17.2: Glossary
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(Eg. "Genetic, Hereditary, DNA ...") | (Eg. "Relating to genes or heredity") | ![]() |
The infamous double helix | https://bio.libretexts.org/ | CC-BY-SA; Delmar Larsen |
Word(s) | Definition | Image | Caption | Link | Source |
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abbess | a woman who is the head of an abbey | ||||
abbey | a religious community of monks or nuns, or the buildings that house such a community | ||||
abbot | a man who is the head of an abbey | ||||
abstraction | a style of representation that veers from naturalism, often reducing or distorting recognizable natural forms into shapes which may or may not be recognizably figurative. A means of visually representing concepts and ideas rather than replicating visual details. | ||||
acropolis | "high city," from the Greek akro-, (edge or extremity) + polis (city). Although many Greek cities had an acropolis, the most famous was in Athens, and "The Acropolis" refers to it | ||||
adlocutio | an address given by a general | ||||
aegis | shield or breastplate emblematic of majesty associated with Zeus and Athena | ||||
aesthetic | concerned with beauty and the appreciation of beauty, especially without regard for personal meaning or usefulness | ||||
agnus dei | Latin for "Lamb of God" (symbolically, Jesus Christ) | ||||
agriculture | cultivation of the soil for the growing of crops and the rearing of animals [Oxford Languages] | ||||
aisle | a passageway. In a Christian basilica, side aisles flank a large space called the nave. | ||||
alabaster | a relatively soft, easily-carvable, pale and often translucent stone | ||||
allusion | an expression designed to call something to mind without mentioning it explicitly [Oxford Languages] | ||||
ambulatory | from the Latin ambulātōrius (movable, suitable for walking), an aisle around a central space or an apse. In a pilgrimage church an ambulatory allows the faithful access to chapels and relics | ||||
amphitheater | a circular or oval performance space, from the Greek amphi (around/both/double) and theater | ||||
amphora | an ancient Greek jar or vase with a large oval body, narrow cylindrical neck, and two handles that rise almost to the level of the mouth [Merriam-Webster] | ||||
analogous colors | colors next to one another on the color wheel, which tend to blend together smoothly | ||||
angel | from the Greek angelos, "messenger," a spiritual being believed to act as an attendant, agent, or messenger of God, conventionally represented in human form with wings [Oxford Languages] | ||||
Anglo-Saxon | of or relating to the Germanic peoples who conquered England in the fifth century BCE and formed the ruling class until the Norman conquest [Merriam-Webster] | ||||
aniconic | not containing representations of humans or animals | ||||
ankh | a cross-like symbol with a looped top, the Egyptian sign of life | ||||
apadana | a massive columned hall used by Persian kings for receptions | ||||
apocalypse | the end of time and history, in Christianity often imagined as a huge battle | ||||
apostle | from Greek apostolos, "one sent, messenger," those sent by Christ to spread his teachings outside the Holy Land | ||||
apse | In architecture, a recess, usually semicircular, in the wall of a Roman basilica or at one end of a church, often the east end [Art History Glossary] | ||||
aqueduct | a raised channel for carrying water, often positioned atop an arcade | ||||
arcade | a row of arches connected side to side | ||||
arch | a true arch is a strong structural element in the shape of an inverted U, comprised of wedge-shaped blocks called voussoirs and held in place with a keystone. For a corbeled arch, see corbelling | ||||
archaeology | the study of the human past using material remains [National Geographic] | ||||
archaic smile | A curved-lip smile on statues of the Greek Archaic period, animating facial features with a degree of naturalism [Art History Glossary] | ||||
Arian | pertaining to the teachings of Arius, who held that Christ came into existence after God the Father, and is subordinate to Him. | ||||
artifact | tools, clothing, and decorations made by people [National Geographic] | ||||
ashlar masonry | stone construction in which stones are cut and placed to form a rectilinear grid with little or no mortar | ||||
aurochs | an extinct species of cattle, thought to be the wild ancestor of all later domesticated cattle | ||||
axis | line along which an artwork or structure is organized | ||||
balance | the distribution of the visual weight of objects, colors, texture, and space. [Getty] | ||||
ball court | an area, generally in the center of a Mesoamerican city, built for the ritual ballgame sport | ||||
baptism | the Christian rite of purification by water, originally involving immersion but in later versions also consisting of sprinkling or pouring water on the recipient | ||||
baptistery | a building or basin used for the Christian sacrament of baptism | ||||
barbarian | from Greek barbaros, "foreigner," probably stemming from how Greeks perceived non-Greek languages as babble; a pejorative term for a culture perceived as less civilized | ||||
barrel vault | a vault shaped like a longitudinal section of a barrel | ||||
basilica | a common Roman government building that was adapted for Christian church architecture | ||||
bay | a division of a building between vertical lines or planes, especially the entire space included between two adjacent supports, such as the columns in a church nave [Britannica] | ||||
bilateral symmetry | two-sided symmetry in which two halves of a work of art mirror each other | ||||
bilingual vase | a Greek vase painted partly in black figure and partly in red figure decoration | ||||
bitumen | a naturally-occurring tar used as an adhesive and decorative material | ||||
blind arch | an arch applied to a wall | ||||
bovid | an animal of the cattle family | ||||
bucrania | (plural: bucrania) Latin, the skull of an ox, or the representation of one | ||||
buon fresco | also known as "true fresco," the technique of painting on wet plaster, rather than dry (as is the case with "fresco secco") | ||||
buttress | in architecture, a projecting structure that reinforces or stabilizes a wall or building [James Terry] | ||||
caliph | one who claims Islamic rule as a successor to Mohammed | ||||
caliphate | the area ruled by a caliph | ||||
calligraphy | from the Greek calli- (beautiful) + graphy (writing), the art of writing | ||||
canon | 1) a rule for a standard of beauty developed for artists to follow; 2) a body of works considered especially important | ||||
canopic jar | from Canopus, the name of a town in ancient Egypt, a covered urn used in ancient Egyptian burials to hold the entrails from an embalmed body [Oxford Languages] | ||||
capital | the sculpted element at the top of a column or pilaster | ||||
Carolingian Renaissance | the revival of Roman art and literature under Charlemagne | ||||
carpet page | a richly-decorated manuscript page, where the illumination, occupying all or most of the page, resembles an ornate tapestry | ||||
caryatids | weight-bearing columns sculpted in the form of women | ||||
castrum | (plural: castra) a Roman military encampment or fortress | ||||
catacomb | an underground cemetery comprising a complex of passageways, burial niches, and recessed chambers cut into the living rock. [Oxford Languages] | ||||
cathedral | the home church of a bishop | ||||
Caucasus | the mountain range between the Black and Caspian Seas. The Caucasus refers to the region in and close to the Caucasus Mountains, and Caucasian to the peoples living there. | ||||
cavalry | soldiers mounted on horses | ||||
cella | the inner room of a temple that housed an image of the deity | ||||
Celt | a member of the Indo-European group that spread over Europe from about 700 BCE to 1 CE. The Irish, highland Scots, and Welsh speak Celtic languages. | ||||
centaur | in Greek mythology, a creature with legs and body of a horse and the torso, head, and arms of a human | ||||
central plan | in architecture, the arrangement of the structural elements around a central point, often in a circle or octagon (compare to longitudinal plan) | ||||
ceramic | made from clay transformed by heating to a minimum of 600 degrees celsius, usually much higher | ||||
Chacoan | relating to the people of Chaco Canyon, New Mexico | ||||
champlevé enamel | a technique in which enamel fills a space carved for it in a metal surface and is polished flush with the metal after firing | ||||
chapel | an often-small or private place of worship, such as a room within a church or palace | ||||
Chi Rho | the first letters of Christ in Greek, often used to abbreviate Christ in Latin manuscripts | ||||
chiaroscuro | from Italian chiaro ("light") and scuro (dark), the use of lighter and darker shades to create a sense of volume | ||||
chimera | in Greek mythology, a creature made up of parts of a lion, a goat, and a snake | ||||
choir | the space behind the altar of a church | ||||
chronology | an arrangement of events in the order in which they occured, often including dividing them into periods | ||||
city-state | a state consisting of one city, often including its immediate environs | ||||
civilization | from Latin civitas, "city," a complex human society including at least one city. | https://www.nationalgeographic.org/e...civilizations/) | |||
classic | the period in the development of a past culture, one which has had a lasting effect upon vast numbers of people, when the particular culture reached its zenith, laying the foundation for later historical developments (for example, Classic Mayan Period, Classic Pueblo Period, Classic Ancient Greek Period). | ||||
Classical | the art and culture of ancient Greece between 480 and 323 BCE. Lowercase classical refers more generally to Greco-Roman art and culture [Gardner's] | ||||
classical orders | the styles of classical architecture, each distinguished by its proportions and characteristic profiles and details, and most readily recognizable by the type of column and capital employed; three of the five Classical orders of architecture were developed in ancient Greek periods: Doric Order, Ionic Order, Corinthian Order [Art History Glossary] | ||||
classicism | relating to the style and values of ancient Greek and Roman art | ||||
clerestory | an upper level of windows, rising above a lower roof, to admit light and sometimes air into a tall building | ||||
cloisonné | a technique in which melted glass/enamel fills partitions (cloisons, in French), formed by metal wires fused to a metal base (or in which semi-precious stones are inserted into small compartments for a similar effect) | ||||
cloister | an area within a monastery or convent to which the religious are normally restricted [Merriam-Webster], or an open area surrounded by a covered walkway | ||||
codex | (plural: codices) a manuscript book that, unlike a scroll, allows for writing on both sides of a page, either with pages folded and sewn together or, as in Mesoamerican codices, pleated like an accordion | ||||
coffered dome | a dome with inset panels used to lighten weight and/or add decoration | ||||
coffers | inset panels in a ceiling, arch, or dome, used to lighten weight and/or add decoration | ||||
coil construction | in ceramics, a technique in which forms are created by stacking and combining coils or ropes of clay | ||||
colonettes | thin columns | ||||
colonial | pertaining to a colony, often used to refer to the periods in which colonies were particularly important, as in Europe in the fifteenth through twentieth centuries | ||||
colonnade | a row of evenly-placed columns | ||||
colossus | a massive sculpture of a person | ||||
complementary colors | colors across the color wheel from each other and that both appear more bold when placed next to each other | ||||
composition | the organization of elements within a work of art | ||||
concrete | a Roman invention, a mix of lime mortar, pebbles, sand, and water, which can be poured into molds and which hardens to function like stone | ||||
conservation | a scientific discipline that seeks to preserve cultural heritage for the future and can involve cleaning and repairing; ideally repairs are visible, but not distracting to the viewer | ||||
conservators | professionals trained in the analysis and preservation or artwork | ||||
consul | in the Roman Republic, the most powerful elected office; in the Empire, an honorary position representing the emperor in the Senate and at games | ||||
content | what a work of art is about; its story | ||||
continuous narrative | a method of visual storytelling showing two consecutive scenes simultaneously | ||||
contour lines | lines that define the borders of a shape | ||||
contrapposto | a stance in which the figure bears weight on one leg, shifting the hips, chest, and shoulders into a more naturalistic, realistic pose | ||||
contrast | the amount of variation between the highest and lowest values in a work | ||||
convention | a generally accepted or traditional way of representing forms in art. Conventions are characteristic of the art produced in a particular culture, time, and/or medium. [James Terry] | ||||
corbeled arch | an arch formed by material being built up in successive layers, or courses, with each one overhanging the one below it until they meet at the top | ||||
corbeled dome | an arch formed by material being built up in successive layers, or courses, with each one overhanging the one below it until they meet in the middle, at the capstone at the top of the dome | ||||
Corinthian | one of the Greek orders, particularly recognizable by relatively ornate capitals featuring acanthus leaves | ||||
corvée labor | unpaid labor coerced by the state | ||||
cosmology | beliefs about the order and structure of the universe | ||||
cosmopolitan | from the Greek, cosmos (universe) + polis (city), having wide international sophistication [Merriam-Webster] | ||||
council | in Christianity, an official meeting of bishops whose decisions should guide the Church | ||||
craft | an activity requiring manual dexterity or artistic skill [Merriam-Webster] | ||||
cruciform | having the shape of the cross; a common layout for early and later Christian churches | ||||
Crusade | any of the military expeditions undertaken by Christian powers in the 11th, 12th, and 13th centuries to win the Holy Land from the Muslims [Merriam-Webster] | ||||
cuirass | breastplate, sometimes elaborately decorated | ||||
cuneiform | writing system developed in ancient Sumer from the Latin for wedge (cuneus) + form (shaped) | ||||
Cyclopean masonry | a method of construction using huge, roughly shaped blocks of stone [James Terry] | ||||
cylinder seal | a small pierced object, like a long round bead, carved in reverse (intaglio) and hung on strings of fiber or leather | ||||
Daedalic | period in the seventh century; name comes from the legendary sculptor Daedalus, who was said to be from the island of Crete [Smarthistory] | ||||
damnatio memoriae | literally "damnation of memory" (Latin), the practise of destroying all references to a disgraced person | ||||
deity | a god, goddess, or other being having the power of a god | ||||
demos | from Greek demos (village), the smallest group of citizens in Athenian democracy, or Athenian citizens as a whole | ||||
demotic | language used by ordinary people, such as Demotic Egyptian or Demotic Greek | ||||
desacralized | divested of sacred status | ||||
diaspora | a population united by ties to a homeland where they no longer live | ||||
diorite | a very hard igneous rock, similar to granite though generally darker in color | ||||
diptych | an artwork consisting of two pieces, sometimes a pair of panels hinged together | ||||
disciple | from the Latin discipulus (learner); in Christianity, one of Christ's followers | ||||
Dogon | an African ethnic group from present-day Mali and Burkina Faso | ||||
dome | a hemispherical interior space, formed either by corbelling or by spinning an arch on its axis (true dome) | ||||
Doric | the Doric order uses a plain capital and a column shaft that rests directly on the stylobate of the temple without a base. The Doric entablature includes a frieze composed of triglyphs (vertical plaques with three divisions) and metopes (square spaces for either painted or sculpted decoration) | ||||
dyad | from the Greek dyo- (two), consisting of two elements; a pair | ||||
dynasty | a succession of rulers whose legitimacy derives from the normalized transfer of power | ||||
earspools | large decorations worn in pierced ears; a feature common to Mesoamerican and North American cultures | ||||
Edict of Milan | decree issued by Constantine in 313 CE which legalized Christianity | ||||
effigy | a three-dimensional model of a person | ||||
elevation | in architecture, a view of a wall or facade head-on, showing the vertical organization of its features | ||||
emphasis | drawing particular attention to one or more areas of an artwork | ||||
enamel | colored glass in powdered form that is bonded to a metal surface or plaque by firing [James Terry] | ||||
encaustic | a painting medium in which the binder for the pigments is hot wax | ||||
engaged columns | columns that are not free-standing but become part of the wall they support | ||||
entablature | in the Classical orders of architecture, the structure above the columns that supports the roof, typically comprised of, from top to bottom, a cornice, a frieze, and an architrave [Lynch] | ||||
entasis | slight adjustments in Greek architecture to account for the perception of human vision, such as slightly swelling the middle of a column so that it would not appear to taper in the middle | ||||
epic | a long poem, typically one derived from ancient oral tradition, narrating the deeds and adventures of heroic or legendary figures [Oxford Languages] | ||||
equestrian statue | a portrait of an individual mounted on horseback | ||||
etymology | the origin of a word | ||||
Eucharist | one of the rites of the Christian church, it is based on scripture that quotes Jesus at the Last Supper telling His apostles to remember Him with a ritual of eating bread—"It is my body"—and drinking wine—"It is my blood"; also known as "Holy Communion" or "The Lord's Supper" [Art History Glossary] | ||||
Eucharistic chalice | a cup for the wine served in ritual Communion, or Eucharist, in the Christian church | ||||
Eurocentric | the tendency to hold that Europe is the natural center of civilization, by which other civilizations and their products should be judged | ||||
Eurocentrism | the attitude or ideology that holds that Europe is the natural center of civilization, by which other civilizations and their products should be judged | ||||
evangelist | one of the four authors of the Gospels in the Christian New Testament: Matthew, Mark, Luke, and John | ||||
evangelist portrait | an author portrait depicting one of the evangelists, generally placed at the beginning of his Gospel in a manuscript | ||||
evangelist symbol | one of the four creatures of Ezekiel's tetramorph, representing or accompanying an evangelist. Usually shown with wings, these are a man or angel for Matthew, a lion for Mark, an ox or calf for Luke, and an eagle for John. | ||||
façade | the front of a building | ||||
faience | a type of ceramic with a glass-like surface | ||||
Farsi | the medieval and modern language of Persia, commonly called Persian | ||||
feminism | the advocacy of women's rights on the basis of the equality of the sexes [Oxford Languages] | ||||
fibula | a pin for holding clothing in place | ||||
filigree | a lacy, delicate style of metalwork, made with fine, twisted wires, usually of gold or silver, soldered to the surface of an object [James Terry] | ||||
findspot | the location where an artwork or object was discovered | ||||
fine arts | the visual arts historically assigned higher prestige in the early modern and modern European tradition: painting, sculpture, architecture | ||||
firmen | in Turkish and Persian, an official decree, order, license, or grant issued by a ruler [Merriam Webster] | ||||
fleur-de-lis | a symbol based on a stylized lily, often representing French royalty | ||||
fluted | having decorative grooves | ||||
flying buttress | in Gothic architecture, an exterior structural element that carries the thrust of the nave vault over to the side aisles; the buttresses (vertical supports) and the flyers (arches that connect buttresses to the wall they support) together form the components of a flying buttress [Art History Glossary] | ||||
folded-arm-figures (FAFs) | type of Cycladic sculpture featuring a full-length female form with arms crossed over her chest | ||||
folio | a sheet of parchment or paper, comprising two pages, abbreviated "fol." The front page is called the recto (abbreviated "r") and the back page is called the verso ("v") | ||||
form | actual, three-dimensional shape (or the illusion of three-dimensionality) | ||||
formal analysis | analysis of a work of art based on its formal elements rather than its subject matter or historical context | ||||
formal elements | the characteristics of a work of art that can be recognized by the eye—line, shape, color, space, texture, etc. These are separate from an artwork's content or story. | ||||
forum | (plural: fora) a central public and/or market space in Roman cities | ||||
freestanding | relating to sculpture that can be observed from all sides; sculpture in the round. Compare to relief sculpture | ||||
fresco | from Italian "fresh," painting in which a water-based pigment is applied to damp plaster so that it chemically bonds as the plaster cures | ||||
frieze | in Greek temple architecture, the part of the entablature above the architrave and often bearing painted or sculpted decoration | ||||
frontal | in reference to the depiction of a person, showing both eyes, the width of the shoulders, and the knees (compare profile) | ||||
frontality | in sculpture, the quality of having a clear front designed to face the viewer | ||||
gallery | in church architecture, a walkway or balcony above the aisle, opening into the nave | ||||
geoglyphs | designs formed on the earth | ||||
geomythology | the study of stories that may have their origin in geological events | ||||
Germanic | the ancient culture and language of the peoples of northern Europe [Collins Dictionary] | ||||
gigantomachy | a scene of battle featuring giants | ||||
glaze | in ceramics, a coating that when fired melts to form a glassy surface (compare slip) | ||||
glyph | a character or figure that communicates meaning | ||||
gorget | a neck ornament, pendant, or ornamental collar | ||||
Gospels | the four books from the Christian New Testament that record the life of Jesus: Matthew, Mark, Luke, and John | ||||
graffiti | (singular: graffito) literally, "things written" (Italian), writing or painting done on walls, usually without formal permission. | ||||
granulation | a metalworking technique in which small balls, or granules, of metal are fused to the metal surface | ||||
Greco-Roman | having characteristics that are partly Greek and partly Roman; specifically: having the characteristics of Roman art created under strong Greek influence [Merriam-Webster] | ||||
griffin | mythical animal that combines the physical aspects of a lion and eagle | ||||
groin vault | a vault formed by the intersection of two barrel vaults | ||||
ground line | a baseline in painting or relief sculpture on which figures appear to stand | ||||
guilds | professional associations | ||||
haft-rangi | a technique for keeping differently-colored glazes separate by outlining them in wax. Also called cuerda seca ("dry cord" in Italian) for the unglazed space left where the wax had been before firing. | ||||
haggadah | (plural: haggadot)the book used to tell the story of Passover around the seder table each year | ||||
hajj | an annual pilgrimage to the Kaaba and one of the pillars of Islam | ||||
halo | a marker of holiness, often in the form of a circle around an individual's head | ||||
hatching | a shading technique made with closely-spaced parallel lines | ||||
heraldic composition | an organization of figures in which the central one is flanked symmetrically | ||||
heretic | someone who goes against the official teachings of a particular belief system | ||||
hermetic | sealed-off | ||||
hierarchical scale | scale based on relative importance; the more important a figure, the larger it appears compared to those around it. Also known as hieratic scale, hierarchy of scale. | ||||
hieratic scale | scale based on relative importance; the more important a figure, the larger it appears compared to those around it. Also known as hierarchical scale, hierarchy of scale. | ||||
hieroglyph | a symbol or picture used to confer meaning in hieroglyphic writing [Gardner's] | ||||
hieroglyphic | a system of writing using hieroglyphs [Gardner's] | ||||
Hippodamian plan | a settlement plan based on a strict grid system | ||||
historiography | the study of how and why histories (including art histories) have been written | ||||
Holy Roman Empire | an empire consisting primarily of a loose confederation of German and Italian territories under the suzerainty of an emperor and existing from the 9th or 10th century to 1806 [Merriam-Webster] | ||||
horseshoe arch | an arch shaped like a horseshoe, that is, curving wider than its vertical supports | ||||
humanities | the branches of learning (such as philosophy, arts, or languages) that investigate human constructs and concerns as opposed to natural processes (as in physics or chemistry) and social relations (as in anthropology or economics) [Merriam-Webster] | ||||
hypocaust | interior heating system, invented by Romans | ||||
hypostyle | characterized by columns of the same height. A hypostyle hall often gives the impression of a forest of columns supporting the roof. | ||||
Iberia | the peninsula in southwest Europe now comprising Spain, Portugal, and Gibraltar | ||||
icon | from the Greek eikon ("image") In Byzantine art, any image that aids in the contemplation of the divine. | ||||
iconoclasts | literally, "breakers of images," those opposed to depicting sacred imagery, considering it idolatry (worshipping inanimate objects) | ||||
iconography | from the Greek eikon ("image") + glúphō ("to carve" or "to write"), the visual images and symbols used in a work of art or the study or interpretation of these [Art History Glossary] | ||||
iconophiles | literally "lovers of images," those who argue for the value of imagery as a gateway to worship of the divine | ||||
idealization | a style of representation that perfects or makes "ideal" the subject's features, proportions, etc., in accordance with prevailing beauty standards | ||||
identity politics | politics in which groups of people having a particular racial, religious, ethnic, social, or cultural identity tend to promote their own specific interests or concerns without regard to the interests or concerns of any larger political group [Merriam-Webster] | ||||
idolatry | the worship of inanimate obects, or idols | ||||
Ilkhanate | the Middle Eastern divison of the Mongol Empire that at its greatest extent included all of modern Iran and Azerbaijan, much of Turkey and Turkmenistan, and parts of Iraq, Syria, Afhanistan, and Pakistan | ||||
illumination | a painting in a handmade book | ||||
implied lines | lines that are not actually drawn, but that allow us to "connect the dots" to create the lines in our minds | ||||
ingot | a mass of metal cast into a convenient shape for storage or transportation to be later processed [Merriam-Webster] | ||||
inlay | decoration created by embedding one material into another so that the surfaces are flush | ||||
insula | (plural: insulae) in Roman architecture, a multistory apartment house, usually made of brick-faced concrete; also refers to an entire city block [Gardner's] | ||||
intaglio | from the Latin, tagliare (to cut). May refer to carving stone or other hard material to produce a positive image when impressed upon soft material, like clay. May also refer to a printing process in which lines are cut or etched into a metal plate and which then, when inked, transfer that inked mark to paper. | ||||
interlace | intertwining linear designs, sometimes in the form of knotwork | ||||
Ionic | one of the two systems (or orders) invented in ancient Greece for articulating the three units of the elevation of a classical building: the platform, the colonnade, and the superstructure (entablature). The Ionic order is characterized by, among other features, volutes, capitals, columns with bases, and an uninterrupted frieze. [Gardner's] | ||||
Islam | from the Arabic, "submission"; a monotheistic religion that arose on the Arabian peninsula in the seventh century and whose first prophet was Muhammad. | ||||
ivory | material from the tusk of an elephant or walrus | ||||
iwan | a vaulted space fully open on one side, known especially in the four-iwan mosque | ||||
Iyoba | Benin queen mother | ||||
jade | a hard green semiprecious gemstone | ||||
jamb | an upright post forming the side of an opening, such as a door frame or window frame [James Terry] | ||||
ka | in Egyptian belief, the immortal spirit which would leave the physical body at death | ||||
keystone | the stone at the top of a true arch that holds all the other voussoirs (wedge-shaped blocks) in place | ||||
kiva | a Hopi word used to refer to specialized round and rectangular rooms in modern Pueblos. Modern kivas are used by men's ceremonial associations. Archeologists assume that ancient kivas served similar functions.[National Parks Service] | ||||
kore | Greek, "young woman;" a sculpture of a female youth | ||||
kouros | Greek, "young man;" a sculpture of a male youth | ||||
krater | large, open-mouthed vessel for mixing water and wine | ||||
Kufic | an angular Arabic script frequently used in Qur'ans, named for the town where it was developed | ||||
labrys | the double-headed axe that features frequently in Minoan art | ||||
labyrinth | in Greek mythology, the intricate maze King Minos built to confine youths intended for sacrifice; in general use, an intricate maze | ||||
lamassu | human-headed winged lion figures, often carved in stone as guardian figures of Assyrian palace entrances | ||||
lancet windows | narrow, pointed windows | ||||
land acknowledgement | a statement or process recognizing the original Indigenous inhabitants and stewards of the land | ||||
landscape | an artwork focusing on natural scenery | ||||
libation | a liquid poured out as an offering to a deity | ||||
linear perspective | a system for depicting space that is based on the optical illusion that parallel lines seem to converge as they recede into the distance | ||||
liturgy | the official ritual of public worship [Gardner's] | ||||
LM II | Sir Arthur Evans, the archaeologist who first uncovered the palace at Knossos, divided Minoan chronology into many different periods with distinct abbreviations. LM II stands for the second part of the Late Minoan period. | ||||
logographic | characterizing a writing system which uses a sign (picture, symbol, or letter) to communicate a symbol or word | ||||
longitudinal | in architecture, describes a plan arranged along a single central axis, culminating at the altar | ||||
lost-wax casting | a sculpture technique in which a clay mold is coated in wax, covered in plaster, and then heated, causing the wax to run out. Molten metal is then poured into the resulting channels, allowed to cool, and the mold broken so that the sculpture can be removed and polished. | ||||
lunette | from the French (“little moon”), a semicircular architectural space that can be filled with a painting, a mosaic, relief sculpture or a window. [James Terry] | ||||
lusterware | a technique of decorating ceramics that results in a shiny, metallic surface that imitates metalware | ||||
lux nova | Latin for "new light," referring to the heavenly aura created in Gothic churches by the proliferation of windows, particularly with stained glass | ||||
madrassa | an Islamic school, or the building housing one | ||||
magus | (plural: magi) a wise man from the east, specifically one of the three who visited the baby Jesus | ||||
majuscule | a large, uppercase letter; a style of writing in which all letters have the same height (prior to Charlemagne's introduction of minuscules, or lowercase letters) | ||||
Mamluk | Arabic for "owned." Turkic slaves who served as soldiers to the Ayyubid sultanate before revolting and rising to power. | ||||
mandala | from the Sanskrit, "circle," a diagram of the sacred universe in Buddhism and Hinduism | ||||
mandorla | from the Latin, "almond," a full-body halo in the shape of an almond | ||||
mantle | an often-heavy robe or cloak | ||||
manuscript | from the Latin manus (hand) + scriptus (written), a document written, and often lavishly decorated, by hand | ||||
maqsura | a private space in a mosque intended for the use of the ruler, often indicated by an enclosure and/or by a dome | ||||
martyrs | those killed for their beliefs; often with religious connotations | ||||
mausoleum | a building meant to house a tomb | ||||
meander | a decorative pattern constructed from a continuous line that takes repeated right-angled turns. The term derives from the twisting course of the Maeander River in Asia Minor. [James Terry] | ||||
medium | the material(s) from which a work of art is made | ||||
megalith | from the Greek mega- (big) + lith- (stone), a massive rock | ||||
megaron | a rectangular hall, fronted by an open, two-columned porch. It contained a more or less central open hearth, which was vented through an oculus in the roof above it and surrounded by four columns. The architectural plan of the megaron became the basic shape of Greek temples, demonstrating the cultural shift as the gods of ancient Greece took the place of the Mycenaean rulers. | ||||
Mesoamerica | the region that comprises Mexico, Guatemala, Belize, Honduras, and the Pacific coast of El Salvador [Gardner's] | ||||
Mesolithic | the "middle" Stone Age, between the Paleolithic and the Neolithic ages [Gardner's] | ||||
Mesopotamia | from Greek, "place between rivers," the area between the Tigris and Euphrates rivers | ||||
messianic religions | religions that include a messiah figure who is promised to save believers | ||||
metopes | rectangular spaces between the triglyphs of a Doric entablature, originally featuring painting or sculpture | ||||
mihrab | a niche or small room in the qibla wall | ||||
minaret | a tower adjacent or attached to a mosque, from which the call to prayer is announced | ||||
minbar | a platform reached by a flight of steps used for preaching in a mosque [James Terry] | ||||
mint | to produce a coin | ||||
mithraeum | an underground room simulating a cave used for mithraic rites (as initiations) [Merriam-Webster] | ||||
Mithraism | an eastern mystery cult focusing on the worship of Mithras | ||||
Mixtec | from Nahuatl mixtēcatl, mix- (cloud) + -tēcatl (person), literally, inhabitant of Mixtlan (mountainous area of western Oaxaca) [Merriam-Webster] | ||||
moai | monolithic figural sculpture carved by Rapanui people on Rapa Nui (Easter Island) in Polynesia. Also spelled moʻai. | ||||
Mogollon | a cultural group named for the Mogollon mountains in New Mexico and spanning parts of what is today northern Mexico, Arizona, and New Mexico | ||||
monastery | an often remote, self-sufficient community of the faithful (monks) who have committed themselves to a life of religious devotion | ||||
monolithic | consisting of a single stone, usually a very large one | ||||
monotheistic | characterized by a belief in one god | ||||
monumental | huge; referring to, or acting as, a monument | ||||
mortise and tenon | joints formed by inserting a projecting point on one piece of wood (tenon) into a hole (mortise) in another piece | ||||
mosaic | a technique in which an image is formed using small pieces (tesserae) of hard material, such as stone, glass, and/or metal | ||||
mosque | a building intended for Muslim prayer. A congregational mosque is large enough to accommodate all the men of a community for Friday prayer. An oratory mosque is smaller. | ||||
movement | a sense of motion as the eye is guided through a work of art--or the physical motion of kinetic artworks | ||||
mummification | the ancient Egyptian process of preserving a corpse so that it could serve as a home for the ka | ||||
municipium | Latin, town or city | ||||
muqarnas | a decorative system that breaks the surface of a vault into small squinches, often referred to as resembling honeycomb. Generally ornamental rather than structural. | ||||
mural | a painting or other work of art executed directly on a wall [James Terry] | ||||
Muslim | an adherent of Islam | ||||
naos | the inner sanctuary of a Greek temple | ||||
narthex | (plural: narthices) a portico or vestibule at the entrance of a church | ||||
nativity | the Christian scene of Jesus' birth | ||||
naturalism | a style of representation that seeks to recreate the appearance of the visible world or nature | ||||
nave | from the Latin for "ship," the long central aisle of a basilica or cathedral | ||||
necropolis | from Greek, “city of the dead, ”a cemetery located outside a city [James Terry] | ||||
necropolis | a large, ancient cemetary [Smarthistory] | ||||
negative space | the area around and between the figure and ground | ||||
nemes | striped linen headcloth worn by ancient Egyptian kings | ||||
Neolithic | from the Greek, "old stone," the last section of the Stone Age, in which people had adopted agriculture | ||||
neolithic revolution | the profound social changes that occured when people moved from hunting and gathering to agriculture | ||||
Neopalatial period | Sir Arthur Evans, the archaeologist who first uncovered the palace at Knossos, divided Minoan chronology into many different periods, including the Neopalatial period, sometimes abbreviated as MM III. | ||||
niello | any of several black enamel-like alloys usually of sulfur with silver, copper, and lead [Merriam-Webster] | ||||
Nike | a winged personification of victory; Greek goddess of victory | ||||
nome | a geographic designation, similar to the modern idea of a region, district, or county | ||||
non-representational | not depicting recognizable objects; non-representational art is sometimes described as pure abstraction | ||||
obsidian | naturally occurring black stone/glass formed by lava | ||||
oculus | Latin, "eye," an opening at the top of a dome or a circular window | ||||
opus caementicium | Roman concrete | ||||
oral history | information and traditions passed down through spoken word, stories, and songs rather than through written records | ||||
orant | a standing figure with hands raised in prayer [James Terry] | ||||
orant | a figure with arms outstretched in a gesture of prayer | ||||
orator | a person giving a speech | ||||
oratorical gesture | an address given by a general | ||||
organic | in art, defining lines or shapes that are loose and curving like those found in nature | ||||
Orientalism | the fascination by Europeans with so-called "Oriental" cultures, imagined as mysterious, decadent, and violent, often with pejorative connotations. | ||||
orthogonals | the lines used in the technique of linear perspective that converge at the vanishing point to suggest the illusion of depth | ||||
outline | a heavy, often black, contour line | ||||
palatine | of or relating to a palace | ||||
Paleolithic | from Greek "old stone," the oldest section of the Stone Age and the beginning of human cultures | ||||
palette | surface used for grinding and/or mixing pigments | ||||
Pan-Africanism | unifying political and cultural movements bringing together African nations and people of African descent | ||||
Panhellenic | all people of Greek ancestry or origin | ||||
pantheon | from the Greek pan- (all) + theos (gods), the collected deities of a particular group or region | ||||
Pantocrator | from the Greek, pan- (all) + kratōr (to rule), Christ as the almighty ruler | ||||
papyrus | a reed-like plant or the paper-like material created by overlapping layers of its pith, pressing them and polishing them | ||||
parchment | a paper-like material made from very thinly stretched and scraped animal skin, treated to receive ink or paint | ||||
paterfamilias | Latin for "father of the family," the oldest man in a Roman family (who often lived in multigenerational households), who held rights to all its property and made decisions about marriages | ||||
patriarch | in the Greek Church and related churches, the highest clerical rank (compare pope) | ||||
patricians | members of the Roman land-owning class | ||||
patron | a person who pays for or otherwise orders art | ||||
Pax Romana | era of peace in the Roman Empire, initiated by Augustus, the first Roman Emperor, and persisting roughly 200 years until the death of Marcus Aurelius | ||||
pectoral | pertaining to the chest; often refers to an ornament worn on the chest | ||||
pediment | the triangular space forming the gable of a pitched roof in classical architecture [Art History Glossary] | ||||
pendentive | from the Latin pendēre (to hang), a curved triangular shape between a circular dome and a straight supporting pier | ||||
perspective | a technique for representing three-dimensional space on a flat surface. May refer to linear perspective, a scientific approach utilizing orthogonals that meet at a vanishing point; atmospheric perspective, where objects farther away appear bluer or foggier; or intuitive perspective, which often features the farther objects at the top of the image. | ||||
pharaoh | a king of ancient Egypt | ||||
phonetic | representing the sounds of speech [Merriam-Webster] | ||||
photograph | from Greek, "drawing with light," an image produced by registering light. Many images in this book are photographs, but most of the objects depicted are not. | ||||
pictograph | a picture, usually stylized, that represents an idea; also, writing using such means; also, painting on a rock. [Gardner's] | ||||
picture plane | the conceptual surface of a work of art, which can act like a transparent window, opening onto what feels like deep, three-dimensional space, or—especially in modern painting—may emphasize its own flatness as a surface for paint | ||||
pier | a heavy stone or concrete support, often larger than a column, with a wider base, and squared edges | ||||
pigment | a material, often in powdered form, that is applied directly to a surface or mixed with liquid, such as oil or water, to create paint | ||||
pilasters | architectural elements similar to engaged columns, but flat rather than rounded | ||||
pilgrimage | a journey undertaken for spiritual purposes, including the answer to a prayer, forgiveness for a sin, or healing for oneself or another | ||||
pilgrims | individuals undertaking a spiritual journey, or pilgrimage | ||||
plebeian | the class of Romans that included merchants, small farmers, and freed slaves | ||||
plebian | in ancient Rome, a merchant, small farmer, or freed slave | ||||
pointed arch | an arch that is pointed rather than rounded to allow for the more efficient distribution of weight; characteristic of Gothic architecture and introduced to Europe from the Middle East; sometimes called an ogival arch or a "Gothic" arch [Art History Glossary] | ||||
poleis | Greek for "city" | ||||
polychrome | consisting of more than one color, from the Greek poly (many) + chroma (color) | ||||
polytheism | belief in multiple gods | ||||
pope | in the Middle Ages, the head of the Latin Church | ||||
porcelain | an extremely fine, hard, translucent, white ceramic invented in China in the 8th century CE [James Terry] | ||||
portal | an entrance, especially the large central doorway of a church | ||||
portico | a structure consisting of a roof supported by columns at regular intervals, usually attached to a building as a porch [James Terry] | ||||
portrait | a representation of an actual person (as opposed to an image of a deity, for example) | ||||
post-and-lintel | a simple architectural technique of enclosing space using upright supports (posts) topped by a crosspiece (lintel) | ||||
Pre-Columbian | the period in the Americas before the arrival of Columbus; a problematic term as it both collapses many different cultures and foregrounds the name of a violent European invader | ||||
prefiguration | a story or symbol from the Jewish Bible that is seen to prefigure, or predict, an event in the life of Christ | ||||
prehistoric | referring to a period before written history | ||||
primary colors | the colors red, yellow, and blue, from which the rest of the colors can be formed | ||||
profile | the view of a person or animal as seen from the side, rather than the front | ||||
pronaos | entranceway of a Greek temple, behind a portico and flanked by walls | ||||
proportion | size relationship of parts of a body or form to one another and of the parts to the whole | ||||
Proto-Archaic | the period between Geometric and Archaic in Greek and Etruscan art, sometimes formerly called Orientalizing | ||||
provenance | the story of an artwork's discovery, findspot, and its various owners through history | ||||
psalter | a book containing the Psalms from the Hebrew Bible, used in Christian liturgy | ||||
pseudoperipteral | a Roman temple arrangement in which the front columns are free-standing but the columns on the back and sides are engaged | ||||
purgatory | in Roman Catholic doctrine, a space of suffering after death through which an individual may atone for sins in order to eventually be admitted to heaven | ||||
pylon | a monumental gateway of an ancient Egyptian temple, consisting of two tapering towers flanking the entrance [James Terry] | ||||
qibla | the direction of Mecca; in a mosque, a qibla wall often indicates this direction | ||||
Qur’an | the holy book of Muslims, who believe that it records the word of God as recited by Mohammed, in Arabic. Also spelled Koran. | ||||
radial symmetry | symmetry around a central point or axis, like a sunflower viewed head-on | ||||
radiocarbon dating | a method for determining the age of organic materials based on the decay of the carbon isotope carbon-14 [James Terry] | ||||
register | a horizontal band containing decorative or narrative imagery. The term is normally used when a work of art is organized in multiple horizontal bands [James Terry] | ||||
relic | a piece of material or body part associated with a sacred event or person, and believed to have miraculous powers | ||||
relief | sculpture that, unlike free-standing or in-the-round sculpture, does not detach entirely from its background. High-relief sculpture projects far from the background, whereas low-relief, or bas-relief sculpture is relatively shallow. In sunken relief, the imagery is carved into the surface instead of projecting from it. | ||||
relief sculpture | unlike sculptures in the round, relief sculptures do not detach entirely from their background. A sculpture may be in high relief, with greater projection from the background, or in low (bas) relief, where there is little projection. In ancient Egypt, we see sunken relief, where instead of projecting from the surface, the figures are delineated by carved-in contour lines. | ||||
reliquary | an often-elaborate container for a relic | ||||
repatriation | the return of something to its homeland, used in reference to art being returned to where it was made (compare restitution) | ||||
replica | an exact copy | ||||
repoussé | a metalworking technique in which the decoration is hammered into relief from the back of a thin sheet of metal. From the French "pousser," to push. | ||||
representational | depicting recognizable objects or scenes | ||||
restitution | the return of a work of art to its rightful owner (compare repatriation) | ||||
restoration | restoration generally involves returning a site (or objects) to an earlier state, often through the use of non-original material. Ideally, all added material is detectable and treatments are reversible. | ||||
revetment | a decorative covering for a wall, usually of stone | ||||
revetment | a decorative covering of stone | ||||
rhyton | (pl. rhyta) a ritual vessel used for pouring liquids, often in the form of an animal or animal's head | ||||
ribbed vaulting | vaulting with projecting stone "ribs," usually diagonal and transverse, which serve both decorative and supporting functions | ||||
rondel | a round decorative element | ||||
saint | a particularly holy person | ||||
sarcophagus | from the Greek sarkophagos ("limestone"), from sark ("flesh") + phage ("eat"), a coffin, often stone and often decorated | ||||
saturation | how bright or dull a color is; also referred to as intensity | ||||
Saxon | a Germanic people that inhabited parts of central and northern Germany from Roman times, many of whom conquered and settled in southern England in the 5th–6th centuries. [Oxford Languages] The term can refer to people in England or what is now Germany. | ||||
scale | an object's size relative to its surroundings | ||||
school | a group of artists or architects sharing close connections, sometimes to a particular artist, building, or architect | ||||
scriptorium | center for copying and illuminating manuscripts | ||||
sculpture in the round | a sculpture that can be observed from all sides, unlike a relief sculpture that does not fully detach from its background | ||||
secondary colors | colors formed by mixing two primary colors | ||||
senate | from the Latin senatus, "council of elders," the main body in Roman constitutional government | ||||
senator | from Latin senex, "old man," a member of the Roman Senate | ||||
shabti | Egyptian funerary sculptures, buried with the deceased to serve as "answerers" in the next life | ||||
shading | the use of darker colors to create the illusion of shadows | ||||
Shahnama | book of kings, an epic poem describing the stories of pre-Islamic Persian kings | ||||
shape | the property of a two-dimensional form, usually defined by a line around it or a change in color | ||||
Shedu | in Assyrian mythology, a winged lion with a man's head, also called Lammasu | ||||
shendjet | Egyptian traditional short pleated skirt | ||||
slip | in ceramics, a coating consisting of very fine particles of clay suspended in water, which can be burnished before firing to create a shiny surface (compare glaze) | ||||
sphinx | an Egyptian figure of a lion with a human head; in Greek mythology, a creature with the body of a lion, the wings of an eagle, and the head of a woman | ||||
spolia | architectural and decorative elements removed from one monument for use on another | ||||
squinch | a vault connecting the drum of a dome to the corner of a polygonal support (compare pendentive) | ||||
stained glass | decorative glass consisting of colored pieces fastened together, usually with strips of lead, to form an image or design [James Terry] | ||||
stave church | in Norway, a timber, post-and-lintel church | ||||
stele | a vertical stone monument or marker often inscribed with text or relief carving | ||||
stucco | a type of plaster that could be easily molded or carved to form decorative elements | ||||
style | characteristic visual properties of works made by an individual artist or by artists working in the same time and place | ||||
stylization | an artistic approach that conforms to particular conventions, or systems, rather than faithfully representing the natural world | ||||
stylized | conforming to particular conventions rather than recording a strict observation of the natural world | ||||
sultan | a term for a Muslim ruler, implying the ruler has been appointed by the caliph | ||||
symmetry | a formal type of balance consisting of a mirroring of portions of an image | ||||
synagogue | a Jewish house of worship | ||||
syncretism | the amalgamation of different religions, cultures, or schools of thought [Oxford Languages] | ||||
talud-tablero | a construction style that characterizes Mesoamerican pyramids, comprising a sloping base (talud) supporting a vertical tablero (decorated entablature) | ||||
tapestry | a textile with imagery woven directly into the cloth. The famous Bayeux "Tapestry" is actually an embroidery. | ||||
tempera | traditionally, a painting medium in which the binder for the pigments is egg yolk | ||||
terracotta | from the Italian, terra ("earth") + cotta ("baked"), a reddish-brown fired natural clay | ||||
tertiary colors | colors formed by mixing a primary color with a secondary color | ||||
tessera | (plural: tesserae) a small, roughly cubic piece of cut stone or glass used in making mosaics [James Terry] | ||||
tetramorph | a creature combining four others. From the tetramorph in the Book of Ezekiel, later Christians derived symbols for the four Gospel writers or evangelists. | ||||
textile | from the Latin textilis, "woven fabric,” any cloth | ||||
texture | the real or simulated surface quality (roughness or smoothness) of an object | ||||
therianthrope | a mythical being or deity which is part human and part animal | ||||
tholos | a circular tomb or temple | ||||
topography | the natural forms and features of a land’s surface | ||||
Torah | the most holy text of Judaism, consisting of the first five books of the Bible, usually in the form of a scroll | ||||
tracery | the stonework supporting stained glass windows | ||||
transept | in church architecture, the arm that crosses the nave to produce a cruciform layout | ||||
translation | the attempt to render the meaning of a text in one language into another language | ||||
transliteration | the attempt to render the sound of words from one writing system (such as an alphabet) into another writing system (such as another alphabet) | ||||
trilithon | from the Latin tri- ("three") + Greek: litho- ("stone"), a grouping of three massive stones | ||||
triptych | an artwork consisting of three pieces, usually two wings flanking a central panel | ||||
trompe l'oeil | from French, "fools the eye," an artwork that gives the illusion of actual three-dimensional objects | ||||
trumeau | a post dividing a doorway and supporting a lintel | ||||
tumulus | a burial mound | ||||
twisted perspective | a style of representation in which figures are depicted with combination frontal and profile views, also known as composite view | ||||
tympanum | from the Greek tympanon ("drum"), a flat, semicircular area above the lintel of a door | ||||
Upper Paleolithic | the period between approximately 40,000 and 10,000 years ago; "Upper" is the most recent of three subdivisions of the Paleolithic period of the Stone Age (Lower, Middle, and Upper) | ||||
uraeus | the upright cobra commonly shown on the headdress of the Egyptian pharaoh, denoting divine leadership and protection | ||||
value | the degree of lightness or darkness of a color | ||||
vanishing point | in linear perspective, the point at which the orthogonals converge | ||||
vault | a masonry roof or ceiling constructed on the arch principle, or a concrete roof of the same shape [Gardner's] | ||||
vellum | a paper-like material made from very thinly stretched and scraped skin of a young animal, treated to receive ink or pain | ||||
Venus pudica | Venus or Aphrodite depicted nude, standing with her hand in front of or covering her genitalia and her other arms across her breast | ||||
verism | from the Latin vērus ("true"), an artistic style that hyperrealistically exaggerates naturally occurring features, especially those demonstrating age | ||||
veristic | hyperrealistic convention of portraying age and natural likeness | ||||
Viking | a Norse people who spread by conquest and trade out of Scandinavia starting in the 8th century CE; later identified by other names, such as Norman | ||||
Visigoth | the western branch of the Goths, who ruled much of Spain until 711 | ||||
volutes | ornaments, shaped like scrolls or cinnamon rolls, that are notable features of Ionic capitals | ||||
votive offering | a gift of gratitude to a deity [Gardner's] | ||||
voussoirs | the wedge-shaped blocks used to construct a true arch | ||||
warp | the vertical threads of a loom or cloth [Gardner's] | ||||
westwork | the façade and towers at the western entrance of a medieval church | ||||
wet drapery | in sculpture, the look of sheer, almost transparent cloth—called "drapery" in art—that appears to cling to the body, exposing the form beneath; introduced in the Greek High Classical period before sculpture depicting the fully-nude female figure was acceptable; the sculptor Phidias is credited with introducing this style [Art History Glossary] | ||||
ziggurat | in ancient Mesopotamia, a stepped tower of earthen materials, often supporting a temple or shrine [James Terry] | ||||
zoomorphic | in the form of an animal | ||||
Zoroastrianism | the state religion of Persia from about 600 BCE until the Muslim conquest, when most adherents fled to India |
Notes
Thanks to the following sources (cited in the definitions, where applicable) that provided content:
- Art History Glossary, compiled by Sheila Lynch
- Gardner's Art Through the Ages: A Global History, 15th Edition. Fred S. Kleiner, Editor. 2016
- James Terry, Art History Glossary
- Merriam-Webster Dictionary
- National Geographic