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- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Directing_(Garcia)/04%3A_Preparing_for_Design_Meetings/4.01%3A_Set_DesignYou want to make sure that your set has levels so that you can create dynamic stage pictures, you want the color palette to compliment the mood of the production, and you want your set to offer insigh...You want to make sure that your set has levels so that you can create dynamic stage pictures, you want the color palette to compliment the mood of the production, and you want your set to offer insights into the character’s world. Find multiple options and make sure in your meeting with the set designer to communicate what you like about each picture and how you think it might be incorporated into the set design.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Directing_(Garcia)Please view this book as a source of knowledge but know that every director you meet both good and bad you will learn from. Your journey is never over and the goal of any artist should be to take the ...Please view this book as a source of knowledge but know that every director you meet both good and bad you will learn from. Your journey is never over and the goal of any artist should be to take the lessons of the past, learn from your own experience, and transform your understanding into a unique approach that will change the future of the artform. This is my gift to you as you are the future. Best of luck on your journey.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Directing_(Garcia)/02%3A_Preparation/2.04%3A_Venue_SpaceThese entrances and walkways are usually on diagonal lines and you will want to utilize the diagonals for blocking in order to open up the stage so that every audience member has a good view of the ac...These entrances and walkways are usually on diagonal lines and you will want to utilize the diagonals for blocking in order to open up the stage so that every audience member has a good view of the action happening on the stage. The acting in theatre of the round has to be fantastic because there are far less elements to distract the audience and the focus of the audience is not on spectacle but on story and acting.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Directing_(Garcia)/08%3A_The_Rehearsal_Process/8.02%3A_Giving_notesYet what Nick Fury is able to do is see the value and skills each member of the team brings to the group and because he has this skill each member of the group trusts him. One of the most important le...Yet what Nick Fury is able to do is see the value and skills each member of the team brings to the group and because he has this skill each member of the group trusts him. One of the most important lessons I have ever learned is that it is essential that a leader believes in the individuals on the team, even and especially if that individual does not believe in his/herself.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Directing_(Garcia)/04%3A_Preparing_for_Design_Meetings/4.05%3A_Properties_DesignThe prop lists attached with scripts are often deceptive and if you only follow that list you will spend lots of time and money creating props you do not need and missing others you discovered you wil...The prop lists attached with scripts are often deceptive and if you only follow that list you will spend lots of time and money creating props you do not need and missing others you discovered you will need throughout the rehearsal process. Read the play and write down the list of all of the essential props needed for the production. Make sure that the prop designer is aware of all of the choices the other designers are making so that the props fit the time period, style, and color palette.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Directing_(Garcia)/07%3A_Lessons_in_Staging/7.07%3A_Lesson_6-__Creating_Areas_of_Power_or_Establishing_Psychological_SpacesIf for example your teacher walks into class every morning with coffee in the same cup and sits in a chair facing the class, both the chair and the cup can represent the teacher if the teacher were no...If for example your teacher walks into class every morning with coffee in the same cup and sits in a chair facing the class, both the chair and the cup can represent the teacher if the teacher were not in the room. Create a scene with a beginning, middle, and end in which an area or item is associated with a character and when that character leaves the scene continues with the item or area taking the character’s place in the scene.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Directing_(Garcia)/09%3A_The_Actors_Process/9.03%3A_Team_Building_ExercisesThe point of the exercise is to gain experience being themselves in front of a group and allowing the group to see them, not to answer a question or entertain the group. The activity not only provides...The point of the exercise is to gain experience being themselves in front of a group and allowing the group to see them, not to answer a question or entertain the group. The activity not only provides the experience of being the center of attention, it forces the student to confront the most terrifying aspects of stage fright by having them be the center of attention while also being unprepared.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Directing_(Garcia)/08%3A_The_Rehearsal_Process/8.04%3A_Rehearsal_DescriptionYou do not need acting experience in order to communicate with actors, although it helps, but you do need to know what the actor’s process is like so you can communicate you needs to them within the l...You do not need acting experience in order to communicate with actors, although it helps, but you do need to know what the actor’s process is like so you can communicate you needs to them within the language they use to create characters. It takes time for your actors to internalize lines and the first week after they are memorized they will not be present on stage because they will still be thinking of the lines rather than responding to the action on stage.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Directing_(Garcia)/00%3A_Front_Matter
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Directing_(Garcia)/05%3A_Budgeting/5.01%3A_BudgetBudgeting for theater productions involves managing various expenses creatively to minimize costs while ensuring quality. Key considerations include non-negotiable production rights, with fees varying...Budgeting for theater productions involves managing various expenses creatively to minimize costs while ensuring quality. Key considerations include non-negotiable production rights, with fees varying for plays and musicals. Venue costs depend on ownership or rental agreements, and savings here can be redirected. Set and costume designs must be carefully budgeted, potentially utilizing storage or donations.
- https://human.libretexts.org/Bookshelves/Theater_Film_and_Storytelling/Directing_(Garcia)/09%3A_The_Actors_Process
