Bibliography
- Page ID
- 117218
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)Editions, Translations, Commentaries
Anderson, W. S. (ed.) (1997), Ovid’s Metamorphoses Books 1–5 (Norman, OK: University of Oklahoma Press).
Bömer, F. (ed.) (1969), P. Ovidius Naso Metamorphosen, Buch I-III (Heidelberg: Universitätsverlag Winter).
― (ed.) (1976), P. Ovidius Naso Metamorphosen, Buch IV-V (Heidelberg: Universitätsverlag Winter).
Dodds, E. R. (ed.) (1960), Euripides Bacchae (Oxford: Clarendon Press).
Gibson, R. K. (ed.) (2003), Ovid. Ars Amatoria Book 3 (Cambridge: Cambridge University Press).
Henderson, A. A. R. (ed.) (1979), Ovid Metamorphoses III (Bedminister: Bristol Classic Press).
Kenney, E. J. (1986), Introduction and Notes in Melville (1986).
Lee, A. G. (ed.) (1953), Ovid Metamorphoses I (Cambridge: Cambridge University Press).
Melville, A. D. (tr.) (1986), Ovid: Metamorphoses (Oxford: Oxford World’s Classics). With Introduction and Notes by E. J. Kenney.
― (tr.) (1995), Ovid: Sorrows of an Exile (Oxford: Oxford University Press). With Introduction and Notes by E. J. Kenney.
Richmond, J. A. (ed.) (1962), The Halieutica Ascribed to Ovid (London: University of London, Athlone Press).
Schierl, P. (ed.) (2006), Die Tragödien des Pacuvius (Berlin: W. de Gruyter).
Tarrant, R. (ed.) (2004), P. Ovidi Nasonis Metamorphoses (Oxford: Oxford University Press), http://dx.doi.org/10.1093/actrade/97...8146667.book.1
Turpin, W. (2016), Ovid, Amores (Book 1) (Cambridge, UK: Open Book Publishers), freely available at http://www.openbookpublishers.com/product/348
Zissos, A. (ed.) (2008), Valerius Flaccus: Argonautica Book 1 (Oxford: Oxford University Press), http://dx.doi.org/10.1093/actrade/97...9219490.book.1
Other Literature
Ando, C. (2007), ‘Exporting Roman Religion’. In A Companion to Roman Religion, edited by J. Rüpke (Malden, MA; Oxford; and Carlton: Blackwell Publishing), pp. 429–45. http://dx.doi.org/10.1002/9780470690970.ch29
Barchiesi, A. (1999), ‘Venus’ Masterplot: Ovid and the Homeric Hymns’. In Ovidian Transformations: Essays on the Metamorphoses and Its Reception, edited by P. Hardie, A. Barchiesi and S. Hinds (Cambridge: Cambridge Philological Society), pp. 112–26.
Barkan, L. (1986), The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism (New Haven, CT: Yale University Press).
Brown, S. A. (1999), The Metamorphosis of Ovid: From Chaucer to Ted Hughes (London: Duckworth), http://dx.doi.org/10.5040/9781472540324
Cole, S. (2007), ‘Finding Dionysus’. In A Companion to Greek Religion, edited by D. Ogden (Malden, MA; Oxford; and Carlton: Blackwell Publishing), pp. 325–41, http://dx.doi.org/10.1002/9780470996911.ch22
Currie, H. M. (1981), ‘Ovid and the Roman Stage’. Aufstieg und Niedergang der römischen Welt II.31.4: 2701–42.
Fantham, E. (2004), Ovid’s Metamorphoses (Oxford: Oxford University Press).
Farrell, J. (1992), ‘Dialogue of Genres in Ovid’s Lovesong of Polyphemus (Metamorphoses 13.719–897)’. American Journal of Philology 113.2: 235–68, http://dx.doi.org/10.2307/295559
Feeney, D. C. (1991), The Gods in Epic: Poets and Critics of the Classical Tradition (Oxford: Clarendon Press).
Feldherr, A. (1997), ‘Metamorphosis and Sacrifice in Ovid’s Theban Narrative’. Materiali e discussioni per l’analisi dei testi classici 38.1: 25–55.
― (2010), Playing Gods. Ovid’s Metamorphoses and the Politics of Fiction (Princeton: Princeton University Press), http://dx.doi.org/10.1515/9781400836543
Fitzgerald, W. (2016), Variety: The Life of a Roman Concept (Chicago, IL: University of Chicago Press)), http://dx.doi.org/10.7208/chicago/97...99525.001.0001
Galinsky, G. K. (1975), Ovid’s Metamorphoses: An Introduction to the Basic Aspects (Berkeley and Los Angeles, CA: University of California Press).
Gildenhard, I. and A. Zissos (2000a), ‘Ovid’s Narcissus (Met. 3.339–510): Echoes of Oedipus’. American Journal of Philology 121.1: 129–47, http://dx.doi.org/10.1353/ajp.2000.0006
― (2000b), ‘Inspirational Fictions: Autobiography and Generic Reflexivity in Ovid’s Proems’. Greece & Rome 47.1: 67–79, http://dx.doi.org/10.1093/gr/47.1.67
― (2004), ‘Ovid’s “Hecale”: Deconstructing Athens in the Metamorphoses’. The Journal of Roman Studies 94:47–72. http://dx.doi.org/10.2307/4135010
― (2013), ‘The Transformations of Ovid’s Medea’. In Transformative Change in Western Thought; A History of Metamorphosis from Homer to Hollywood, edited by I. Gildenhard and A. Zissos (Oxford: Legenda), pp. 88–130.
Ginsberg, W. (1989), ‘Ovid’s Metamorphoses and the Politics of Interpretation’. The Classical Journal 84.3: 222–31.
Görler, W. (1999), ‘Rowing Strokes: Tentative Considerations of Shifting Objects in Virgil and Elsewhere’. In Aspects of the Language of Latin Poetry, edited by J. N. Adams and R. Mayer (Oxford: Oxford University Press), pp. 269–86, http://www.britac.ac.uk/pubs/proc/files/93p269.pdf
Hardie, P. (1990), ‘Ovid’s Theban History: The First “Anti-Aeneid”?’ The Classical Quarterly 40.1: 224–35.
― (1992), The Epic Successors of Virgil (Cambridge: Cambridge University Press), http://dx.doi.org/10.1017/cbo9781139163743
― (2002a), Ovid’s Poetics of Illusion (Cambridge: Cambridge University Press).
― (ed.) (2002b), Cambridge Companion to Ovid (Cambridge: Cambridge University Press), http://dx.doi.org/10.1017/ccol0521772818
― (2012), Rumour and Renown: Representations of Fama in Western Literature (Cambridge: Cambridge University Press).
Harrison, S. J. (2007), Generic enrichment in Vergil and Horace (Oxford: Oxford University Press), http://dx.doi.org/10.1093/acprof:oso...03581.001.0001
Hinds, S. (1987), The Metamorphosis of Persephone: Ovid and the Self-conscious Muse (Cambridge: Cambridge University Press).
Holzberg, N. (2002), Ovid: The Poet and his Work (Ithaca, NY: Cornell University Press).
Inglebert, H. (2014). Le monde, l’histoire: essai sur les histoires universelles (Paris: Presses universitaires de France).
James, P. (1993), ‘Pentheus Anguigena—Sins of the Father’. Bulletin of the Institute of Classical Studies 38.1: 81–93, http://dx.doi.org/10.1111/j.2041-5370.1993.tb00704.x
Janan, M. (2004), ‘The Snake Sheds its Skin: Pentheus (Re)imagines Thebes’. Classical Philology 99.1: 130–46, http://dx.doi.org/10.1086/423859
Johnson, W. R. (1970), ‘The Problem of the Counter-classical Sensibility and Its Critics’. Classical Antiquity 3: 123–52, http://dx.doi.org/10.2307/25010603
― (1996), ‘The Rapes of Callisto’. The Classical Journal 92.1: 9–24.
Keith, A. (2002), ‘Sources and Genres in Ovid’s Metamorphoses 1–5’. In Brill’s Companion to Ovid, edited by B. W. Boyd (Leiden: Brill), pp. 235–69, http://dx.doi.org/10.1163/9789047400950_009
Knox, P. E. (ed.) (2009), A Companion to Ovid (Malden, MA and Oxford: John Wiley & Sons).
Little, D. A. (1970), ‘The Speech of Pythagoras in Metamorphoses 15 and the Structure of the Metamorphoses’. Hermes 98.3: 340–60
Liveley, G. (2011), Ovid’s ‘Metamorphoses’: A Reader’s Guide (London: Bloomsbury), http://dx.doi.org/10.5040/9781472539991
Lovatt, H. (2013), The Epic Gaze: Vision, Gender and Narrative in Ancient Epic (Cambridge: Cambridge University Press), http://dx.doi.org/10.1017/cbo9781139060080
Mack, S. (1988), Ovid (New Haven, CT: Yale University Press).
McNamara, J. (2010), ‘The Frustration of Pentheus: Narrative Momentum in Ovid’s Metamorphoses 3.511–731’. The Classical Quarterly 60.1: 173–93, http://dx.doi.org/10.1017/s0009838809990528
Michalopoulos, C. N. (2012), ‘Tiresias between Texts and Sex’. Réseau européen sur les Gender Studies dans l’Antiquité 2: 221–39, http://eugesta.recherche.univ-lille3...los-2_2012.pdf
Murnaghan, S. (1987), Disguise and Recognition in the Odyssey (Princeton, NJ: Princeton University Press).
Nagy, G. (1979), The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry (Baltimore, MD: Johns Hopkins University Press).
Orlin, E. M. (2010), Foreign Cults in Rome. Creating a Roman Empire (Oxford: Oxford University Press).
Otis, B. (1970), Ovid as an Epic Poet, 2nd ed. (Cambridge: Cambridge University Press).
Otto, W. F. (1933), Dionysos: Mythos und Kultus (Frankfurt: Vittorio Klostermann).
Schmidt, E. A. (1991), Ovids poetische Menschenwelt: Die Metamorphosen als Metapher und Symphonie (Heidelberg: Winter).
Segal, C. (1982), Dionysiac Poetics and Euripides’ Bacchae (Princeton, NJ: Princeton University Press).
Seidensticker, B. (1972), ‘Pentheus’. Poetica 5.3/4: 35–63.
Sharrock, A. (1994), Seduction and Repetition in Ovid’s Ars Amatoria 2 (Oxford: Clarendon Press).
Solodow, J. (1988), The World of Ovid’s Metamorphoses (Chapel Hill, NC: North Carolina University Press) http://dx.doi.org/10.5149/9781469616490_solodow
Thompson, D. L. (1981), ‘The Meetings of the Roman Senate on the Palatine’. American Journal of Archeology 85.3: 335–39, http://dx.doi.org/10.2307/504178
Tissol, G. (1996), The Face of Nature. Wit, Narrative, and Cosmic Origins in Ovid’s Metamorphoses (Princeton, NJ: Princeton University Press), http://dx.doi.org/10.1515/9781400864614
Vernant, J. P. (1988), Myth and Tragedy in Ancient Greece (New York: Zone Books) [1990 version], https://monoskop.org/images/f/f1/Naq...reece_1996.pdf
Verdenius, W. J. (1962), ‘AINOS’. Mnemosyne 15.1: 389, http://dx.doi.org/10.1163/156852562x00325
Volk, K. (2010), Ovid (Malden, MA and Oxford: Wiley-Blackwell), http://dx.doi.org/10.1002/9781444328127
Weber, C. (2002), ‘The Dionysus in Aeneas’. Classical Philology 97.4: 322–43, http://dx.doi.org/10.1086/449594
Weiden Boyd (ed.) (2000), Brill’s Companion to Ovid (Leiden: Brill), http://dx.doi.org/10.1163/9789047400950
Wills, J. (1996), Repetition in Latin Poetry: Figures of Allusion (Oxford: Clarendon Press).
Zeitlin, F. I. (1965), ‘The Motif of the Corrupted Sacrifice in Aeschylus’ Oresteia’. Transactions of the American Philological Association 96: 463–508, http://dx.doi.org/10.2307/283744
― (1990), ‘Thebes: Theater of Self and Society in Athenian Drama’. In Nothing to Do with Dionysos? Athenian Drama in its Social Context, edited by J. J. Winkler
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― (1993), ‘Staging Dionysus between Thebes and Athens’. In Masks of Dionysus, edited by T. H. Carpenter, H. Thomas, and C. A. Faraone (Ithaca, NY and London: Cornell University Press), pp. 147–82.