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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)Editions, Translations, Commentaries
Anderson, W. S. (ed.) (1997), Ovid’s Metamorphoses Books 1–5 (Norman, OK: University of Oklahoma Press).
Bömer, F. (ed.) (1969), P. Ovidius Naso Metamorphosen, Buch I-III (Heidelberg: Universitätsverlag Winter).
― (ed.) (1976), P. Ovidius Naso Metamorphosen, Buch IV-V (Heidelberg: Universitätsverlag Winter).
Dodds, E. R. (ed.) (1960), Euripides Bacchae (Oxford: Clarendon Press).
Gibson, R. K. (ed.) (2003), Ovid. Ars Amatoria Book 3 (Cambridge: Cambridge University Press).
Henderson, A. A. R. (ed.) (1979), Ovid Metamorphoses III (Bedminister: Bristol Classic Press).
Kenney, E. J. (1986), Introduction and Notes in Melville (1986).
Lee, A. G. (ed.) (1953), Ovid Metamorphoses I (Cambridge: Cambridge University Press).
Melville, A. D. (tr.) (1986), Ovid: Metamorphoses (Oxford: Oxford World’s Classics). With Introduction and Notes by E. J. Kenney.
― (tr.) (1995), Ovid: Sorrows of an Exile (Oxford: Oxford University Press). With Introduction and Notes by E. J. Kenney.
Richmond, J. A. (ed.) (1962), The Halieutica Ascribed to Ovid (London: University of London, Athlone Press).
Schierl, P. (ed.) (2006), Die Tragödien des Pacuvius (Berlin: W. de Gruyter).
Tarrant, R. (ed.) (2004), P. Ovidi Nasonis Metamorphoses (Oxford: Oxford University Press), http://dx.doi.org/10.1093/actrade/9780198146667.book.1
Turpin, W. (2016), Ovid, Amores (Book 1) (Cambridge, UK: Open Book Publishers), freely available at http://www.openbookpublishers.com/product/348
Zissos, A. (ed.) (2008), Valerius Flaccus: Argonautica Book 1 (Oxford: Oxford University Press), http://dx.doi.org/10.1093/actrade/9780199219490.book.1
Ando, C. (2007), ‘Exporting Roman Religion’. In A Companion to Roman Religion, edited by J. Rüpke (Malden, MA; Oxford; and Carlton: Blackwell Publishing), pp. 429–45. http://dx.doi.org/10.1002/9780470690970.ch29
Barchiesi, A. (1999), ‘Venus’ Masterplot: Ovid and the Homeric Hymns’. In Ovidian Transformations: Essays on the Metamorphoses and Its Reception, edited by P. Hardie, A. Barchiesi and S. Hinds (Cambridge: Cambridge Philological Society), pp. 112–26.
Barkan, L. (1986), The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism (New Haven, CT: Yale University Press).
Brown, S. A. (1999), The Metamorphosis of Ovid: From Chaucer to Ted Hughes (London: Duckworth), http://dx.doi.org/10.5040/9781472540324
Cole, S. (2007), ‘Finding Dionysus’. In A Companion to Greek Religion, edited by D. Ogden (Malden, MA; Oxford; and Carlton: Blackwell Publishing), pp. 325–41, http://dx.doi.org/10.1002/9780470996911.ch22
Currie, H. M. (1981), ‘Ovid and the Roman Stage’. Aufstieg und Niedergang der römischen Welt II.31.4: 2701–42.
Fantham, E. (2004), Ovid’s Metamorphoses (Oxford: Oxford University Press).
Farrell, J. (1992), ‘Dialogue of Genres in Ovid’s Lovesong of Polyphemus (Metamorphoses 13.719–897)’. American Journal of Philology 113.2: 235–68, http://dx.doi.org/10.2307/295559
Feeney, D. C. (1991), The Gods in Epic: Poets and Critics of the Classical Tradition (Oxford: Clarendon Press).
Feldherr, A. (1997), ‘Metamorphosis and Sacrifice in Ovid’s Theban Narrative’. Materiali e discussioni per l’analisi dei testi classici 38.1: 25–55.
― (2010), Playing Gods. Ovid’s Metamorphoses and the Politics of Fiction (Princeton: Princeton University Press), http://dx.doi.org/10.1515/9781400836543
Fitzgerald, W. (2016), Variety: The Life of a Roman Concept (Chicago, IL: University of Chicago Press)), http://dx.doi.org/10.7208/chicago/9780226299525.001.0001
Galinsky, G. K. (1975), Ovid’s Metamorphoses: An Introduction to the Basic Aspects (Berkeley and Los Angeles, CA: University of California Press).
Gildenhard, I. and A. Zissos (2000a), ‘Ovid’s Narcissus (Met. 3.339–510): Echoes of Oedipus’. American Journal of Philology 121.1: 129–47, http://dx.doi.org/10.1353/ajp.2000.0006
― (2000b), ‘Inspirational Fictions: Autobiography and Generic Reflexivity in Ovid’s Proems’. Greece & Rome 47.1: 67–79, http://dx.doi.org/10.1093/gr/47.1.67
― (2004), ‘Ovid’s “Hecale”: Deconstructing Athens in the Metamorphoses’. The Journal of Roman Studies 94:47–72. http://dx.doi.org/10.2307/4135010
― (2013), ‘The Transformations of Ovid’s Medea’. In Transformative Change in Western Thought; A History of Metamorphosis from Homer to Hollywood, edited by I. Gildenhard and A. Zissos (Oxford: Legenda), pp. 88–130.
Ginsberg, W. (1989), ‘Ovid’s Metamorphoses and the Politics of Interpretation’. The Classical Journal 84.3: 222–31.
Görler, W. (1999), ‘Rowing Strokes: Tentative Considerations of Shifting Objects in Virgil and Elsewhere’. In Aspects of the Language of Latin Poetry, edited by J. N. Adams and R. Mayer (Oxford: Oxford University Press), pp. 269–86, http://www.britac.ac.uk/pubs/proc/files/93p269.pdf
Hardie, P. (1990), ‘Ovid’s Theban History: The First “Anti-Aeneid”?’ The Classical Quarterly 40.1: 224–35.
― (1992), The Epic Successors of Virgil (Cambridge: Cambridge University Press), http://dx.doi.org/10.1017/cbo9781139163743
― (2002a), Ovid’s Poetics of Illusion (Cambridge: Cambridge University Press).
― (ed.) (2002b), Cambridge Companion to Ovid (Cambridge: Cambridge University Press), http://dx.doi.org/10.1017/ccol0521772818
― (2012), Rumour and Renown: Representations of Fama in Western Literature (Cambridge: Cambridge University Press).
Harrison, S. J. (2007), Generic enrichment in Vergil and Horace (Oxford: Oxford University Press), http://dx.doi.org/10.1093/acprof:oso/9780199
203581.001.0001
Hinds, S. (1987), The Metamorphosis of Persephone: Ovid and the Self-conscious Muse (Cambridge: Cambridge University Press).
Holzberg, N. (2002), Ovid: The Poet and his Work (Ithaca, NY: Cornell University Press).
Inglebert, H. (2014). Le monde, l’histoire: essai sur les histoires universelles (Paris: Presses universitaires de France).
James, P. (1993), ‘Pentheus Anguigena — Sins of the Father’. Bulletin of the Institute of Classical Studies 38.1: 81–93, http://dx.doi.org/10.1111/j.2041-5370.1993.tb00704.x
Janan, M. (2004), ‘The Snake Sheds its Skin: Pentheus (Re)imagines Thebes’. Classical Philology 99.1: 130–46, http://dx.doi.org/10.1086/423859
Johnson, W. R. (1970), ‘The Problem of the Counter-classical Sensibility and Its Critics’. Classical Antiquity 3: 123–52, http://dx.doi.org/10.2307/25010603
― (1996), ‘The Rapes of Callisto’. The Classical Journal 92.1: 9–24.
Keith, A. (2002), ‘Sources and Genres in Ovid’s Metamorphoses 1–5’. In Brill’s Companion to Ovid, edited by B. W. Boyd (Leiden: Brill), pp. 235–69, http://dx.doi.org/10.1163/9789047400950_009
Knox, P. E. (ed.) (2009), A Companion to Ovid (Malden, MA and Oxford: John Wiley & Sons).
Little, D. A. (1970), ‘The Speech of Pythagoras in Metamorphoses 15 and the Structure of the Metamorphoses’. Hermes 98.3: 340–60
Liveley, G. (2011), Ovid’s ‘Metamorphoses’: A Reader’s Guide (London: Bloomsbury), http://dx.doi.org/10.5040/9781472539991
Lovatt, H. (2013), The Epic Gaze: Vision, Gender and Narrative in Ancient Epic (Cambridge: Cambridge University Press), http://dx.doi.org/10.1017/cbo9781139060080
Mack, S. (1988), Ovid (New Haven, CT: Yale University Press).
McNamara, J. (2010), ‘The Frustration of Pentheus: Narrative Momentum in Ovid’s Metamorphoses 3.511–731’. The Classical Quarterly 60.1: 173–93, http://dx.doi.org/10.1017/s0009838809990528
Michalopoulos, C. N. (2012), ‘Tiresias between Texts and Sex’. Réseau européen sur les Gender Studies dans l’Antiquité 2: 221–39, http://eugesta.recherche.univ-lille3.fr/revue/pdf/2012/Michalopoulos-2_2012.pdf
Murnaghan, S. (1987), Disguise and Recognition in the Odyssey (Princeton, NJ: Princeton University Press).
Nagy, G. (1979), The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry (Baltimore, MD: Johns Hopkins University Press).
Orlin, E. M. (2010), Foreign Cults in Rome. Creating a Roman Empire (Oxford: Oxford University Press).
Otis, B. (1970), Ovid as an Epic Poet, 2nd ed. (Cambridge: Cambridge University Press).
Otto, W. F. (1933), Dionysos: Mythos und Kultus (Frankfurt: Vittorio Klostermann).
Schmidt, E. A. (1991), Ovids poetische Menschenwelt: Die Metamorphosen als Metapher und Symphonie (Heidelberg: Winter).
Segal, C. (1982), Dionysiac Poetics and Euripides’ Bacchae (Princeton, NJ: Princeton University Press).
Seidensticker, B. (1972), ‘Pentheus’. Poetica 5.3/4: 35–63.
Sharrock, A. (1994), Seduction and Repetition in Ovid’s Ars Amatoria 2 (Oxford: Clarendon Press).
Solodow, J. (1988), The World of Ovid’s Metamorphoses (Chapel Hill, NC: North Carolina University Press) http://dx.doi.org/10.5149/9781469616490_solodow
Thompson, D. L. (1981), ‘The Meetings of the Roman Senate on the Palatine’. American Journal of Archeology 85.3: 335–39, http://dx.doi.org/10.2307/504178
Tissol, G. (1996), The Face of Nature. Wit, Narrative, and Cosmic Origins in Ovid’s Metamorphoses (Princeton, NJ: Princeton University Press), http://dx.doi.org/10.1515/9781400864614
Vernant, J. P. (1988), Myth and Tragedy in Ancient Greece (New York: Zone Books) [1990 version], https://monoskop.org/images/f/f1/Naquet_Vidal_Pierre_Vernant_Pierre_Jean_Myth_and_tragedy_in_Ancient_Greece_1996.pdf
Verdenius, W. J. (1962), ‘AINOS’. Mnemosyne 15.1: 389, http://dx.doi.org/
10.1163/156852562x00325
Volk, K. (2010), Ovid (Malden, MA and Oxford: Wiley-Blackwell), http://dx.doi.org/10.1002/9781444328127
Weber, C. (2002), ‘The Dionysus in Aeneas’. Classical Philology 97.4: 322–43, http://dx.doi.org/10.1086/449594
Weiden Boyd (ed.) (2000), Brill’s Companion to Ovid (Leiden: Brill), http://dx.doi.org/10.1163/9789047400950
Wills, J. (1996), Repetition in Latin Poetry: Figures of Allusion (Oxford: Clarendon Press).
Zeitlin, F. I. (1965), ‘The Motif of the Corrupted Sacrifice in Aeschylus’ Oresteia’. Transactions of the American Philological Association 96: 463–508, http://dx.doi.org/10.2307/283744
― (1990), ‘Thebes: Theater of Self and Society in Athenian Drama’. In Nothing to Do with Dionysos? Athenian Drama in its Social Context, edited by J. J. Winkler and F. I. Zeitlin (Princeton, NJ: Princeton University Press), pp. 130–67.
― (1993), ‘Staging Dionysus between Thebes and Athens’. In Masks of Dionysus, edited by T. H. Carpenter, H. Thomas, and C. A. Faraone (Ithaca, NY and London: Cornell University Press), pp. 147–82.