Skip to main content
Humanities LibreTexts

13.4: Hamlet Act V

  • Page ID
    344456
  • \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)

    \( \newcommand{\dsum}{\displaystyle\sum\limits} \)

    \( \newcommand{\dint}{\displaystyle\int\limits} \)

    \( \newcommand{\dlim}{\displaystyle\lim\limits} \)

    \( \newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\)

    ( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\)

    \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

    \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\)

    \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)

    \( \newcommand{\Span}{\mathrm{span}}\)

    \( \newcommand{\id}{\mathrm{id}}\)

    \( \newcommand{\Span}{\mathrm{span}}\)

    \( \newcommand{\kernel}{\mathrm{null}\,}\)

    \( \newcommand{\range}{\mathrm{range}\,}\)

    \( \newcommand{\RealPart}{\mathrm{Re}}\)

    \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

    \( \newcommand{\Argument}{\mathrm{Arg}}\)

    \( \newcommand{\norm}[1]{\| #1 \|}\)

    \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)

    \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\AA}{\unicode[.8,0]{x212B}}\)

    \( \newcommand{\vectorA}[1]{\vec{#1}}      % arrow\)

    \( \newcommand{\vectorAt}[1]{\vec{\text{#1}}}      % arrow\)

    \( \newcommand{\vectorB}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \( \newcommand{\vectorC}[1]{\textbf{#1}} \)

    \( \newcommand{\vectorD}[1]{\overrightarrow{#1}} \)

    \( \newcommand{\vectorDt}[1]{\overrightarrow{\text{#1}}} \)

    \( \newcommand{\vectE}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash{\mathbf {#1}}}} \)

    \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)

    \(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)

    ACT 5

    ⌜Scene 1⌝

    Enter Gravedigger and Another.

    ⌜GRAVEDIGGER⌝ Is she to be buried in Christian burial,
    when she willfully seeks her own salvation?
    OTHER I tell thee she is. Therefore make her grave
    straight. The crowner hath sat on her and finds it
    5 Christian burial.
    ⌜GRAVEDIGGER⌝ How can that be, unless she drowned
    herself in her own defense?
    OTHER Why, ’tis found so.
    ⌜GRAVEDIGGER⌝ It must be ⟨se offendendo;⟩ it cannot be
    10 else. For here lies the point: if I drown myself
    wittingly, it argues an act, and an act hath three
    branches—it is to act, to do, to perform. ⟨Argal,⟩ she
    drowned herself wittingly.
    OTHER Nay, but hear you, goodman delver—
    ⌜GRAVEDIGGER⌝ 15Give me leave. Here lies the water;
    good. Here stands the man; good. If the man go to
    this water and drown himself, it is (will he, nill he)
    he goes; mark you that. But if the water come to him
    and drown him, he drowns not himself. Argal, he
    20 that is not guilty of his own death shortens not his
    own life.
    OTHER But is this law?
    ⌜GRAVEDIGGER⌝ Ay, marry, is ’t—crowner’s ’quest law.

    OTHER Will you ha’ the truth on ’t? If this had not been
    25 a gentlewoman, she should have been buried out o’
    Christian burial.
    ⌜GRAVEDIGGER⌝ Why, there thou sayst. And the more
    pity that great folk should have count’nance in this
    world to drown or hang themselves more than
    30 their even-Christian. Come, my spade. There is no
    ancient gentlemen but gard’ners, ditchers, and
    grave-makers. They hold up Adam’s profession.
    OTHER Was he a gentleman?
    ⌜GRAVEDIGGER⌝ He was the first that ever bore arms.
    ⟨OTHER 35Why, he had none.
    ⌜GRAVEDIGGER⌝ What, art a heathen? How dost thou
    understand the scripture? The scripture says Adam
    digged. Could he dig without arms?⟩ I’ll put another
    question to thee. If thou answerest me not to the
    40 purpose, confess thyself—
    OTHER Go to!
    ⌜GRAVEDIGGER⌝ What is he that builds stronger than
    either the mason, the shipwright, or the carpenter?
    OTHER The gallows-maker; for that ⟨frame⟩ outlives a
    45 thousand tenants.
    ⌜GRAVEDIGGER⌝ I like thy wit well, in good faith. The
    gallows does well. But how does it well? It does
    well to those that do ill. Now, thou dost ill to say the
    gallows is built stronger than the church. Argal, the
    50 gallows may do well to thee. To ’t again, come.
    OTHER “Who builds stronger than a mason, a shipwright,
    or a carpenter?”
    ⌜GRAVEDIGGER⌝ Ay, tell me that, and unyoke.
    OTHER Marry, now I can tell.
    ⌜GRAVEDIGGER⌝ 55To ’t.
    OTHER Mass, I cannot tell.

    Enter Hamlet and Horatio afar off.

    ⌜GRAVEDIGGER⌝ Cudgel thy brains no more about it,

    for your dull ass will not mend his pace with
    beating. And, when you are asked this question
    60 next, say “a grave-maker.” The houses he makes
    lasts till doomsday. Go, get thee in, and fetch me a
    stoup of liquor.
    The Other Man exits
    and the Gravedigger digs and sings.

    In youth when I did love, did love,
    Methought it was very sweet

    65 To contract—O—the time for—a—my behove,
    O, methought there—a—was nothing—a—meet.

    HAMLET Has this fellow no feeling of his business? He
    sings in grave-making.
    HORATIO Custom hath made it in him a property of
    70 easiness.
    HAMLET ’Tis e’en so. The hand of little employment
    hath the daintier sense.
    ⌜GRAVEDIGGER⌝ sings
    But age with his stealing steps
    Hath clawed me in his clutch,

    75 And hath shipped me into the land,
    As if I had never been such.

    He digs up a skull.
    HAMLET That skull had a tongue in it and could sing
    once. How the knave jowls it to the ground as if
    ’twere Cain’s jawbone, that did the first murder!
    80 This might be the pate of a politician which this ass
    now o’erreaches, one that would circumvent God,
    might it not?
    HORATIO It might, my lord.
    HAMLET Or of a courtier, which could say “Good
    85 morrow, sweet lord! How dost thou, sweet lord?”
    This might be my Lord Such-a-one that praised my
    Lord Such-a-one’s horse when he went to beg it,
    might it not?
    HORATIO Ay, my lord.

    HAMLET 90Why, e’en so. And now my Lady Worm’s,
    chapless and knocked about the ⟨mazard⟩ with a
    sexton’s spade. Here’s fine revolution, an we had
    the trick to see ’t. Did these bones cost no more the
    breeding but to play at loggets with them? Mine
    95 ache to think on ’t.
    ⌜GRAVEDIGGER⌝ sings
    A pickax and a spade, a spade,
    For and a shrouding sheet,
    O, a pit of clay for to be made
    For such a guest is meet.

    He digs up more skulls.
    HAMLET 100There’s another. Why may not that be the
    skull of a lawyer? Where be his quiddities now, his
    quillities, his cases, his tenures, and his tricks? Why
    does he suffer this mad knave now to knock him
    about the sconce with a dirty shovel and will not tell
    105 him of his action of battery? Hum, this fellow might
    be in ’s time a great buyer of land, with his statutes,
    his recognizances, his fines, his double vouchers,
    his recoveries. ⟨Is this the fine of his fines and the
    recovery of his recoveries,⟩ to have his fine pate full
    110 of fine dirt? Will ⟨his⟩ vouchers vouch him no more
    of his purchases, and ⟨double ones too,⟩ than the
    length and breadth of a pair of indentures? The very
    conveyances of his lands will scarcely lie in this box,
    and must th’ inheritor himself have no more, ha?
    HORATIO 115Not a jot more, my lord.
    HAMLET Is not parchment made of sheepskins?
    HORATIO Ay, my lord, and of calves’ skins too.
    HAMLET They are sheep and calves which seek out
    assurance in that. I will speak to this fellow.—
    120 Whose grave’s this, sirrah?
    ⌜GRAVEDIGGER⌝ Mine, sir.
    Sings. O, a pit of clay for to be made
    For such a guest is meet.

    HAMLET I think it be thine indeed, for thou liest in ’t.
    ⌜GRAVEDIGGER⌝ 125You lie out on ’t, sir, and therefore ’tis
    not yours. For my part, I do not lie in ’t, yet it is
    mine.
    HAMLET Thou dost lie in ’t, to be in ’t and say it is thine.
    ’Tis for the dead, not for the quick; therefore thou
    130 liest.
    ⌜GRAVEDIGGER⌝ ’Tis a quick lie, sir; ’twill away again
    from me to you.
    HAMLET What man dost thou dig it for?
    ⌜GRAVEDIGGER⌝ For no man, sir.
    HAMLET 135What woman then?
    ⌜GRAVEDIGGER⌝ For none, neither.
    HAMLET Who is to be buried in ’t?
    ⌜GRAVEDIGGER⌝ One that was a woman, sir, but, rest
    her soul, she’s dead.
    HAMLET 140How absolute the knave is! We must speak by
    the card, or equivocation will undo us. By the
    Lord, Horatio, this three years I have took note of
    it: the age is grown so picked that the toe of the
    peasant comes so near the heel of the courtier, he
    145 galls his kibe.—How long hast thou been
    grave-maker?
    ⌜GRAVEDIGGER⌝ Of ⟨all⟩ the days i’ th’ year, I came to ’t
    that day that our last King Hamlet overcame
    Fortinbras.
    HAMLET 150How long is that since?
    ⌜GRAVEDIGGER⌝ Cannot you tell that? Every fool can
    tell that. It was that very day that young Hamlet
    was born—he that is mad, and sent into England.
    HAMLET Ay, marry, why was he sent into England?
    ⌜GRAVEDIGGER⌝ 155Why, because he was mad. He shall
    recover his wits there. Or if he do not, ’tis no great
    matter there.
    HAMLET Why?
    ⌜GRAVEDIGGER⌝ ’Twill not be seen in him there. There
    160 the men are as mad as he.

    HAMLET How came he mad?
    ⌜GRAVEDIGGER⌝ Very strangely, they say.
    HAMLET How “strangely”?
    ⌜GRAVEDIGGER⌝ Faith, e’en with losing his wits.
    HAMLET 165Upon what ground?
    ⌜GRAVEDIGGER⌝ Why, here in Denmark. I have been
    sexton here, man and boy, thirty years.
    HAMLET How long will a man lie i’ th’ earth ere he rot?
    ⌜GRAVEDIGGER⌝ Faith, if he be not rotten before he die
    170 (as we have many pocky corses ⟨nowadays⟩ that will
    scarce hold the laying in), he will last you some
    eight year or nine year. A tanner will last you nine
    year.
    HAMLET Why he more than another?
    ⌜GRAVEDIGGER⌝ 175Why, sir, his hide is so tanned with his
    trade that he will keep out water a great while; and
    your water is a sore decayer of your whoreson dead
    body. Here’s a skull now hath lien you i’ th’ earth
    three-and-twenty years.
    HAMLET 180Whose was it?
    ⌜GRAVEDIGGER⌝ A whoreson mad fellow’s it was.
    Whose do you think it was?
    HAMLET Nay, I know not.
    ⌜GRAVEDIGGER⌝ A pestilence on him for a mad rogue!
    185 He poured a flagon of Rhenish on my head once.
    This same skull, sir, was, sir, Yorick’s skull, the
    King’s jester.
    HAMLET This?
    ⌜GRAVEDIGGER⌝ E’en that.
    HAMLET, taking the skull⌝ 190⟨Let me see.⟩ Alas, poor
    Yorick! I knew him, Horatio—a fellow of infinite
    jest, of most excellent fancy. He hath bore me on his
    back a thousand times, and now how abhorred in
    my imagination it is! My gorge rises at it. Here hung
    195 those lips that I have kissed I know not how oft.
    Where be your gibes now? your gambols? your

    songs? your flashes of merriment that were wont to
    set the table on a roar? Not one now to mock your
    own grinning? Quite chapfallen? Now get you to my
    200 lady’s ⟨chamber,⟩ and tell her, let her paint an inch
    thick, to this favor she must come. Make her laugh
    at that.—Prithee, Horatio, tell me one thing.
    HORATIO What’s that, my lord?
    HAMLET Dost thou think Alexander looked o’ this
    205 fashion i’ th’ earth?
    HORATIO E’en so.
    HAMLET And smelt so? Pah!⌜He puts the skull down.
    HORATIO E’en so, my lord.
    HAMLET To what base uses we may return, Horatio!
    210 Why may not imagination trace the noble dust of
    Alexander till he find it stopping a bunghole?
    HORATIO ’Twere to consider too curiously to consider
    so.
    HAMLET No, faith, not a jot; but to follow him thither,
    215 with modesty enough and likelihood to lead it, ⟨as
    thus:⟩ Alexander died, Alexander was buried, Alexander
    returneth to dust; the dust is earth; of earth
    we make loam; and why of that loam whereto he
    was converted might they not stop a beer barrel?
    220 Imperious Caesar, dead and turned to clay,
    Might stop a hole to keep the wind away.
    O, that that earth which kept the world in awe
    Should patch a wall t’ expel the ⟨winter’s⟩ flaw!

    Enter King, Queen, Laertes, Lords attendant, and the
    corpse
    of Ophelia, with a Doctor of Divinity.

    But soft, but soft awhile! Here comes the King,
    225 The Queen, the courtiers. Who is this they follow?
    And with such maimèd rites? This doth betoken
    The corse they follow did with desp’rate hand
    Fordo its own life. ’Twas of some estate.
    Couch we awhile and mark.⌜They step aside.

    LAERTES 230What ceremony else?
    HAMLET That is Laertes, a very noble youth. Mark.
    LAERTES What ceremony else?
    DOCTOR
    Her obsequies have been as far enlarged
    As we have warranty. Her death was doubtful,
    235 And, but that great command o’ersways the order,
    She should in ground unsanctified been lodged
    Till the last trumpet. For charitable prayers
    ⟨Shards,⟩ flints, and pebbles should be thrown on
    her.
    240 Yet here she is allowed her virgin crants,
    Her maiden strewments, and the bringing home
    Of bell and burial.
    LAERTES
    Must there no more be done?
    DOCTOR No more be done.
    245 We should profane the service of the dead
    To sing a requiem and such rest to her
    As to peace-parted souls.
    LAERTES Lay her i’ th’ earth,
    And from her fair and unpolluted flesh
    250 May violets spring! I tell thee, churlish priest,
    A minist’ring angel shall my sister be
    When thou liest howling.
    HAMLET, to Horatio⌝ What, the fair Ophelia?
    QUEEN Sweets to the sweet, farewell!
    She scatters flowers.
    255 I hoped thou shouldst have been my Hamlet’s wife;
    I thought thy bride-bed to have decked, sweet maid,
    And not have strewed thy grave.
    LAERTES O, treble woe
    Fall ten times ⟨treble⟩ on that cursèd head
    260 Whose wicked deed thy most ingenious sense
    Deprived thee of!—Hold off the earth awhile,
    Till I have caught her once more in mine arms.
    Leaps in the grave.

    Now pile your dust upon the quick and dead,
    Till of this flat a mountain you have made
    265 T’ o’ertop old Pelion or the skyish head
    Of blue Olympus.
    HAMLET, advancing
    What is he whose grief
    Bears such an emphasis, whose phrase of sorrow
    Conjures the wand’ring stars and makes them stand
    270 Like wonder-wounded hearers? This is I,
    Hamlet the Dane.
    LAERTES, coming out of the grave
    The devil take thy soul!
    HAMLET Thou pray’st not well.⌜They grapple.
    I prithee take thy fingers from my throat,
    275 For though I am not splenitive ⟨and⟩ rash,
    Yet have I in me something dangerous,
    Which let thy wisdom fear. Hold off thy hand.
    KING Pluck them asunder.
    QUEEN Hamlet! Hamlet!
    ALL 280Gentlemen!
    HORATIO Good my lord, be quiet.
    Hamlet and Laertes are separated.
    HAMLET
    Why, I will fight with him upon this theme
    Until my eyelids will no longer wag!
    QUEEN O my son, what theme?
    HAMLET
    285 I loved Ophelia. Forty thousand brothers
    Could not with all their quantity of love
    Make up my sum. What wilt thou do for her?
    KING O, he is mad, Laertes!
    QUEEN For love of God, forbear him.
    HAMLET 290’Swounds, show me what thou ’t do.
    Woo’t weep, woo’t fight, woo’t fast, woo’t tear
    thyself,
    Woo’t drink up eisel, eat a crocodile?

    I’ll do ’t. Dost ⟨thou⟩ come here to whine?
    295 To outface me with leaping in her grave?
    Be buried quick with her, and so will I.
    And if thou prate of mountains, let them throw
    Millions of acres on us, till our ground,
    Singeing his pate against the burning zone,
    300 Make Ossa like a wart. Nay, an thou ’lt mouth,
    I’ll rant as well as thou.
    QUEEN This is mere madness;
    And ⟨thus⟩ awhile the fit will work on him.
    Anon, as patient as the female dove
    305 When that her golden couplets are disclosed,
    His silence will sit drooping.
    HAMLET Hear you, sir,
    What is the reason that you use me thus?
    I loved you ever. But it is no matter.
    310 Let Hercules himself do what he may,
    The cat will mew, and dog will have his day.
    Hamlet exits.
    KING
    I pray thee, good Horatio, wait upon him.
    Horatio exits.
    To Laertes. Strengthen your patience in our last
    night’s speech.
    315 We’ll put the matter to the present push.—
    Good Gertrude, set some watch over your son.—
    This grave shall have a living monument.
    An hour of quiet thereby shall we see.
    Till then in patience our proceeding be.
    They exit.

    ⌜Scene 2⌝

    Enter Hamlet and Horatio.

    HAMLET
    So much for this, sir. Now shall you see the other.
    You do remember all the circumstance?
    HORATIO Remember it, my lord!
    HAMLET
    Sir, in my heart there was a kind of fighting
    5 That would not let me sleep. ⟨Methought⟩ I lay
    Worse than the mutines in the ⟨bilboes.⟩ Rashly—
    And praised be rashness for it; let us know,
    Our indiscretion sometime serves us well
    When our deep plots do pall; and that should learn
    10 us
    There’s a divinity that shapes our ends,
    Rough-hew them how we will—
    HORATIO That is most
    certain.
    HAMLET 15Up from my cabin,
    My sea-gown scarfed about me, in the dark
    Groped I to find out them; had my desire,
    Fingered their packet, and in fine withdrew
    To mine own room again, making so bold
    20 (My fears forgetting manners) to unfold
    Their grand commission; where I found, Horatio,
    A royal knavery—an exact command,
    Larded with many several sorts of reasons
    Importing Denmark’s health and England’s too,
    25 With—ho!—such bugs and goblins in my life,
    That on the supervise, no leisure bated,
    No, not to stay the grinding of the ax,
    My head should be struck off.
    HORATIO Is ’t possible?
    HAMLET
    30 Here’s the commission. Read it at more leisure.
    Handing him a paper.

    But wilt thou hear now how I did proceed?
    HORATIO I beseech you.
    HAMLET
    Being thus benetted round with ⌜villainies,⌝
    Or I could make a prologue to my brains,
    35 They had begun the play. I sat me down,
    Devised a new commission, wrote it fair—
    I once did hold it, as our statists do,
    A baseness to write fair, and labored much
    How to forget that learning; but, sir, now
    40 It did me yeoman’s service. Wilt thou know
    Th’ effect of what I wrote?
    HORATIO Ay, good my lord.
    HAMLET
    An earnest conjuration from the King,
    As England was his faithful tributary,
    45 As love between them like the palm might flourish,
    As peace should still her wheaten garland wear
    And stand a comma ’tween their amities,
    And many suchlike ⌜ases⌝ of great charge,
    That, on the view and knowing of these contents,
    50 Without debatement further, more or less,
    He should those bearers put to sudden death,
    Not shriving time allowed.
    HORATIO How was this sealed?
    HAMLET
    Why, even in that was heaven ordinant.
    55 I had my father’s signet in my purse,
    Which was the model of that Danish seal;
    Folded the writ up in the form of th’ other,
    ⟨Subscribed⟩ it, gave ’t th’ impression, placed it
    safely,
    60 The changeling never known. Now, the next day
    Was our sea-fight; and what to this was sequent
    Thou knowest already.
    HORATIO
    So Guildenstern and Rosencrantz go to ’t.

    HAMLET
    ⟨Why, man, they did make love to this employment.⟩
    65 They are not near my conscience. Their defeat
    Does by their own insinuation grow.
    ’Tis dangerous when the baser nature comes
    Between the pass and fell incensèd points
    Of mighty opposites.
    HORATIO 70Why, what a king is this!
    HAMLET
    Does it not, think thee, stand me now upon—
    He that hath killed my king and whored my mother,
    Popped in between th’ election and my hopes,
    Thrown out his angle for my proper life,
    75 And with such cozenage—is ’t not perfect
    conscience
    ⟨To quit him with this arm? And is ’t not to be
    damned
    To let this canker of our nature come
    80 In further evil?
    HORATIO
    It must be shortly known to him from England
    What is the issue of the business there.
    HAMLET
    It will be short. The interim’s mine,
    And a man’s life’s no more than to say “one.”
    85 But I am very sorry, good Horatio,
    That to Laertes I forgot myself,
    For by the image of my cause I see
    The portraiture of his. I’ll ⌜court⌝ his favors.
    But, sure, the bravery of his grief did put me
    90 Into a tow’ring passion.
    HORATIO Peace, who comes here?⟩

    Enter Osric, a courtier.

    OSRIC Your Lordship is right welcome back to
    Denmark.

    HAMLET I ⟨humbly⟩ thank you, sir. Aside to Horatio.
    95 Dost know this waterfly?
    HORATIO, aside to Hamlet⌝ No, my good lord.
    HAMLET, aside to Horatio⌝ Thy state is the more gracious,
    for ’tis a vice to know him. He hath much
    land, and fertile. Let a beast be lord of beasts and his
    100 crib shall stand at the king’s mess. ’Tis a chough,
    but, as I say, spacious in the possession of dirt.
    OSRIC Sweet lord, if your Lordship were at leisure, I
    should impart a thing to you from his Majesty.
    HAMLET I will receive it, sir, with all diligence of
    105 spirit. ⟨Put⟩ your bonnet to his right use: ’tis for the
    head.
    OSRIC I thank your Lordship; it is very hot.
    HAMLET No, believe me, ’tis very cold; the wind is
    northerly.
    OSRIC 110It is indifferent cold, my lord, indeed.
    HAMLET But yet methinks it is very ⟨sultry⟩ and hot ⟨for⟩
    my complexion.
    OSRIC Exceedingly, my lord; it is very sultry, as
    ’twere—I cannot tell how. My lord, his Majesty
    115 bade me signify to you that he has laid a great wager
    on your head. Sir, this is the matter—
    HAMLET I beseech you, remember. He motions to
    Osric to put on his hat.

    OSRIC Nay, good my lord, for my ease, in good faith.
    [Sir, here is newly come to court Laertes—believe
    120 me, an absolute ⌜gentleman,⌝ full of most excellent
    differences, of very soft society and great showing.
    Indeed, to speak ⌜feelingly⌝ of him, he is the card or
    calendar of gentry, for you shall find in him the
    continent of what part a gentleman would see.
    HAMLET 125Sir, his definement suffers no perdition in
    you, though I know to divide him inventorially
    would dozy th’ arithmetic of memory, and yet but
    yaw neither, in respect of his quick sail. But, in the

    verity of extolment, I take him to be a soul of great
    130 article, and his infusion of such dearth and rareness
    as, to make true diction of him, his semblable is his
    mirror, and who else would trace him, his umbrage,
    nothing more.
    OSRIC Your Lordship speaks most infallibly of him.
    HAMLET 135The concernancy, sir? Why do we wrap the
    gentleman in our more rawer breath?
    OSRIC Sir?
    HORATIO Is ’t not possible to understand in another
    tongue? You will to ’t, sir, really.
    HAMLET, to Osric⌝ 140What imports the nomination of
    this gentleman?
    OSRIC Of Laertes?
    HORATIO His purse is empty already; all ’s golden words
    are spent.
    HAMLET 145Of him, sir.
    OSRIC I know you are not ignorant—
    HAMLET I would you did, sir. Yet, in faith, if you did, it
    would not much approve me. Well, sir?]
    OSRIC You are not ignorant of what excellence Laertes
    150 is—
    [HAMLET I dare not confess that, lest I should compare
    with him in excellence. But to know a man well
    were to know himself.
    OSRIC I mean, sir, for ⌜his⌝ weapon. But in the imputation
    155 laid on him by them, in his meed he’s
    unfellowed.]
    HAMLET What’s his weapon?
    OSRIC Rapier and dagger.
    HAMLET That’s two of his weapons. But, well—
    OSRIC 160The King, sir, hath wagered with him six Barbary
    horses, against the which he has impawned, as I
    take it, six French rapiers and poniards, with their
    assigns, as girdle, ⟨hangers,⟩ and so. Three of the
    carriages, in faith, are very dear to fancy, very

    165 responsive to the hilts, most delicate carriages, and
    of very liberal conceit.
    HAMLET What call you the “carriages”?
    [HORATIO I knew you must be edified by the margent
    ere you had done.]
    OSRIC 170The ⟨carriages,⟩ sir, are the hangers.
    HAMLET The phrase would be more germane to the
    matter if we could carry a cannon by our sides. I
    would it ⟨might⟩ be “hangers” till then. But on. Six
    Barbary horses against six French swords, their
    175 assigns, and three liberal-conceited carriages—
    that’s the French bet against the Danish. Why is this
    all ⌜“impawned,”⌝ ⟨as⟩ you call it?
    OSRIC The King, sir, hath laid, sir, that in a dozen
    passes between yourself and him, he shall not
    180 exceed you three hits. He hath laid on twelve for
    nine, and it would come to immediate trial if your
    Lordship would vouchsafe the answer.
    HAMLET How if I answer no?
    OSRIC I mean, my lord, the opposition of your person
    185 in trial.
    HAMLET Sir, I will walk here in the hall. If it please his
    Majesty, it is the breathing time of day with me. Let
    the foils be brought, the gentleman willing, and the
    King hold his purpose, I will win for him, an I can.
    190 If not, I will gain nothing but my shame and the odd
    hits.
    OSRIC Shall I deliver you ⟨e’en⟩ so?
    HAMLET To this effect, sir, after what flourish your
    nature will.
    OSRIC 195I commend my duty to your Lordship.
    HAMLET Yours. Osric exits.⌝ ⟨He⟩ does well to commend
    it himself. There are no tongues else for ’s
    turn.
    HORATIO This lapwing runs away with the shell on his
    200 head.

    HAMLET He did ⟨comply,⟩ sir, with his dug before he
    sucked it. Thus has he (and many more of the same
    breed that I know the drossy age dotes on) only got
    the tune of the time, and, out of an habit of
    205 encounter, a kind of ⟨yeasty⟩ collection, which carries
    them through and through the most ⌜fanned⌝
    and ⟨winnowed⟩ opinions; and do but blow them to
    their trial, the bubbles are out.

    [Enter a Lord.

    LORD My lord, his Majesty commended him to you by
    210 young Osric, who brings back to him that you
    attend him in the hall. He sends to know if your
    pleasure hold to play with Laertes, or that you will
    take longer time.
    HAMLET I am constant to my purposes. They follow
    215 the King’s pleasure. If his fitness speaks, mine is
    ready now or whensoever, provided I be so able as
    now.
    LORD The King and Queen and all are coming down.
    HAMLET In happy time.
    LORD 220The Queen desires you to use some gentle
    entertainment to Laertes before you fall to play.
    HAMLET She well instructs me.⌜Lord exits.⌝]
    HORATIO You will lose, my lord.
    HAMLET I do not think so. Since he went into France, I
    225 have been in continual practice. I shall win at the
    odds; ⟨but⟩ thou wouldst not think how ill all’s here
    about my heart. But it is no matter.
    HORATIO Nay, good my lord—
    HAMLET It is but foolery, but it is such a kind of
    230 ⟨gaingiving⟩ as would perhaps trouble a woman.
    HORATIO If your mind dislike anything, obey it. I will
    forestall their repair hither and say you are not fit.
    HAMLET Not a whit. We defy augury. There is ⟨a⟩
    special providence in the fall of a sparrow. If it be
    235 ⟨now,⟩ ’tis not to come; if it be not to come, it will be

    now; if it be not now, yet it ⟨will⟩ come. The
    readiness is all. Since no man of aught he leaves
    knows, what is ’t to leave betimes? Let be.

    A table prepared. Enter Trumpets, Drums, and Officers
    with cushions, King, Queen,
    Osric, and all the state,
    foils, daggers,
    flagons of wine, and Laertes.

    KING
    Come, Hamlet, come and take this hand from me.
    He puts Laertes’ hand into Hamlet’s.
    HAMLET, to Laertes
    240 Give me your pardon, sir. I have done you wrong;
    But pardon ’t as you are a gentleman. This presence
    knows,
    And you must needs have heard, how I am punished
    With a sore distraction. What I have done
    245 That might your nature, honor, and exception
    Roughly awake, I here proclaim was madness.
    Was ’t Hamlet wronged Laertes? Never Hamlet.
    If Hamlet from himself be ta’en away,
    And when he’s not himself does wrong Laertes,
    250 Then Hamlet does it not; Hamlet denies it.
    Who does it, then? His madness. If ’t be so,
    Hamlet is of the faction that is wronged;
    His madness is poor Hamlet’s enemy.
    ⟨Sir, in this audience⟩
    255 Let my disclaiming from a purposed evil
    Free me so far in your most generous thoughts
    That I have shot my arrow o’er the house
    And hurt my brother.
    LAERTES I am satisfied in nature,
    260 Whose motive in this case should stir me most
    To my revenge; but in my terms of honor
    I stand aloof and will no reconcilement
    Till by some elder masters of known honor
    I have a voice and precedent of peace
    265 To ⟨keep⟩ my name ungored. But ⟨till⟩ that time

    I do receive your offered love like love
    And will not wrong it.
    HAMLET I embrace it freely
    And will this brothers’ wager frankly play.—
    270 Give us the foils. ⟨Come on.⟩
    LAERTES Come, one for me.
    HAMLET
    I’ll be your foil, Laertes; in mine ignorance
    Your skill shall, like a star i’ th’ darkest night,
    Stick fiery off indeed.
    LAERTES 275 You mock me, sir.
    HAMLET No, by this hand.
    KING
    Give them the foils, young Osric. Cousin Hamlet,
    You know the wager?
    HAMLET Very well, my lord.
    280 Your Grace has laid the odds o’ th’ weaker side.
    KING
    I do not fear it; I have seen you both.
    But, since he is better, we have therefore odds.
    LAERTES
    This is too heavy. Let me see another.
    HAMLET
    This likes me well. These foils have all a length?
    OSRIC 285Ay, my good lord.
    Prepare to play.
    KING
    Set me the stoups of wine upon that table.—
    If Hamlet give the first or second hit
    Or quit in answer of the third exchange,
    Let all the battlements their ordnance fire.
    290 The King shall drink to Hamlet’s better breath,
    And in the cup an ⟨union⟩ shall he throw,
    Richer than that which four successive kings
    In Denmark’s crown have worn. Give me the cups,

    And let the kettle to the trumpet speak,
    295 The trumpet to the cannoneer without,
    The cannons to the heavens, the heaven to earth,
    “Now the King drinks to Hamlet.” Come, begin.
    And you, the judges, bear a wary eye.
    Trumpets the while.
    HAMLET Come on, sir.
    LAERTES 300Come, my lord.⟨They play.
    HAMLET One.
    LAERTES No.
    HAMLET Judgment!
    OSRIC A hit, a very palpable hit.
    LAERTES 305Well, again.
    KING
    Stay, give me drink.—Hamlet, this pearl is thine.
    Here’s to thy health.
    He drinks and then drops the pearl in the cup.
    Drum, trumpets, and shot.
    Give him the cup.
    HAMLET
    I’ll play this bout first. Set it by awhile.
    310 Come. They play.⌝ Another hit. What say you?
    LAERTES
    ⟨A touch, a touch.⟩ I do confess ’t.
    KING
    Our son shall win.
    QUEEN He’s fat and scant of breath.—
    Here, Hamlet, take my napkin; rub thy brows.
    315 The Queen carouses to thy fortune, Hamlet.
    She lifts the cup.
    HAMLET Good madam.
    KING Gertrude, do not drink.
    QUEEN
    I will, my lord; I pray you pardon me.⌜She drinks.
    KING, aside
    It is the poisoned cup. It is too late.

    HAMLET
    320 I dare not drink yet, madam—by and by.
    QUEEN Come, let me wipe thy face.
    LAERTES, to Claudius
    My lord, I’ll hit him now.
    KING I do not think ’t.
    LAERTES, aside
    And yet it is almost against my conscience.
    HAMLET
    325 Come, for the third, Laertes. You do but dally.
    I pray you pass with your best violence.
    I am ⟨afeard⟩ you make a wanton of me.
    LAERTES Say you so? Come on.⟨Play.
    OSRIC Nothing neither way.
    LAERTES 330Have at you now!
    Laertes wounds Hamlet. Then in scuffling they change
    rapiers,
    and Hamlet wounds Laertes.
    KING Part them. They are incensed.
    HAMLET Nay, come again.
    The Queen falls.
    OSRIC Look to the Queen there, ho!
    HORATIO
    They bleed on both sides.—How is it, my lord?
    OSRIC 335How is ’t, Laertes?
    LAERTES
    Why as a woodcock to mine own springe, Osric.
    He falls.
    I am justly killed with mine own treachery.
    HAMLET
    How does the Queen?
    KING She swoons to see them bleed.
    QUEEN
    340 No, no, the drink, the drink! O, my dear Hamlet!
    The drink, the drink! I am poisoned.⌜She dies.
    HAMLET
    O villainy! Ho! Let the door be locked.⌜Osric exits.
    Treachery! Seek it out.

    LAERTES
    It is here, Hamlet. ⟨Hamlet,⟩ thou art slain.
    345 No med’cine in the world can do thee good.
    In thee there is not half an hour’s life.
    The treacherous instrument is in ⟨thy⟩ hand,
    Unbated and envenomed. The foul practice
    Hath turned itself on me. Lo, here I lie,
    350 Never to rise again. Thy mother’s poisoned.
    I can no more. The King, the King’s to blame.
    HAMLET
    The point envenomed too! Then, venom, to thy
    work.⟨Hurts the King.
    ALL Treason, treason!
    KING
    355 O, yet defend me, friends! I am but hurt.
    HAMLET
    Here, thou incestuous, ⟨murd’rous,⟩ damnèd Dane,
    Drink off this potion. Is ⟨thy union⟩ here?
    Forcing him to drink the poison.
    Follow my mother.⟨King dies.
    LAERTES He is justly served.
    360 It is a poison tempered by himself.
    Exchange forgiveness with me, noble Hamlet.
    Mine and my father’s death come not upon thee,
    Nor thine on me.⟨Dies.
    HAMLET
    Heaven make thee free of it. I follow thee.—
    365 I am dead, Horatio.—Wretched queen, adieu.—
    You that look pale and tremble at this chance,
    That are but mutes or audience to this act,
    Had I but time (as this fell sergeant, Death,
    Is strict in his arrest), O, I could tell you—
    370 But let it be.—Horatio, I am dead.
    Thou livest; report me and my cause aright
    To the unsatisfied.
    HORATIO Never believe it.

    I am more an antique Roman than a Dane.
    375 Here’s yet some liquor left.⌜He picks up the cup.
    HAMLET As thou ’rt a man,
    Give me the cup. Let go! By heaven, I’ll ha ’t.
    O God, Horatio, what a wounded name,
    Things standing thus unknown, shall I leave behind
    380 me!
    If thou didst ever hold me in thy heart,
    Absent thee from felicity awhile
    And in this harsh world draw thy breath in pain
    To tell my story.
    A march afar off and shot within.
    385 What warlike noise is this?

    Enter Osric.

    OSRIC
    Young Fortinbras, with conquest come from Poland,
    To th’ ambassadors of England gives
    This warlike volley.
    HAMLET O, I die, Horatio!
    390 The potent poison quite o’ercrows my spirit.
    I cannot live to hear the news from England.
    But I do prophesy th’ election lights
    On Fortinbras; he has my dying voice.
    So tell him, with th’ occurrents, more and less,
    395 Which have solicited—the rest is silence.
    ⟨O, O, O, O!⟩⟨Dies.
    HORATIO
    Now cracks a noble heart. Good night, sweet prince,
    And flights of angels sing thee to thy rest.
    March within.
    Why does the drum come hither?

    Enter Fortinbras with the English Ambassadors with
    Drum, Colors, and Attendants.


    FORTINBRAS 400Where is this sight?

    HORATIO What is it you would see?
    If aught of woe or wonder, cease your search.
    FORTINBRAS
    This quarry cries on havoc. O proud Death,
    What feast is toward in thine eternal cell
    405 That thou so many princes at a shot
    So bloodily hast struck?
    AMBASSADOR The sight is dismal,
    And our affairs from England come too late.
    The ears are senseless that should give us hearing
    410 To tell him his commandment is fulfilled,
    That Rosencrantz and Guildenstern are dead.
    Where should we have our thanks?
    HORATIO Not from his
    mouth,
    415 Had it th’ ability of life to thank you.
    He never gave commandment for their death.
    But since, so jump upon this bloody question,
    You from the Polack wars, and you from England,
    Are here arrived, give order that these bodies
    420 High on a stage be placed to the view,
    And let me speak to ⟨th’⟩ yet unknowing world
    How these things came about. So shall you hear
    Of carnal, bloody, and unnatural acts,
    Of accidental judgments, casual slaughters,
    425 Of deaths put on by cunning and ⟨forced⟩ cause,
    And, in this upshot, purposes mistook
    Fall’n on th’ inventors’ heads. All this can I
    Truly deliver.
    FORTINBRAS Let us haste to hear it
    430 And call the noblest to the audience.
    For me, with sorrow I embrace my fortune.
    I have some rights of memory in this kingdom,
    Which now to claim my vantage doth invite me.
    HORATIO
    Of that I shall have also cause to speak,

    435 And from his mouth whose voice will draw ⟨on⟩
    more.
    But let this same be presently performed
    Even while men’s minds are wild, lest more
    mischance
    440 On plots and errors happen.
    FORTINBRAS Let four captains
    Bear Hamlet like a soldier to the stage,
    For he was likely, had he been put on,
    To have proved most royal; and for his passage,
    445 The soldier’s music and the rite of war
    Speak loudly for him.
    Take up the bodies. Such a sight as this
    Becomes the field but here shows much amiss.
    Go, bid the soldiers shoot.
    They exit, marching, after the which, a peal of
    ordnance are shot off.


    13.4: Hamlet Act V is shared under a Public Domain license and was authored, remixed, and/or curated by LibreTexts.

    • Was this article helpful?