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  • https://human.libretexts.org/Courses/Prince_George's_Community_College/Introduction_to_Art__Art_History_Part_2/07%3A_Europe_(1300_-_1800)/7.09%3A_Northern_Europe_in_the_16th_century-_Renaissance_and_Mannerism
    When the triptych is in the closed position (above), the outer panels, painted in grisaille (monochrome), join to form a perfect sphere—a vision of a planet-shaped clear glass vessel half-filled with ...When the triptych is in the closed position (above), the outer panels, painted in grisaille (monochrome), join to form a perfect sphere—a vision of a planet-shaped clear glass vessel half-filled with water, interpreted to be either the depiction of the Flood, or day three of God’s creation of the world (which has to do with the springing forth of flowers, plants and trees, in which case he’s guilty of heedless over-watering).
  • https://human.libretexts.org/Bookshelves/Art/SmartHistory_of_Art/07%3A_Europe_1300_-_1800/7.09%3A_Northern_Europe_in_the_16th_century-_Renaissance_and_Mannerism
    When the triptych is in the closed position (above), the outer panels, painted in grisaille (monochrome), join to form a perfect sphere—a vision of a planet-shaped clear glass vessel half-filled with ...When the triptych is in the closed position (above), the outer panels, painted in grisaille (monochrome), join to form a perfect sphere—a vision of a planet-shaped clear glass vessel half-filled with water, interpreted to be either the depiction of the Flood, or day three of God’s creation of the world (which has to do with the springing forth of flowers, plants and trees, in which case he’s guilty of heedless over-watering).

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