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2.5.1: Quadruple Conducting Pattern

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    258469
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    Outline of upper body showing the upwards movement of the arm for the upbeat. Coming from the waist up to the shoulder

    Pattern of Four

    In addition to the downbeat and upbeat that we discussed in 2.2.1: Duple Conducting Pattern, the quadruple conducting pattern adds two additional weak beats. These additional beats go between the downbeat and the upbeat.

    Again, we need the upbeat to come from the outside of the body toward a neutral middle of the body. Like the triple meter pattern, the second to last beat is going to be outside the body. This places the second beat of the pattern toward the inside of the body.

    The quadruple conducting pattern ends up coming straight down for beat one, across the body for beat two, to the outside of the body for beat three, and then up to the top for beat four.

    As the hand comes down for beat one, there is a little "bounce" as we move to beat two and then three. You might think of it as down-inside-out-up as you practice this pattern.

    Quadruple conducting pattern from both directions

    Practical Application

    Conductor Christian Baldini conducts the beginning of Mahler, Symphony No. 1 (opens in a new window) in four, and then goes to two.

    The following video contains music only. There is no text.

    QR code for the previous link

    Attribution, conducting pattern: Foundations of Aural Skills Copyright © 2022 by Timothy Chenette is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License


    This page titled 2.5.1: Quadruple Conducting Pattern is shared under a CC BY-NC 4.0 license and was authored, remixed, and/or curated by Lauren C. Sharkey.

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