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- https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/08%3A_Europe_(1800_-_1900)/8.09%3A_SculptureA year after the first version was exhibited, Claudel reworked the female figure in a piece entitled The Vanished God; a work remarkable for its expressive qualities; its head of matted locks, coiling...A year after the first version was exhibited, Claudel reworked the female figure in a piece entitled The Vanished God; a work remarkable for its expressive qualities; its head of matted locks, coiling ropelike around the smooth and rounded forms of the body; the face an image of anguish, the lips parted slightly, the eyebrows raised, the intensity of the gaze leveled toward the space between the cupped hands.
- https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/08%3A_Europe_1800_-_1900/8.09%3A_SculptureA year after the first version was exhibited, Claudel reworked the female figure in a piece entitled The Vanished God; a work remarkable for its expressive qualities; its head of matted locks, coiling...A year after the first version was exhibited, Claudel reworked the female figure in a piece entitled The Vanished God; a work remarkable for its expressive qualities; its head of matted locks, coiling ropelike around the smooth and rounded forms of the body; the face an image of anguish, the lips parted slightly, the eyebrows raised, the intensity of the gaze leveled toward the space between the cupped hands.
- https://human.libretexts.org/Courses/Housatonic_Community_College/Art_E103%3A_Art_History_III_(1840Present)/02%3A_Becoming_Modern_(c.1840c.1900)/2.08%3A_SculptureA year after the first version was exhibited, Claudel reworked the female figure in a piece entitled The Vanished God; a work remarkable for its expressive qualities; its head of matted locks, coiling...A year after the first version was exhibited, Claudel reworked the female figure in a piece entitled The Vanished God; a work remarkable for its expressive qualities; its head of matted locks, coiling ropelike around the smooth and rounded forms of the body; the face an image of anguish, the lips parted slightly, the eyebrows raised, the intensity of the gaze leveled toward the space between the cupped hands.
