4.6: Conclusion
- Page ID
- 341496
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)Value is crucial in drawing. It is the range of lightness or darkness used in artwork, creating depth, form, and realism. Techniques like hatching, cross-hatching, stippling, scribbling, blending, and rendering are used. High-key and low-key lighting offer contrasting approaches to using value. A gray scale value finder can help achieve accurate values. Thoughtful application of value can breathe life and emotion into a drawing.
References and Further Reading
Book Resources:
1. "Drawing on the Right Side of the Brain" by Betty Edwards- This classic book includes exercises that help perceive and capture the effects of light and shadow in drawing.
2. "Drawing Light & shade: Understanding Chiaroscuro" by Giovanni Civardi- An in-depth exploration of the chiaroscuro technique, ideal for artists who want to delve deeper into this method.
Online Resources and Tutorials
• Proko (Website and YouTube Channel) offers a series of tutorials focusing on drawing fundamentals, including light and shadow.
• Drawspace Website - Provides lessons and tutorials on various drawing techniques, including the use of value and light.
• The Virtual Instructor (Website and YouTube Channel)- Features comprehensive lessons on drawing, including detailed guides on rendering light and shadow.
• Ctrl+Paint Website-- A digital painting resource that offers valuable lessons applicable to traditional drawing, particularly in understanding value and light.
• Artists Network Website - Offers a wide range of articles and tutorials focusing on various aspects of art, including techniques for mastering value and light in drawing.
These resources will provide additional insights and practical tips to enhance your understanding and application of value, light, and chiaroscuro in your artistic practice. Whether you prefer reading detailed books or engaging with interactive online tutorials, these materials can be invaluable to your artistic journey.
Practical Assessments
Discussion, exercises and projects are vital for developing observational skills, applying theoretical knowledge, and fostering creativity. They provide structure and challenge, helping students gain practical experience and confidence while building a unique personal style in their art.
Critical Analysis
Discussion Prompt: Critical Analysis Discussion of "The Night Watch" by Rembrandt van Rijn
Instructions: Analyze the use of value, light, and chiaroscuro in Rembrandt's "The Night Watch." Make observations about the following:
1. Value and Light: Observe how Rembrandt uses value to create depth and focus. Discuss how the variation in value guides the viewer's eye.
2. Chiaroscuro Technique: Analyze the dramatic use of chiaroscuro. Examine how the contrast enhances the three-dimensionality and drama.
3. Interplay of Light and Shadow: Discuss how Rembrandt achieves a balance to create a realistic portrayal.
4. Conveying Mood: Reflect on how the use of light and shadow contributes to the mood and narrative.
Sketchbook Exercises
Value Scale Practice: Create a value scale from white to black, experimenting with different pencils or charcoal to understand the range of tones you can achieve.
Light and Shadow Study: Choose and sketch a simple object under different lighting conditions (e.g., direct sunlight, diffused light). Focus on how the light and shadow change the appearance of the object. (hint: take photos for reference)
Chiaroscuro Experimentation: Create a series of sketches exaggerating the contrasts between light and dark to achieve a dramatic effect, similar to Caravaggio’s style.
Drawing Drapery: Sketch a piece of fabric, paper bag, crumpled paper, or drapery, concentrating on the folds and how the light and shadow define their form.
Drawing Project
Project Title: Chiaroscuro Value Portraits
Overview: This project is designed to deepen students' understanding and application of the chiaroscuro technique in portrait drawing. By focusing on value, light, and the nuanced interplay of light-related phenomena, students will create two detailed portraits—one in high-key and one in low-key value ranges. This approach will exhibit a sophisticated grasp of form, depth, and emotional expressiveness through dramatic contrast of light and dark across different value spectrums.
1. Master Chiaroscuro Technique: Gain proficiency in using chiaroscuro across different value ranges to enhance three-dimensional form in portraiture.
2. Understand Light and Shadow: Develop a comprehensive understanding of how light interacts with form, including core shadows, cast shadows, highlights, and mid-tones.
3. Express Emotional Depth: Create portraits that not only capture the likeness but also convey depth and emotion through the effective use of chiaroscuro in varying lighting conditions.
4. Critical Review and Refinement: Enhance the ability to critically assess and refine artwork to achieve a high level of realism and expression in both high-key and low-key drawings.
Instructions
1. Subject Selection: Choose a Subject by selecting a portrait subject, either a live model or from a photograph, ensuring the subject offers clear and impactful lighting suitable for both high-key and low-key interpretations.
2. Initial Sketch: Outline basic shapes. Start with light sketches to establish basic shapes and proportions, focusing on the structure of the face and major features for both drawings.
3. Identifying Light Source: Establish Lighting. Determine the light source for your portraits and plan how it will illuminate the subject in both high-key and low-key scenarios.
4. Applying Techniques: Utilize skills from previous exercises to apply highlights, mid-tones, core shadows, and cast shadows in both value ranges. Pay meticulous attention to how these elements collaborate to sculpt the face and add depth.
5. Chiaroscuro Focus: Emphasize the contrast between light and dark areas in both drawings to create dramatic and realistic portrayals, ensuring that chiaroscuro technique is the focal point.
6. Review and Refine: Regularly step back to review and assess your work. Adjust the balance and intensity of light and shadow in both drawings to ensure they effectively produce the desired three-dimensional and emotive effect.
Submission Requirements
• Artworks: Submit two completed portraits on high-quality drawing paper—one in high-key and one in low-key value ranges.
• Due Date: [Insert specific date and time].
• Labeling: Ensure your name, date, and project title are clearly labeled on the back of each submission.
Assessment Criteria
1. Accuracy of Observation (30%): Effective use of light and shadow to create depth and articulate facial features in varying light conditions. The degree to which the portraits capture realistic details and emotional depth in different lighting.
2. Technical Skill (30%): Mastery in applying chiaroscuro to enhance the three-dimensional form of the portrait in both high-key and low-key scenarios.
3. Composition and Design (20%): Effective arrangement of visual elements to create balanced and engaging artwork. Quality of craftsmanship in completing final drawings in terms of technique, completion, and presentation.
4. Creativity and Personal Interpretation (20%): The introduction of a personal viewpoint or style within the realistic depiction of the scene.
This project challenges students to explore the dramatic potential of chiaroscuro in two fundamentally different lighting contexts, promoting a deeper artistic engagement and a nuanced understanding of value in portraiture.