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Humanities LibreTexts

3.1: Directing

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  • Of all of the collaborators who create live theatre, the stage director’s contribution may be the least visible and least understood. The playwright’s words can be heard or read. The producer raises and spends money. Designers create costumes, scenery, lights, and sound. Actors create a direct and immediate relationship with the spectators. All of these are easily visible and apprehended as separate components. The title of director sounds important. But what exactly does he or she do?

    Simply put, the director is the “captain” of the collaborative team, responsible for all artistic aspects of the production. He is the person who makes sure that all of the pieces are put together to make a coherent, effective, and entertaining artistic whole. Above all, the director provides the overall artistic vision for the production, organizing and leading the entire collaborative process to ensure that the production is artistically unified according to this vision. In this capacity, the director stands in for the audience throughout the preparation and rehearsal of the production; he is the spectator’s eye.

    If the playwright is the author of the words on the page, we can consider the director as the author of the production. He does not “author” its pieces, but rather uses them to “write” the staged production. While some directors are more authoritarian than others, the best encourage the full creative powers of all of the artists involved. The collaborative director leads, coaches, encourages, cajoles, and mentors, but trusts and respects the artistic processes of each of the teammates. The collaborative director does not force results, but guides the process according to his or her vision for the production.

    In practical terms, the director’s main functions can be broken down as follows:

    r. Interpreting the script and developing a vision or concept for the production.
    2. Working with the design team to develop the visual, oral, and spatial world of the production.
    3. Casting the actors.
    4. Rehearsing the actors.
    5. Integrating all of the elements into a unified whole.

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