Glossary

Abstract Art

Art that does not attempt to represent external reality but seeks to achieve its effect using shapes, colors, and textures.

Abstract Texture

A physical texture that has been stylized or simplified and does not directly represent the texture of a specific object. Abstract texture focuses on the essence or feeling of tactile qualities without replicating them precisely, often emphasizing pattern or form over direct imitation.

Actual Texture

The physical texture that can be felt by touching the surface of an object or material. It refers to the tangible quality of the surface, which can be rough, smooth, soft, hard, etc.

Aesthetic Judgment

An evaluation of an artwork's beauty or artistic value based on subjective preferences and objective criteria.

Alcohol Markers

Markers with dye-based ink dissolved in alcohol allow for vibrant colors and seamless blending. They are preferred for their quick-drying and smudge-resistant qualities.

Analogous Colors

Colors next to each other on the color wheel share a common hue and create a harmonious look. Examples: blue, blue-green, and green.

Artistic Expression

The unique way an artist conveys ideas, feelings, or personal style through their artwork.

Artistic Intent

The purpose or goal the artist had in mind when creating the artwork.

Asymmetrical Balance

Utilizes differing visual elements within a composition to achieve balance. Unlike symmetrical balance, it doesn’t rely on exact mirroring but rather on visual equilibrium through strategic placement of elements.

Atmospheric Perspective

The changes in color, value, and detail simulate the effects of distance, with objects becoming lighter, less detailed, and bluer as they recede into the background.

Background

The area in a composition is farthest from the viewer and usually contains objects with reduced detail and size to create distance.

Balance

The distribution of visual weight to create stability (e.g., symmetrical, asymmetrical, or radial balance).

Blending Tools

Such as tortillons, stumps, and brushes, blend or soften lines and shadows in dry media.

Blending

The process of smoothing and combining pencil or charcoal marks to create gradual transitions between values.

Blind Contour Drawing

A drawing technique where the artist sketches the contour of a subject without looking at the paper, focusing solely on the subject.

Brushes

Come in various shapes and sizes for different effects and media applications.

Cast Shadow

A shadow projected by an object onto another surface or the object itself.

Charcoal

Carbonized wood or other organic materials providing deep blacks and a range of textures, ideal for expressive marks and rapid sketches.

Chiaroscuro

An artistic technique that uses strong contrasts between light and dark to model three-dimensional forms and create a sense of depth.

Chroma

Another term for saturation, referring to the purity or intensity of a color. High chroma colors are vivid or strong, while low chroma colors appear dull or muted.

Color Harmony

The pleasing arrangement of colors, often using specific formulas or principles to create a cohesive composition.

Color Theory

The study of color and its use in art and design, encompassing the color wheel, color harmony, and the psychological effects of color.

Color Wheel

A circular diagram of colors arranged according to their chromatic relationship, showing primary, secondary, and tertiary colors.

Color

The hue, brightness, or darkness of objects influenced by light sources and their interaction with surfaces.

Colored Pencils

Wood-encased rods of pigment and wax or oil binder, offering precise control for detailed color work and layering.

Complementary Colors

Colors opposite each other on the color wheel. They create a strong contrast and vibrant look but can be harmonious when used in the right proportions.

Composition

In art, it is the deliberate arrangement and organization of the visual elements of art in a strategic manner that conveys a specific meaning or elicits a desired response, using the principles of design.

Concave

Shapes that curve inward, creating a depression or hollow appearance.

Constructive Criticism

Feedback that is specific, helpful, and aimed at encouraging growth and improvement in the artist's work.

Conté Crayons

are compressed powdered graphite or charcoal mixed with wax or clay, available in limited colors, and used for precise lines and shading.

Content

The subject matter, story, or information that an artwork seeks to communicate, distinct from its form.

Context

The circumstances surrounding the creation and reception of an artwork, including historical, cultural, social, and personal factors.

Contour Drawing

A method involving sketching the outline of a subject to capture its visible edges and forms.

Contour

The outer edge or boundary that defines the shape of an object.

Contrast

The juxtaposition of different elements (e.g., color, texture) to create visual interest and emphasize differences.

Convex

Shapes that curve outward, creating a protruding or bulging appearance.

Cool Colors

Colors associated with calmness and serenity (blue, green, purple), are often used to evoke feelings of calm and relaxation.

Core Shadow

The darkest part of a shadow on the object, indicating where it turns away from the light source.

Critique Guidelines

A set of criteria or principles used to guide the critique process, ensuring it is constructive and respectful.

Critique Session

A structured discussion where artists and viewers share observations, analyses, and feedback about artworks.

Critique

The practice of analyzing, interpreting, and judging artworks, including discussing their meanings, styles, and techniques.

Cross-contour lines

Lines traverse an object's surface, mapping its three-dimensional form on a two-dimensional plane.

Cross-Hatching

A technique using intersecting sets of lines over hatching to create deeper shading and richer textures.

Digital Art

Using digital tools to create drawings and artwork, often with a stylus and tablet, blending traditional drawing skills with digital technology.

Digital Tablets

Devices that allow artists to draw directly onto a screen with a stylus, simulating a variety of traditional media digitally. Drawing is the process of creating images on a surface using tools like pencils, pens, inks, and brushes. It is a direct form of visual expression and a foundational skill for personal style development.

Elements of Art

The basic components used in creating and designing artwork, including line, shape, form, space, color, value, and texture, are crucial for the artist's expression.

Emotional Resonance-

The capacity of an artwork to evoke feelings or emotional responses in the viewer.

Emphasis

Highlighting specific elements to create focus and hierarchy.

Erasers

Kneaded, vinyl, and gum erasers each have unique properties for correcting and creating textures.

Ergonomics

Maintaining proper posture and taking regular breaks to prevent strain or injury from repetitive motions.

Expressionism

An artistic style emphasizing the expression of emotional experience over external world impressions, often through vivid colors and dynamic brushwork.

Exterior Contour Lines

Lines that define the outer boundary of an object in a drawing, establishing its initial shape.

Figurative Art

Represents real-world objects or subjects, such as human figures and landscapes, exploring human experiences and emotions as a medium for personal expression.

Flat Shape

Shapes that appear two-dimensional and lack the illusion of depth or volume.

Focal Point

The area within a composition that is intentionally emphasized to draw the viewer's attention and create visual interest.

Foreground

The part of a composition that is closest to the viewer and typically contains the most detailed and prominent objects.

Form and Volume

Techniques to create the illusion of three-dimensionality in a drawing through effective use of light and shadow.

Formal Analysis

A type of art criticism that focuses on an artwork’s visual elements and how they are used to create a cohesive visual experience.

Geometric Shape

Shapes characterized by precise and regular forms, such as circles, squares, and triangles.

Gesture Drawing

A technique emphasizing the motion and general form of the subject rather than detailed accuracy, expressing immediate perception and emotion.

Glazing

A technique in which a transparent layer is applied over another dry layer, altering the color and characteristics of the layers beneath.

Golden Mean

Another term for the golden ratio. Represents aesthetic harmony and balance in arranging a composition.

Golden Ratio (Phi)

A mathematical ratio (approximately 1.618) found in nature, art, and architecture. Divide a line into two parts such that the ratio of the whole line to the longer segment is the same as the ratio of the longer segment to the shorter one.

Golden Spiral (Fibonacci Spiral)

A logarithmic spiral approximating the golden ratio. Seen in natural forms like seashells and galaxies.

Golden Triangle

A compositional technique derived from the golden ratio. Divining a rectangle into four triangles, the diagonal forming the golden ratio.

Gouache

An opaque watercolor paint that dries to a matte finish, gouache is known for its excellent covering power and intensity of color. It can be reactivated with water even after drying, allowing for adjustments and layering.

Gradient

A smooth transition between different values, from light to dark.

Graphite

A form of carbon used in pencils, graphite comes in a range of shades from light grey to black and is suitable for detailed line work and shading.

Grid

A framework of intersecting horizontal and vertical lines used for maintaining proportion and precision in drawing.

Hand-eye coordination

Translating visual observation into precise motor control for accurate drawing. Harmony: Achieving a sense of unity and coherence within a composition

Hatching

A drawing technique using parallel lines to create texture and shading.

High-Key

A drawing technique that uses lighter tones and values with minimal contrast, often creating a serene, light atmosphere.

Highlight

The brightest area where light directly hits the surface of an object.

Horizon Line

An imaginary horizontal line that represents the viewer's eye level and plays a crucial role in linear perspective.

Hue

This refers to the name of a color (e.g., red, blue, yellow) identifiable in the color spectrum or wheel. It is the aspect of color determined by the specific wavelength of light.

Iconography

Interpreting symbols, themes, and subject matter in art. It involves understanding the meanings of images and motifs within their cultural and historical contexts.

Implied Lines

Suggested or invisible lines created by the arrangement of elements, guiding the viewer’s gaze.

Initial Response

The immediate emotional and intellectual reactions to an artwork.

Ink Wash

A technique where ink is diluted with water and applied to create subtle gradients and textures.

Ink

A liquid pigment or dye-based substance used with brushes or pens, known for its fluidity and permanence, suitable for line work and washes.

Intensity

Measures the purity or vividness of a color. High intensity means the color is vivid or pure, while low intensity refers to a dull or muted color.

Interior Contour Lines

Lines drawn within the boundaries of an object to detail its internal features and add depth.

Interpretation

The process of decoding the symbols, messages, and themes conveyed by an artwork, going beyond its physical appearance to understand its significance.

Isolation (Art)

Emphasizing an element by placing it alone or separate from other elements. Juxtaposition: Placing contrasting elements side by side to create meaning or visual impact.

Leading Lines

Lines within a composition that guide the viewer’s eye toward a focal point.

Light and Shadow

Observing and rendering how light interacts with objects and casts shadows is critical for realism and depth.

Light Source

Location from which light is emitted.

Line Quality

Characteristics of a line in an artwork, including width, texture, smoothness, and curvature, which can convey emotions and are key to personal expression.

Line

A fundamental element in art used to define shape, contours, and outlines in drawing.

Linear Perspective

A method of representing depth and spatial relationships by using converging lines that meet at one or more vanishing points on the horizon.

Low-Key

A technique characterized by the dominance of dark tones and a broad range of contrast, creating dramatic, moody effects.

Malleability

The ability to be shaped or bent without breaking.

Mark-making techniques

Techniques using parallel and overlapping lines to create texture, tone, and shading. These include hatching, cross-hatching, stippling, scribbling, etc.

Mass

The perceived volume and solidity of a shape or object within a composition.

Medium (Media)

The material or technique an artist uses, influencing the artwork's form and content and allowing exploration of personal expression.

Micro-Contour Lines

Fine lines used for capturing detailed features and textures within a subject.

Middle Ground

The area between the foreground and background in a composition, often featuring objects with intermediate levels of detail and size.

Monochromatic

A color scheme involving variations of one color, including its tints, tones, and shades.

Movement

Creating a sense of motion or flow through visual elements.

Narrative Content

The story or theme of an artwork tells or explores, explicitly or through symbolic representation.

Narrative in Art

The story or message conveyed through the composition and rendering of elements in a drawing.

Negative Space

The empty or unoccupied areas around and between objects or subjects within a composition can shape and define positive space.

Non-Figurative Art

Also known as abstract art, this type of art does not depict objects from the natural world but instead focuses on color, form, and line to convey emotions and ideas.

Objective Critique

An evaluation based on unbiased judgments, focusing solely on the work's factual elements and formal qualities.

Observational Drawing

The practice of drawing what one sees in the real world instead of drawing from memory or imagination.

Organic Shape

Shapes with irregular and natural contours resembling shapes found in nature.

Originality- The uniqueness and innovation demonstrated by an artwork reflecting the artist's vision and creativity. Orthogonal Lines

Orthogonal lines converge toward vanishing points on the horizon, creating depth in perspective drawings.

Outline

The outermost edge or line that defines the shape of an object, figure, or form.

Overlapping

A technique where objects or elements in the foreground partially cover those in the background, creating a sense of depth and spatial relationships.

Paper

Comes in various weights, textures, and colors. Specific types include watercolor paper, Bristol board, and sketching paper.

Pastels

Sticks of pure powdered pigment bound with a minimal amount of binder, allowing for vibrant colors with a soft, blendable texture.

Pattern

Regular repetition of motifs or designs.

Peer Review

The evaluation of an artist's work by fellow artists or professionals to provide insightful feedback and foster a supportive community

Pencil Measuring

A method using a pencil as a measuring tool to ensure accurate proportions and sizes in a drawing.

Perspective

The technique used to represent three-dimensional objects on a two-dimensional surface in a natural and realistic way.

Pigment

The material that gives media its color; fine particles that can be natural or synthetic.

Positive Shape

The actual shapes of objects or subjects that occupy space in a composition.

Positive Space

The area within a composition occupied by objects or subjects, often the primary focus of the artwork.

Primary Colors

The set of colors that can be combined to create a broad spectrum of colors. In traditional color theory, these are red, yellow, and blue.

Proportion

The relative size and scale of various elements in a drawing.

Protective Gear

Use gloves, masks, and protective eyewear when necessary to protect against dust, chemical fumes, and splatters.

Psychological Aspects of Art

The study of art's effects on and reflection of the mental and emotional states of creators and viewers, enriching the artist's approach to personal expression.

Radial Balance

Organizes elements around a central point, creating a circular or radial pattern.

Raster Graphics

These graphics are composed of pixels; each assigned a color value. They are suitable for complex images like photographs and have quality dependent on resolution.

Realism

A style portraying subjects as they appear in real life, with accuracy and detail, offering personal expression when infused with the artist's insights and emotions.

Relief Printing

A printmaking technique where a raised surface is inked and pressed onto paper, creating textured impressions.

Rendering

Accurately depicting texture, form, and light in a drawing or painting.

Repetition

Regularly recurring visual elements (e.g., patterns, motifs) to establish rhythm.

Rhythm

The repetition of visual elements to establish movement and flow.

Rule of Thirds

Divide an image into thirds using two horizontal and two vertical lines. Positioning important elements at the intersections or along the lines creates a visually pleasing composition.

Safe Storage

Properly storing materials and tools to prevent accidents or exposure to hazardous substances.

Saturation

The intensity or purity of a color.

Scribbling/Scumblind

A technique involving small, circular, scribble-like motions to create dynamic and textured effects.

Scribbling

Rapid and irregular marks used to suggest texture or form.

Secondary Colors

Colors are created by mixing two primary colors in equal parts. Examples include orange (red + yellow), green (blue + yellow), and purple (red + blue).

Sgraffito

Using a sharp tool to remove or scratch away media layers, revealing underlying texture or color.

Shade

A color made by adding black to a pure hue, making it darker.

Shades

Darker values of color

Shading

Adding light and shadow to a drawing to create the illusion of depth and three-dimensionality.

Shape

A two-dimensional area or surface defined by a distinct boundary or outline.

Silhouette

An object or figure's dark outline or shape, typically seen against a contrasting background.

Simulated Texture

Simulated texture is the imitation of actual texture, using artistic techniques to visually replicate the tactile qualities of different surfaces (i.e., smoothness, roughness), enhancing realism and visual depth.

Size and Scale

Refers to the relative dimensions of objects within a composition.

Size Scaling

Altering the size of objects or elements in a composition to convey depth, with objects appearing larger in the foreground and smaller in the background.

Spatial Depth

The illusion of three-dimensionality and distance on a two-dimensional surface, achieved through techniques such as perspective, size scaling, and overlapping.

Stippling

A method that uses small dots to build up shading and texture, suitable for detailed and subtle tonal variations.

Subjective Critique

An evaluation influenced by personal feelings, tastes, or opinions. Subjectivity acknowledges that different viewers may have different responses to the same artwork.

Symbolism

Using symbols within an artwork to represent ideas or concepts.

Symmetrical Balance

A design in which the two halves of a composition on either side of an imaginary central vertical axis correspond to one another in size, shape, and placement; mirror-like.

Tactile Texture

Synonymous with actual texture, tactile texture refers to the texture that can be perceived through touch. It involves the physical sensation experienced when contacting the surface of an artwork or material.

Technical Analysis

Examining the materials, techniques, and craftsmanship.

Technique

The specific methods or processes an artist employs in working with a medium, like linework, subtraction, or layering.

Temperature

Refers to the warmth or coolness of a color. Warm colors (reds, oranges, yellows) are said to advance or appear more active in composition, while cool colors (blues, greens, violets) recede or appear more passive.

Tertiary Colors

Colors are made by mixing a primary color with a secondary color on the color wheel. Examples include red-orange and blue-green.

Tessellations

A pattern of identical shapes that fit together without gaps or overlaps, i.e. the repeating geometric patterns in mosaic tiles.

Texture

The perceived surface quality of an artwork, either tactile or visual, adds interest and contributes to the artist's expressive capabilities.

Theme

The underlying message or focus of a work of art that reflects the central idea being explored.

Thumbnail Sketches

Quick, preliminary sketches that help plan and explore the composition, values, and primary forms of a drawing.

Tint

A color made by adding white to a pure hue, making it lighter.

Tints

Lighter values of color. Tone refers to the relative lightness or darkness of a color or grayscale, commonly used to create contrast, depth, and mood within an artwork.

Unity

The harmony within an artwork is achieved by connecting elements into a cohesive whole.

Value Contrast

The variation in lightness and darkness across different areas of a drawing, contributing to its overall impact.

Value Finder

A tool used to compare the values in a drawing or painting to the actual values observed in the subject, ensuring accurate representation.

Value Scale

A scale showing gradation from white to black, used to understand and depict different levels of lightness and darkness.

Value Sketch

A preliminary sketch using different values to block in the basic structure and composition before finalizing a drawing or painting.

Value

is the lightness or darkness of a color. It indicates the amount of light reflected by the color, with white being the highest value (lightest) and black the lowest (darkest).

Vanishing Point

A point on the horizon where parallel lines (orthogonal lines) appear to converge in linear perspective, determining the direction of objects in space.

Variety

Introducing diversity and contrast to maintain viewer interest.

Ventilation

Ensuring adequate airflow in the workspace to dissipate harmful dust or fumes, particularly when working with materials like pastels, aerosols, or solvents. Viewer Engagement is the interaction between the viewer and the artwork, including emotional, intellectual, and physical responses.

Viewfinder

A tool for isolating and framing portions of the visual field, aiding in drawing composition.

Visible Spectrum of Light

The range of wavelengths of light visible to the human eye, i.e. red, yellow, orange, green, blue, indigo, and violet.

Visual Acuity

The ability to see fine detail, crucial for observing and drawing intricate features of subjects.

Visual Culture

Aspects of culture expressed through visual images and symbols are essential for artists to understand and integrate into their work for personal connection with audiences.

Visual Literacy

The ability to interpret, negotiate, and make meaning from information presented as an image.

Visual Texture

The illusion of texture created on a flat surface using visual elements such as lines, colors, shapes, and shading. Visual texture suggests how an object might feel if touched but exists only as a visual effect, not a physical one.

Visual Weight

Refers to an element's perceived heaviness or prominence based on its size, color, or position.

Warm colors

such as red, orange, and yellow, are typically associated with warmth and are often used to convey energy, brightness, and action.

Wash

A technique particularly used in watercolor and ink drawings, where a dilute ink or paint is applied broadly.

Watercolors

These use transparent pigments mixed with water and applied in thin washes, and they are known for their luminous, flowing color effects.

Wood Panels

Durable surfaces that offer a rigid base for drawing and painting. Wood can be sealed, primed, or left raw, depending on the desired effect and media compatibility.