1.1.1.1.1: China
- Page ID
- 299417
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)China
Characteristics: Known for porcelain, celadon, stoneware; blue and white porcelain.
Periods: Tang Dynasty, Song Dynasty, Ming Dynasty.
Locations: Jingdezhen ("Porcelain Capital" of China).
ca. 2650–2350 BCE
Jar (Hu)
China
Bowl with “Hare’s Fur” Decoration
China
Title: Jar (Hu)
Period: Neolithic, Majiayao culture, Banshan phase
Date: ca. 2650–2350 BCE
Culture: China
Medium: Earthenware with painted decoration
late 6th–early 7th century
Bottle
On view at The Met Fifth Avenue in Gallery 204
Produced during the flowering of ceramic traditions in north China in the sixth century, this elegant bottle illustrates the northern adoption, and adaptation, of the southern celadon tradition.
10th–11th century
Bottle
China
Named after a prefecture in Hebei Province in north China, Ding wares were made from the eighth to the thirteenth or fourteenth century, and were popular at the Northern Song (960–1127) court. The shape of this base, which most likely derives from a silver piece, is extraordinarily difficult to make because the neck is so long and slender.
Bottle
Period: Northern Song dynasty (960–1127)
Date: 10th–11th century
Culture: China
Medium: Porcelain with ivory glaze (Ding ware)
11th–12th century
12th Century
Jar with Handles
Jar with Handles
Period: late Northern Song (960–1127)–Jin (1115–1234) dynasty
Culture: China
Medium: Stoneware with applied white slip ribs and black glaze (Cizhou ware)
14th century
Bottle with abstract flowers and leaves
China
Yuan dynasty (1271–1368)
Date: 14th century
Culture: China
Medium: Stoneware painted in brown on white slip under transparent glaze (Cizhou ware)
15th century
Saucer with pomegranates and peaches
China
Ming dynasty (1368–1644)
Date: 15th century
Culture: China
Medium: Porcelain painted in underglaze cobalt blue (Jingdezhen ware)
15th century
mid-15th century
Jar with Winged Animals over Waves
China
The theme of winged animals, in this case a horse, an elephant, a mongoose, a fish, a rabbit, and two cervids, was most likely inspired by the extraordinary court-sponsored maritime expeditions of the early fifteenth century, in which a Chinese fleet, under the direction of Zheng He (1371–1433), reached the coast of Africa.
Jar with Winged Animals over Waves
Period: Ming dynasty (1368–1644)
Date: mid-15th century
Culture: China
Medium: Porcelain with cobalt blue under a transparent glaze (Jingdezhen ware)
Early 18th century
Gourd-shaped vase with gourds on vines and bats
Beyond the appeal of its sinuous form and elegant blue-and-white decoration, this gourd-shaped vase would have been treasured for the layers of auspicious meaning encoded in its decoration. The image of gourds on vines is a rebus, or visual word puzzle, for “fortune and prosperity through ten thousand generations” (fulu wandai), while the combination of bats and gourds forms a second rebus for “good fortune and wealth” (fulu).
Gourd-shaped vase with gourds on vines and bats
Period: Qing dynasty (1644–1911), Kangxi period (1662–1722)
Culture: China
Medium: Porcelain painted in underglaze cobalt blue (Jingdezhen ware
China
early 18th century
Plate with Dragon and Waves
China
first half of the 18th century
The chaos that marked the transition from the Ming to the Qing dynasty in the mid-seventeenth century spurred European demand for Japanese porcelains, which began to be exported in significant numbers. As production resumed in China, Chinese potters sometimes re-created the Japanese styles—characterized by the dense pattering on the rim—that the European markets desired.
mid-18th century
Cup with floral scrolls
China
On view at The Met Fifth Avenue in Gallery 221
The practice of using painted enamels and gilding to imitate the appearance of cloisonné began during the Qianlong reign, a period in which the imitative capacities of enamels were deployed to reproduce a variety of media. Such playful emulations were the result of technical mastery and experimentation, and were encouraged at the Qing imperial workshops.
Qing dynasty (1644–1911), Qianlong mark and period (1736–95)
Date: mid-18th century
Culture: China
Medium: Porcelain painted in overglaze polychrome enamels and gold (Jingdezhen ware)
Mid-18th Century
Vase with dragon amid clouds
China
mid-18th century
Qing dynasty (1644–1911)
Date: mid-18th century
Culture: China
Medium: Porcelain with carved decoration under celadon glaze (Jingdezhen ware)