6.3: Mexican-American Poetry
- Page ID
- 320286
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)- 6.3.1: Historical Antecedents
- This page discusses the historical influences that have shaped the cultural context of contemporary Mexican-American poetry.
- 6.3.2: El corrido mexicano
- Esta página trata sobre el corrido, un género musical mexicano que narra historias de personajes reales o míticos, surgido en el siglo XIX. Se popularizó durante la Revolución Mexicana y, hoy en día, incluye los narcocorridos, que abordan temas de narcotráfico, especialmente en EE.UU. A pesar de la crítica por su representación de la violencia y la prohibición en algunas estaciones de radio tras la muerte de "Chalino" Sánchez en 1992, los narcocorridos siguen siendo muy populares.
- 6.3.3: Poemas nahuas y quechuas
- This page examines the poetic traditions of pre-Colombian civilizations, specifically the Nahua and Quechua cultures, highlighting poetry's role in artistic expression, cultural identity, and heritage preservation in Latin America. It features fragments from Indigenous works, emphasizing themes of life, nature, love, and spirituality.
- 6.3.4: Literary Tendencies
- This page examines significant literary movements influencing 20th-century Mexican-American poetry, focusing on the avant-garde movement (el movimiento vanguardista), the Chicano nationalist movement, and the importance of bilingual texts for the Chicano community.
- 6.3.5: Movimientos vanguardistas
- Esta página explora el desarrollo artístico en Hispanoamérica durante la primera mitad del siglo XX, marcado por la vanguardia y el activismo social. Destaca movimientos como el Futurismo, el Expresionismo y el Surrealismo, con influencias locales de artistas como Frida Kahlo y Vicente Huidobro.
- 6.3.6: Los Chicanos
- Este página aborda el término "chicano/a", que refiere a personas de ascendencia mexicana en EE.UU., resaltando su herencia cultural. Surgió en los años 60 durante un movimiento por los derechos de los mexicano-americanos, influenciado por los derechos civiles, con César Chávez como líder en la defensa de trabajadores agrícolas.