2.2: About Creative Nonfiction
- Page ID
- 318850
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)By the end of this chapter, students will be able to:
- define creative nonfiction and understand the basic features of the genre.
- identify basic literary elements (such as setting, plot, character, descriptive imagery, and figurative language).
- perform basic literary analysis.
- craft a personal narrative essay using the elements of creative nonfiction, using MLA-style formatting.
- 2.2.1: What is Creative Nonfiction?
- This page explains creative nonfiction, noting its growing popularity and defining traits. It presents true stories artistically, incorporating literary devices for emotional engagement. It cites notable authors like Frederick Douglass and Jeanette Walls, underlining the significance of the author's storytelling choices and the constraints compared to fiction. Key elements include first-person narration and descriptive imagery.
- 2.2.2: Elements of Creative Nonfiction
- This page provides an overview of storytelling in creative nonfiction, emphasizing the importance of elements such as setting, descriptive imagery, figurative language, plot, and character. It discusses narrative techniques like in medias res, pacing, point of view, and the role of dialogue in revealing character dynamics, emotions, and conflicts.
- 2.2.3: How to Read Creative Nonfiction
- This page explores the transformative power of nature through Dorothy Wordsworth's reflections, illustrating her journey from fear to empowerment while engaging with the natural world. It emphasizes the contrast between threatening weather and uplifting beauty, showcasing personal growth through creative nonfiction.
- 2.2.4: Featured Creative Nonfiction Author- Frederick Douglass
- This page chronicles the life and impact of Frederick Douglass, an escaped slave who became a leading abolitionist and orator, authoring a powerful autobiography that exposed slavery's brutality. It also explores the Underground Railroad, detailing the risks faced by fugitives and the efforts of station masters. Despite the challenges, including the Fugitive Slave Act 1850, many escaped to Canada.
- 2.2.5: Creative Nonfiction Reading Discussion Questions
- This page outlines a framework for analyzing and applying creative nonfiction elements, emphasizing setting, characters, plot, and title. It encourages reflection on descriptive techniques and emotional connections while prompting readers to consider their own life challenges. Readers are invited to brainstorm significant moments, identify key characters, outline important events, and suggest a narrative title, fostering a deeper understanding and personal connection to storytelling.