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  • https://human.libretexts.org/Bookshelves/Music/Music_Appreciation/Music_Appreciation_II_(Kuznetsova)/01%3A_Melody_Harmony_and_Scales/1.05%3A_Harmony_and_Tonality
    Depending on the widths of the individual thirds stacked to build the chord, the interval between the root and the seventh of the chord may be major, minor, or diminished. (The interval of an augmente...Depending on the widths of the individual thirds stacked to build the chord, the interval between the root and the seventh of the chord may be major, minor, or diminished. (The interval of an augmented seventh reproduces the root, and is therefore left out of the chordal nomenclature.) The nomenclature allows that, by default, “C7″ indicates a chord with a root, third, fifth, and seventh spelled C, E, G, and B♭. Other types of seventh chords must be named more explicitly, such as “C Major 7” (s…

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