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Humanities LibreTexts

3.6: Donatello’s Mary Magdalene

  • Page ID
    358716

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    A wooden statue of a standing woman with clasped hands, wearing a textured garment, displayed against a dark background.

    Artist: Donatello
    Medium: Polychromed wood sculpture
    Art Historical Time Period: Italian Renaissance

    Donatello’s Mary Magdalene, created around 1455, is a powerful and emotional sculpture that depicts Mary Magdalene as a penitent, emphasizing her spiritual devotion. The wood sculpture shows her emaciated figure and long, wild hair, symbolizing her repentance and devotion to God after her life as a sinner. This artwork was likely made for a religious audience to inspire reflection and humility. It is innovative because it portrays Mary not as a youthful beauty but as a deeply human, vulnerable figure filled with emotion and suffering.

    The sculpture’s focus on raw human emotion and spirituality influenced Renaissance and later artists, who sought to depict the complexity of human experience in their work. Donatello’s Mary Magdalene also reflects the Renaissance interest in individuality and realism, shaping how religious figures were portrayed in art up to the modern era

    Vocabulary

    • Penitent A person who feels sorry for their sins and seeks forgiveness.
    • Polychromed Painted with many colors.

    Student Authors

    • Natalia Cortez ’23 and Carlos Martinez ’25

    References and Image Attribution

    • Avery, C. (1991). Donatello: An introduction. Harper & Row.
    • Janson, H. W. (2007). History of Art: The Western Tradition (7th ed.). Prentice Hall.
    • Pope-Hennessy, J. (1993). Italian Renaissance Sculpture. Phaidon Press.
    • Image: “Mary Magdalene by Donatello” via Wikimedia Commons by or Yair Haklai, licensed under Creative Commons Attribution-Share Alike 4.0 International. Modified from original.

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