Glossary
- Page ID
- 328433
\( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)
\( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)
\( \newcommand{\dsum}{\displaystyle\sum\limits} \)
\( \newcommand{\dint}{\displaystyle\int\limits} \)
\( \newcommand{\dlim}{\displaystyle\lim\limits} \)
\( \newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\)
( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\)
\( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)
\( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\)
\( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)
\( \newcommand{\Span}{\mathrm{span}}\)
\( \newcommand{\id}{\mathrm{id}}\)
\( \newcommand{\Span}{\mathrm{span}}\)
\( \newcommand{\kernel}{\mathrm{null}\,}\)
\( \newcommand{\range}{\mathrm{range}\,}\)
\( \newcommand{\RealPart}{\mathrm{Re}}\)
\( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)
\( \newcommand{\Argument}{\mathrm{Arg}}\)
\( \newcommand{\norm}[1]{\| #1 \|}\)
\( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)
\( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\AA}{\unicode[.8,0]{x212B}}\)
\( \newcommand{\vectorA}[1]{\vec{#1}} % arrow\)
\( \newcommand{\vectorAt}[1]{\vec{\text{#1}}} % arrow\)
\( \newcommand{\vectorB}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)
\( \newcommand{\vectorC}[1]{\textbf{#1}} \)
\( \newcommand{\vectorD}[1]{\overrightarrow{#1}} \)
\( \newcommand{\vectorDt}[1]{\overrightarrow{\text{#1}}} \)
\( \newcommand{\vectE}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash{\mathbf {#1}}}} \)
\( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)
\(\newcommand{\longvect}{\overrightarrow}\)
\( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)
\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)| Words (or words that have the same definition) | The definition is case sensitive | (Optional) Image to display with the definition [Not displayed in Glossary, only in pop-up on pages] | (Optional) Caption for Image | (Optional) External or Internal Link | (Optional) Source for Definition |
|---|---|---|---|---|---|
| (Eg. "Genetic, Hereditary, DNA ...") | (Eg. "Relating to genes or heredity") |  |
The infamous double helix | https://bio.libretexts.org/ | CC-BY-SA; Delmar Larsen |
|
Word(s) |
Definition |
Image | Caption | Link | Source |
|---|---|---|---|---|---|
| Act | A major structural division of a play, often marking shifts in time, place, or dramatic action. | ||||
| Actor | A performer who embodies a character in a theatrical production using voice, body, imagination, and emotional engagement. | ||||
| Aesthetics | The study of beauty, art, and taste; in theatre, the principles that guide how performances look, sound, and feel. | ||||
| Amphitheatre | A large, open-air performance space used in ancient Greece and Rome, designed for public gatherings and dramatic performances. | ||||
| Audience | The people who witness a theatrical performance; their attention and responses are essential to the live event. | ||||
|
Bhava |
In Indian performance theory, bhava refers to the emotional states or feelings portrayed by a performer and experienced by a character within a dramatic work. |
||||
| Blocking | The planned movement and positioning of actors onstage, developed to support storytelling and visual composition. | ||||
| Catharsis | A concept from Aristotle describing the emotional release or purification experienced by audiences through tragedy. | ||||
| Character | A fictional person or figure portrayed by an actor in a play. | ||||
| Collaboration | The shared creative process through which theatre artists work together to produce a unified performance. | ||||
| Costume | Clothing and accessories worn by performers that communicate character, time period, culture, and social identity. | ||||
| Costume Design | The art of designing and selecting costumes to support storytelling and character development. | ||||
| Design |
The intentional shaping of visual, auditory, and spatial elements, such as scenery, lighting, costumes, and sound, to support performance. |
||||
| Director | The artist responsible for interpreting the script and coordinating the artistic vision of a production. | ||||
| Dramaturg | A theatre artist who supports productions through research, script analysis, historical context, and audience engagement. | ||||
| Ensemble | A group of performers who work collaboratively, emphasizing collective storytelling over individual roles. | ||||
| Gesture | A physical movement or action that communicates meaning, emotion, or intention. | ||||
| Lighting Design | The artistic use of light to control visibility, mood, focus, and atmosphere in performance. | ||||
| Mask | A face covering used in many global theatre traditions to represent characters, spirits, or archetypes. | ||||
| Mēchanē | A crane-like device used in ancient Greek theatre to lower gods onto the stage, giving rise to the term deus ex machina. | ||||
| Mime | A performance form that communicates story and emotion without spoken language. | ||||
| Modernism | An artistic movement emphasizing experimentation, abstraction, and new forms, influential in twentieth-century theatre design. | ||||
| Nāṭyaśāstra | An ancient Indian treatise on performance detailing acting, movement, music, and design principles. | ||||
| Nōh Theatre | A classical Japanese theatre form characterized by masks, stylized movement, music, and spiritual themes. | ||||
| Pageant Wagon | A mobile stage used in medieval Europe to present biblical plays in public spaces. | ||||
| Performance | The live presentation of a theatrical work before an audience. | ||||
| Play | A written dramatic work intended for performance. | ||||
| Playwright | The author of a play. | ||||
| Production | The realization of a script through rehearsal, design, and performance. | ||||
| Rehearsal | The structured process through which a production is developed and refined. | ||||
| Ritual | A symbolic, repeated action often connected to religious or cultural traditions. | ||||
| Scenic Design (Set Design) | The creation of the physical environment in which a play’s action takes place. | ||||
| Script | The written text of a play, including dialogue and stage directions. | ||||
| Sound Design | The creation and integration of music, effects, and ambient sound to support storytelling. | ||||
| Stage Manager | The person responsible for organizing rehearsals, maintaining records, and coordinating performances. | ||||
| Theatre | A live art form in which performers present stories to an audience through embodied action in shared space. | ||||
| Theatricality | An awareness of performance as performance; the qualities that distinguish theatre from everyday life. | ||||
| Tragedy | A dramatic genre focusing on serious themes, moral conflict, and human suffering. | ||||
| World-Building | The process of creating a coherent theatrical environment that supports narrative and meaning. |