Loading [MathJax]/extensions/mml2jax.js
Skip to main content
Library homepage
 

Text Color

Text Size

 

Margin Size

 

Font Type

Enable Dyslexic Font
Humanities LibreTexts

Search

  • Filter Results
  • Location
  • Classification
    • Article type
    • Author
    • Cover Page
    • License
    • Show TOC
    • Transcluded
    • PrintOptions
    • Number of Print Columns
    • beeline
    • OER program or Publisher
    • Autonumber Section Headings
    • License Version
    • Print CSS
  • Include attachments
Searching in
About 217 results
  • https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_I_(Jones)/02%3A_Baroque/2.38%3A_More_on_the_Baroque_Period
    The middle Baroque period in Italy is defined by the emergence of the cantata, oratorio, and opera during the 1630s, and a new concept of melody and harmony that elevated the status of the music to on...The middle Baroque period in Italy is defined by the emergence of the cantata, oratorio, and opera during the 1630s, and a new concept of melody and harmony that elevated the status of the music to one of equality with the words, which formerly had been regarded as pre-eminent.
  • https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_I_(Jones)/08%3A_Late_Romantic_Era/8.03%3A_Gustav_Mahler
    Early critics maintained that Mahler’s adoption of many different styles to suit different expressions of feeling meant that he lacked a style of his own; Cooke on the other hand asserts that Mahler “...Early critics maintained that Mahler’s adoption of many different styles to suit different expressions of feeling meant that he lacked a style of his own; Cooke on the other hand asserts that Mahler “redeemed any borrowings by imprinting his [own] personality on practically every note” to produce music of “outstanding originality.” Music critic Harold Schonberg sees the essence of Mahler’s music in the theme of struggle, in the tradition of Beethoven.
  • https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_I_(Jones)/02%3A_Baroque/2.32%3A_Water_Music
    It was rumoured that the reason for the spectacular performance of the Water Music was purposed to help King George steal some of the London spotlight back from the prince, who at the time was worried...It was rumoured that the reason for the spectacular performance of the Water Music was purposed to help King George steal some of the London spotlight back from the prince, who at the time was worried that his time to rule would be shortened due to his father’s long life and was throwing lavish parties and dinners to compensate for it.
  • https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_I_(Jones)/02%3A_Baroque/2.13%3A_Arcangelo_Corelli
    This webpage provides a concise biography of Arcangelo Corelli, a middle Baroque composer of considerable influence, especially on violin music, despite writing a relatively small amount of music. The...This webpage provides a concise biography of Arcangelo Corelli, a middle Baroque composer of considerable influence, especially on violin music, despite writing a relatively small amount of music. The first three paragraphs detail his life and significance in the history of the period, while the later paragraphs provide an overview of the genres in which he did most of his work. Provided by: Santa Ana College. Located at: http://www.sac.edu. License: CC BY: Attribution
  • https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_I_(Jones)/00%3A_Front_Matter/04%3A_Licensing
    A detailed breakdown of this resource's licensing can be found in Back Matter/Detailed Licensing.
  • https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_I_(Jones)/10%3A_20th_Century-_Introduction_to_Primitivism_Nationalism_and_Neoclassicism
  • https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_I_(Jones)/04%3A_Classical_Forms
  • https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_I_(Jones)/00%3A_Front_Matter
  • https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_I_(Jones)/03%3A_Classical_Genres
  • https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_I_(Jones)/05%3A_Classical_Composers/5.07%3A_Symphony_No._5_in_C_minor
    It is commonly asserted that the opening four-note rhythmic motif (short-short-short-long; see above) is repeated throughout the symphony, unifying it. “It is a rhythmic pattern (dit-dit-dit-dot*) tha...It is commonly asserted that the opening four-note rhythmic motif (short-short-short-long; see above) is repeated throughout the symphony, unifying it. “It is a rhythmic pattern (dit-dit-dit-dot*) that makes its appearance in each of the other three movements and thus contributes to the overall unity of the symphony” (Doug Briscoe); “a single motif that unifies the entire work” (Peter Gutmann); “the key motif of the entire symphony”; “the rhythm of the famous opening figure . . . recurs at cruc…
  • https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_I_(Jones)/09%3A_20th_Century-_Impressionism_Expressionism_and_Twelve-Tone/9.02%3A_Arnold_Schoenberg
    He was appointed visiting professor at UCLA in 1935 on the recommendation of Otto Klemperer, music director and conductor of the Los Angeles Philharmonic Orchestra; and the next year was promoted to p...He was appointed visiting professor at UCLA in 1935 on the recommendation of Otto Klemperer, music director and conductor of the Los Angeles Philharmonic Orchestra; and the next year was promoted to professor at a salary of $5,100 per year, which enabled him in either May 1936 or 1937 to buy a Spanish Revival house at 116 North Rockingham in Brentwood Park, near the UCLA campus, for $18,000.

Support Center

How can we help?