3.5: Muted Color Assignment
- Page ID
- 177188
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This assignment is based on the two assignments on p. 52 of Color: A Workshop for Artists and Designers (Hornung, 2012).
Materials
- One half 12 x 17 inch Bristol board sheet. Trim your 14 inch wide paper to 12 inches wide before cutting in half. You will have two 8½ x 12 inch compositions
- Tape
- Non-photo blue pencil
- Painting supplies
- Value scanner
Guidelines
- Tape your sheet to your board, ¼ inch clean, even margins!
- Use a minimum of a broad nine muted colors. (Colors that fall between chromatic grays and prismatic colors in the saturation continuum).
- Create your nine muted colors on the upper portion of a sketchbook page before beginning the project. Label these Muted Colors.
- Hue ranges must be broad or varied.
- You may use white to lighten.
- Use the same muted colors in each composition.
- You may change the position of the muted colors in each composition, as in Figs. 4.12 & 4.13, p. 52.
- Use no color more than once.
- Draw a contour drawing of a zoomed in view of tree branches with intricate spaces. Use your nine muted colors to achieve a broad value range from light to dark. Use the value scanner (value strip with holes punched) to match value to color to make sure you have a wide variety in value in your first composition. See Fig.4.12, p. 52.
- Use a different view of the zoomed in branches to create a second composition on the other half of your paper. This time, use your nine muted colors to create a close value range. Colors must be numbers 3 or 4 on your value scale. See fig. 4.13, p. 52.
- Both compositions must contain:
- The assigned value range for each composition.
- Interesting compositions, variety in branch placements and sizes.
- Exaggerated differences in branch sizes.
- Overlapping branches.
- Effective color interactions.
- Clean, even, ¼ Inch margins.