5: Appendix
- Page ID
- 375347
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)- 5.2: Understanding_Art_-_Supporting_Images
- 5.2.1: Seated Figure, Djenné peoples
- 5.2.2: Terracotta Warriors
- 5.2.3: Woman with Wax Tablets and Stylus
- 5.2.4: Sugar Cane
- 5.2.5: Justinian and Attendants
- 5.2.6: Sol
- 5.2.7: Adoration of the Magi
- 5.2.8: Lancet Windows - Reims Cathedral
- 5.2.9: Portrait of Wally Neuzil
- 5.2.10: Self-Portrait with her Daughter
- 5.2.11: Oath of the Horatii
- 5.2.12: Cornelia Pointing to Her Children as Her Treasures
- 5.2.13: Buddha Shakyamuni or Akshobhya
- 5.2.14: Beaker with Inverse Face
- 5.2.15: Sistine Chapel
- 5.2.16: La Mozquita
- 5.3: Elements_of_Art_and_Principles_of_Design_-_Supporting_Images
- 5.3.1: Color and Value
- 5.3.1.1: Mother and Child
- 5.3.1.2: Young Woman Watering a Shrub
- 5.3.1.3: Peasant Mother
- 5.3.1.4: The Banjo Lesson
- 5.3.1.5: Red Room
- 5.3.1.6: Color Structure
- 5.3.1.7: Peach Blossom Spring
- 5.3.1.8: Bridalveil Fall
- 5.3.1.9: Green_Wheat_Fields,_Auvers
- 5.3.1.10: A Piece of Wood II / From Knot of Wood
- 5.3.1.11: Atlantic Ocean, Cliffs of Moher
- 5.3.1.12: The Bay
- 5.3.1.13: Calla Lily
- 5.3.1.14: Fotogramm
- 5.3.1.15: Untitled (from Testimony)
- 5.3.1.16: I will not make boring art
- 5.3.1.17: The Two Disciple at the Tomb
- 5.3.1.18: The Supper at Emmaus
- 5.3.1.19: Battlefield
- 5.3.1.20: Migrant Mother
- 5.3.1.21: Monument for V. Tatlin
- 5.3.1.22: The Artist Helps the World by Revealing Mystic Truths
- 5.3.2: Line,_Shape,_and_Form
- 5.3.2.1: The Four Horsemen, from The Apocalypse
- 5.3.2.2: The Tetons - Snake River
- 5.3.2.3: In the Car
- 5.3.2.4: Navigation Chart
- 5.3.2.5: The Virgin of the Rocks
- 5.3.2.6: Improvisation 28
- 5.3.2.7: Joinville Soldier Walking
- 5.3.2.8: Composition with Yellow, Blue, and Red
- 5.3.2.9: The Marriage of Reason and Squalor, II
- 5.3.2.10: Ta Moko
- 5.3.2.11: Muqarnas
- 5.3.2.12: Ceramic Lantern, 13th Century Syria
- 5.3.2.13: Korwar
- 5.3.2.14: West Buddha, Bamiyan
- 5.3.3: Space
- 5.3.3.1: La Donna Velata
- 5.3.3.2: Grand Canyon of the Yellowstone
- 5.3.3.3: St. John the Evangelist in the Lindisfarne Gospels
- 5.3.3.4: The Ultrecht Psalter
- 5.3.3.5: The Harley Psalter
- 5.3.3.6: The Eadwine Psalter
- 5.3.3.7: Christ Giving the Keys of the Kingdom to St. Peter
- 5.3.3.8: Saint Mark Preaching in Alexandria
- 5.3.3.9: Life as a Picture - A Picture of Life Series
- 5.3.3.10: Perspective Painting of the Lake to the East
- 5.3.3.11: The Clivus Scauri in Rome
- 5.3.3.12: Chamber of the Sphinx
- 5.3.3.13: Cloister of St. Trophime
- 5.3.3.14: Landscape with St. John on Patmos
- 5.3.3.15: The Oxbow
- 5.3.3.16: For Sunday's Dinner
- 5.3.3.17: Still Life with Oysters, Cookies, and Comfits
- 5.3.3.18: Lozenge Composition with Yellow, Black, Blue, Red, and Gray
- 5.3.3.19: Airplane Flying- Suprematist Composition
- 5.3.3.20: Altar Group with Oba Akenzua I
- 5.3.3.21: The Gates
- 5.3.3.22: Storyteller with Twenty Figures
- 5.3.4: Texture and Pattern
- 5.3.4.1: Balloon Dog
- 5.3.4.2: Chair
- 5.3.4.3: Fangding Ritual Food Vessel with Abstract Decor
- 5.3.4.4: Crater Moon
- 5.3.4.5: Still Life, Claesz
- 5.3.4.6: Buffalo
- 5.3.4.7: Vairocana Buddha
- 5.3.4.8: Bowl
- 5.3.4.9: Hypostyle Hall
- 5.3.4.10: Bowl with a Majlis Scene by a Pond
- 5.3.4.11: Autumn Rhythm - Number 30
- 5.3.4.12: Small Wood Where I Met Myself
- 5.3.4.13: Garbhadhatu (Taizokai) Mandala (Womb World)
- 5.3.4.14: Mulholland Drive
- 5.3.4.15: The Block
- 5.3.5: Balance and Movement
- 5.3.5.1: Chiswick House
- 5.3.5.2: The Ideal City
- 5.3.5.3: Temple of Artemis
- 5.3.5.4: Villa Savoye
- 5.3.5.5: Four Mandalas of the Vajravali
- 5.3.5.6: Doryphoros
- 5.3.5.7: The Mulberry Bend
- 5.3.5.8: Akbar on horseback, hunting animals within an enclosure
- 5.3.5.9: Silver Upper White River
- 5.3.5.10: Storm King Wavefield
- 5.3.6: Naturalism, Realism, Abstraction, and Idealization
- 5.3.6.1: The Doubting of Thomas
- 5.3.6.2: Saint Paul the Hermit
- 5.3.6.3: Portrait of Daruma
- 5.3.6.4: Two Lovers
- 5.3.6.5: Painterly Realism of a Boy with a Knapsack - Color Masses in the Fourth Dimension
- 5.3.6.6: Electrical Prisms
- 5.3.6.7: Boxes
- 5.3.6.8: The Second of the Sixteen Rakan
- 5.3.6.9: Portrait of a Man in Red Chalk
- 5.3.6.10: Slab Man
- 5.3.6.11: Father

