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3.4: Christopher Marlowe (1564–1593)

  • Page ID
    134577
    • Anonymous
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    Learning Objectives
    • Recognize characteristics of Senecan tragedy used in Marlowe’s drama.
    • Apply the definition of the pastoral mode to Marlowe’s “The Passionate Shepherd to His Love.”

    Biography

    Christopher Marlowe is a good example of an individual caught up in the intrigue and danger of court life who might long to escape to the seemingly simple, leisurely life of the rustic shepherd. Although not born into the nobility, Marlowe attended Cambridge University, then moved to London where he moved in court circles and wrote the plays that secured his fame. He also apparently was engaged in espionage for Elizabeth’s court. At age 29 Marlowe was stabbed to death in an argument over the dinner bill in an inn. Only a week before his death, one of his associates and fellow dramatist, Thomas Kyd, claimed under torture that Marlowe was an atheist, and a warrant was issued for Marlowe’s arrest. This sequence of events has led some historians to believe that Marlowe’s death was staged to help him escape arrest and certain torture. Some have even gone so far as to suggest that Marlowe, in hiding, wrote the plays attributed to Shakespeare although this theory is now considered unlikely.

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    Portrait believed to be Christopher Marlowe.

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    Plaque marking the rooms where Christopher Marlowe lived at Corpus Christi College, Cambridge University.

    Marlowe’s Plays

    The Tragedy of Dido, Queen of Carthage

    Tamburlaine the Great, Part I

    Tamburlaine the Great, Part II

    The Tragical History of Doctor Faustus

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    Title page of a late edition of Christopher Marlowe’s Doctor Faustus.

    • A TextPerseus Digital Library. Tufts University. Gregory R. Crane, editor.
    • B TextPerseus Digital Library. Tufts University. Gregory R. Crane, editor.
    • Project Gutenberg.
    • Renascence Editions. An Online Repository of Works Printed in English Between the Years 1477 and 1799. Risa Stephanie Bear. The University of Oregon.

    The Jew of Malta

    The Tragedy of Edward II

    The Massacre at Paris

    Marlowe’s contemporary and fellow playwright and poet Ben Jonson, in his poem “To the Memory of My Beloved Master William Shakespeare,” coined the phrase “Marlowe’s mighty line” to refer to Marlowe’s use of blank verse, unrhymed lines of iambic pentameter, considered the meter most closely resembling normal English speech. The sonorous lines of blank verse lent themselves to the tragic content of plays such as Tamburlaine and The Tragical History of Doctor Faustus.

    In the Renaissance spirit of celebrating and imitating classical art and literature, Marlowe wrote heroic tales in the tradition of the classical Roman dramatist Seneca. Senecan tragedy featured violence, revenge, emotional speeches, and supernatural, usually dark supernatural, elements. Marlowe’s tragedies portray men with aspiring spirits who rise to greatness and then fall, usually through some weakness or flaw in the hero’s own character. Perhaps his most famous character, Dr. Faustus deals with the demon Mephistopheles to sell his soul to the devil to achieve his ambition of power through knowledge only to disappear, presumably to Hell, at the end of the play.

    “The Passionate Shepherd to His Love”

    Text

    Sidebar 3.1.

    Come live with me and be my love,

    And we will all the pleasures prove

    That hills and vallies, dales and fields,

    Woods or steepy mountain yields.

    And we will sit upon the rocks,

    Seeing the shepherds feed their flocks

    By shallow rivers to whose falls

    Melodious birds sing madrigals.

    And I will make thee beds of roses

    And a thousand fragrant posies,

    A cup of flowers and a kirtle

    Embroidered all with leaves of myrtle.

    A gown made of the finest wool

    Which from our pretty lambs we pull;

    Fair-linèd slippers for the cold,

    With buckles of the purest gold.

    A belt of straw and ivy-buds,

    With coral clasps and amber studs;

    An if these pleasures may thee move,

    Come live with me, and be my love.

    The shepherd-swains shall dance and sing

    For thy delight each May-morning:

    If these delights thy mind may move,

    Then live with me, and be my love.

    Christopher Marlowe’s “The Passionate Shepherd to His Love” is one of the most well-known examples of pastoral poetry, a type of literature that portrays shepherds in an idealized rural setting, engaging in contests of singing or poetry, flirting with country maidens, watching their flocks in a peaceful and beautiful natural world. Most of the people who wrote pastoral poetry were, however, men of the court who had only a “fairy tale” view of a shepherd’s life. They imagined shepherds sitting in the meadows watching their sheep while singing songs and flirting with the shepherdesses. They had little idea of the hard lives led by the peasants. Marlowe’s reference to “pulling” the wool off the sheep, for example, demonstrates that he had little real knowledge of sheep herding, and his mistaken belief that a shepherd would have gold for his lady’s buckles indicates that his life was far removed from that of a poor shepherd.

    Exercises

    1. In Marlowe’s poem, what does the shepherd offer to entice his love to live with him?
    2. How do these enticements fit into the pastoral convention?

    Resources

    Biography

    • Christopher Marlowe.” Theatre History.com. rpt. from Elizabethan and Stuart Plays. Ed. Charles Read Baskerville. New York: Henry Holt and Company, 1934. 307–308.
    • Christopher Marlowe’s Canterbury Childhood.” Theatre History.com. rpt. from Christopher Marlowe and His Associates. John H. Ingram. London: Grant Richards, 1904.
    • The Life and Work of Christopher Marlowe.” Theatre History.com. rpt. from Christopher Marlowe. William Lyon Phelps. New York: American Book Company, 1912.
    • Luminarium. Anniina Jokinen. rpt. from Encyclopedia Britannica, 11th Ed. Vol XVII. Cambridge: Cambridge University Press, 1910. 744.
    • Marlowe Timeline.” OpenLearn. The Open University.

    Play Texts

    The Tragedy of Dido, Queen of Carthage

    Tamburlaine the Great, Part I

    Tamburlaine the Great, Part II

    The Tragical History of Doctor Faustus

    • A TextPerseus Digital Library. Tufts University. Gregory R. Crane, editor.
    • B TextPerseus Digital Library. Tufts University. Gregory R. Crane, editor.
    • Project Gutenberg.
    • Renascence Editions. An Online Repository of Works Printed in English Between the Years 1477 and 1799. Risa Stephanie Bear. The University of Oregon.

    The Jew of Malta

    The Tragedy of Edward II

    The Massacre at Paris

    Text “The Passionate Shepherd to His Love”

    The Tragical History of Doctor Faustus

    Audio


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