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References

  • Page ID
    388340
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    “About.” (2021) Bard at the Gate. https://www.bardatthegate.org/about-22

    Aubert, M., Lebe, R., Oktaviana, A.A. et al. (2019) “Earliest hunting scene in prehistoric art.” Nature 576, 442–445. https://doi.org/10.1038/s41586-019-1806-y

    Barthes, R. (1972, originally published 1957) Mythologies. Noonday Press.

    Bharucha, R. (1993) Theatre and the World: Performance and the Politics of Culture. Routledge.

    Blackman, A.M. and H.W. Fairman (1942-1944) “The Myth Of Horus At Edfu II : The Triumph of Horus Over His Enemies, A Sacred Drama.” The Journal of Egyptian Archaeology. (Dec) Vols. 28-30.

    Boal, A. (1993) Theatre of the Oppressed. TCG.

    Brook, P. (1968) The Empty Space. Penguin Books.

    Buckland, A. (2012) “Theatre or Extinction – Choose!: Andrew Buckland at TEDxRhodesU.” TEDx Talks. Available at: https://www.youtube.com/watch?v=C8DWMCbAyEs&t=266s

    Colbert, S. (2026) “‘There’s Nothing I Enjoy More Than Acting In The Theatre’ – Ian McKellen Extended Interview.” The Late Show With Stephen Colbert. February 4. Available at: https://www.youtube.com/watch?v=2l2RqzVG4ag=

    Dolan, J. (2005) Utopia in Performance: Finding Hope at the Theatre. U of Michigan Press.

    Doshi, M. (2022) Towards Good Lighting for the Stage: Aesthetic Theory for Theatrical Lighting Design. Routledge.

    Dreyer-Lude, M. (2025) The Adaptable Degree: How Education in Theatre Supports the Economy of the Future. Routledge.

    Floyd, Jeremy (2025) “Theatrical Design: Costume, Set, Light, Sound, Projection.” Lecture for “The Aesthetics of Theatre and Dance.” Northern Illinois University, Dekalb, IL, Nov 5.

    Flynn, J. (2023) “Anti-Racism and the Act of Decolonization.” Presentation at Faculty Academy for Cultural Competence and Equity, Northern Illinois University, DeKalb, IL, May 22.

    Freedman, S. (1987) “Leaving His Imprint on Broadway.” New York Times. Nov 22.

    Freytag, G. (1900) Technique of the Drama: An Exposition of Dramatic Composition and Art. Elias J. MacEwan, trans. Scott, Foresman and Company.

    Garner, S. (2007) Whiteness: An Introduction. Routledge.

    Ghosh, M., trans. (1950) Nāṭyaśāstra: A Treatise on Hindu Dramaturgy and Histrionics Ascribed to Bharata Muni. Royal Asiatic Society of Bengal.

    Hartsoe, S. (2021) “A New York City Mystery.” TikTok. Available at: https://www.youtube.com/shorts/36hxmcJnfns.

    Homan, K. (2021) Twitter post. January 3, 9:57 AM. https://twitter.com/KenHomanSJ/status/1345761173384421377.

    Johnson, O. (2009) “Unspeakable Histories: Terror, Spectacle, and Genocidal Memory.” Modern Language Quarterly. Vol. 70, No. 1, 97-116. https://doi.org/10.1215/00267929-2008-031

    Komparu, K. (1984) The Nōh Theater: Principles and Perspectives. Weatherhill.

    Langman, J. (2022) Standby: An Approach to Theatrical Design. Southern Illinois UP.

    Lewis, M. (2016) Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life. U of Iowa Press.

    Malloy, K. (2015) The Art of Theatrical Design: Elements of Visual Composition, Methods, and Practice. Focal Press.

    Paul, A. (2016) “Romeo & Juliet Director Alan Paul talks about the production's set." Shakespeare in DC. Available at: https://www.youtube.com/watch?v=Jc3-m6gS_gs

    Snyder-Young, D. et. al. (2023) “Building from the Rubble: Centering Care.” Call for Papers for the annual meeting of the Association for Theatre in Higher Education, Austin, TX, Aug. 3-6.

    Walder, D. (1998) Post-colonial Literatures in English: History, Language, Theory. Blackwell Publishers.

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