3.4: Triad Color Assignment
- Page ID
- 177187
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- One half 12 x 17 inch Bristol board sheet, taped edges to board – trim your 14 inch wide paper to 12 inches wide before cutting in half. You will have two 8½ x 12 inch compositions
- Tape
- Non-photo blue pencil
- Painting supplies
- Earth tone primary colors: yellow ochre, burnt sienna, Payne’s gray (black + small amount of ultramarine blue)
- Primary triad colors: cadmium yellow, cadmium red, ultramarine blue
- White to lighten
Guidelines
- Read about earth-tone primary colors on page 17, fig1.11 in Color : A workshop for artists and designers (Hornung, 2012).
- Draw a contour drawing of a zoomed in view of tree branches with intricate spaces.
- Choose the earth-tone primary triad found on page 17, fig1.11: yellow ochre, burnt sienna and Payne’s gray. (Mix Payne’s gray by adding a slight amount of ultramarine blue to black). You may add white to lighten the colors.
- Experiment with getting as many colors as you can out of the three limited earth tones.
- Colors may be stand alone or mixed from the three main colors. You will not have a large amount of blue, only a small amount in the Payne’s gray mixture.
- Use a different view of the zoomed in branches to create a second composition on the other half of your paper.
- This time, use the primary triad: cadmium red, cadmium yellow, and ultramarine blue.
- Colors may not be mixed with each other this time, only white to lighten.
- Your darkest colors will be the pure hue of the primary color.
- Both compositions must contain:
- The fullest value range possible given the color limitations.
- Use the value scanner (value strip with holes punched) to match value to color to make sure you have variety in value.
- Interesting compositions, variety in branch placements and sizes.
- Effective color interactions.