and on and on – but all we see is one continuous moving picture.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Moving_Pictures_-_An_Introduction_to_Cinema_(Sharman)/zz%3A_Back_Matter/30%3A_Detailed_Licensing
