3.4: Techniques in Mark Making
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)How an artist manipulates a line can dramatically alter the tone, texture, and overall impact of a drawing. Mastering different line drawing techniques is essential for artists to express their creative vision effectively. This section, "Techniques for Drawing Lines," delves into various methods artists can employ to bring depth, emotion, and realism to their work. Each technique offers unique possibilities and challenges, from the precision of hatching and cross-hatching to the expressiveness of gesture drawing. We will explore these methods with practical instructions, suggested media, and ideas for objects or subjects to draw, providing a comprehensive toolkit for artists to enhance their line drawing skills. Whether you are a beginner grasping the basics or an advanced artist refining your style, these techniques serve as fundamental building blocks for artistic expression.
Hatching and Cross-Hatching Hatching, composed of parallel lines, and cross-hatching, featuring intersecting sets of lines, are techniques used to create texture and tonal variation in drawings. These methods, developed during the Renaissance and exemplified by artists like Albrecht Dürer, provide depth and dimension. Starting with basic shapes and progressing to more complex forms like landscapes or portraits can enhance proficiency. Studying Dürer’s engravings and Rembrandt’s sketches reveals these techniques' historical depth and application.
“Hatching Lines" by Kristen R. Kennedy, is licensed CC BY-4.0.
Hatching
• Definition and Purpose: Hatching, a technique of drawing closely spaced parallel lines, creates texture, shade, and tone in drawings. It is particularly effective and essential in monochromatic drawing and suggests light and shadow gradations without solid fill.
• Media Application Instructions: Use a fine liner or a sharp pencil for precise control. Start with light, parallel strokes, ensuring they are evenly spaced. The density of the lines should vary according to the desired intensity of the shade.
• Exercise: Practice hatching by drawing a series of spheres, each with a different light source, using line density to create the illusion of depth and form.
Cross-Hatching
• Definition and Purpose: Cross-hatching builds upon hatching by adding another layer of lines intersecting the first. This technique is excellent for creating more complex textures and deeper shading, enabling artists to depict a wider range of tonal values.
• Media Application Instructions: Begin with a base of standard hatching. Overlay a second set of lines at different angles, typically perpendicular, and adjust the spacing to create value. Experiment with the tightness and angle of the cross lines to achieve various shading effects.
• Exercise: Draw a human hand using cross-hatching, focusing on the nuances of skin texture and the play of light and shadow.
"Cross-Hatching Lines" by Kristen R. Kennedy, is licensed CC BY 4.0.
Stippling
Stippling employs small dots to build images and gradients, offering a nuanced approach to shading. Prominent in pointillism, a 19th-century style, it has been a staple in detailed drawings. Using a fine pen to vary dot density helps simulate different shades. Georges Seurat's pointillist artworks, and Gustave Doré’s ink drawings provide classic examples of stippling’s effectiveness.
• Definition and Purpose: Stippling uses small dots instead of lines to build up shading and texture. The dots' density correlates with the shade's darkness, allowing for fine control over tonal variations. his dot-based technique is excellent for creating detailed textures and subtle gradations, offering high control over the depiction of light and shadow.
• Media Application Instructions: Employ a fine-pointed pen for uniform dots. Start with sparse dots for light areas, gradually increasing density for darker shaded areas, keeping the dots as uniform as possible. Maintain consistent dot size for a coherent texture.
• Exercise: Create a portrait using stippling, paying close attention to the tonal variations in facial features.
"Stippling" by Kristen R. Kennedy is licensed CC BY 4.0.
Expressive Mark-Making Techniques
These expressive techniques, involving random or circular marks, infuse drawings with dynamism and spontaneity. While gaining prominence in modern expressionist art, their roots can be traced to Renaissance sketches. Applying scumbling to natural scenes can yield striking results, as seen in Vincent van Gogh’s sketches, which demonstrate the power of these methods. In addition, scribbling is a versatile technique that encourages creativity and expression in drawing. Its informal nature can liberate artists from the constraints of traditional line work, allowing for more expressive and emotive renderings.
Scumbling
• Definition and Purpose: Scumbling involves making small, circular, scribble-like motions, creating a sense of movement or rough texture. It is useful for areas that require a less structured and more dynamic shading technique.
• Media Application: For a broader tonal range, use a soft pencil or charcoal. Keep your hand relaxed and make small, overlapping circular motions. Layer these scribbles to build up depth and texture.
• For Example: Draw a rugged landscape, such as a rocky terrain or a turbulent sea, employing scumbling to capture the chaotic textures
"Circling" by Kristen R. Kennedy is licensed CC BY 4.0.
Scribbling
• Definition and Purpose: Scribbling in drawing is a technique where artists use loose, rapid, and random marks to create an image. Unlike structured line work, scribbling involves more free-form and dynamic strokes. The primary purpose of scribbling in art is to convey a sense of spontaneity, energy, and emotion. It is particularly effective in expressing movement or adding a lively, textured quality to the artwork. Scribbling can also be used to quickly capture the essence of a subject, making it a valuable technique in gestural drawing and preliminary sketching.
• Media Application: Scribbling is a drawing technique that uses different tools such as pencils, crayons, or charcoal. These are preferred because they allow easy movement and a wide range of expressive marks. To create a good scribble, hold the drawing tool loosely and begin with light, rapid strokes. This allows your hand to move freely across the paper without much control or precision. You can vary the pressure to create different textures and tonal values. Layer the scribbles gradually to build up texture and depth. You can tighten the scribbles in specific areas to create focus and detail if you want to add more details. Experiment with different speeds and movement ranges to create different textures. Combining several scribbles in one piece can add complexity and interest to the drawing.
• For Example: Choose three different textures from your surroundings (e.g., tree bark, a woven fabric, a crumpled piece of paper). Try and replicate these textures in your sketchbook using the scribbling technique. Focus on how your scribbles' density, direction, and pressure can mimic real life textures.
"Scribbling" by Kristen R. Kennedy, is licensed CC BY 4.0.
Shading
• Definition and Purpose: Shading is a fundamental technique in drawing. It depicts light and shadow, giving objects a three-dimensional appearance. It helps convey the volume and positioning of objects in space.
• Media Application: Choose pencils of varying hardness for various tones. Observe the light source carefully and apply shading where shadows naturally occur, using a smooth, consistent stroke. Gradually build up the layers for a more realistic effect.
• For Example: Experiment with shading by drawing a still-life setup, focusing on contrasting light and shadow to create a lifelike representation.
Gesture Drawing
Gesture drawing has been a core component of artistic training for centuries, particularly appreciated in classical art academies for its effectiveness in capturing the fluidity of the human form. Historically, it has helped artists quickly grasp their subjects' fundamental posture and rhythm, serving as a crucial preliminary step in more detailed compositions. To improve their skills, artists can practice with live models and study the works of artists such as Henri Matisse and Egon Schiele, known for their effective use of gesture drawing.
Gesture drawing is a rapid sketching technique to capture a subject's essence, movement, and overall form. This approach is less concerned with the detailed accuracy of the subject's proportions and more focused on conveying a sense of dynamism and spontaneity. The primary purpose of gesture drawing is to understand and portray the energy and movement inherent in the subject, making it a fundamental practice in figure drawing and motion studies.
"Sketch of figures (gesture drawings)" by Jacopo Belini, licensed Public Domain, via Wiki-Art.org.
Application in Drawing:
• Begin by selecting a dynamic subject, such as a person in action or an animal in motion.
• Using quick, fluid strokes, sketch the basic posture and form of the subject, focusing on the line of action and major shapes rather than intricate details.
• The strokes should be loose and expressive, often completed in seconds or minutes per sketch.
• The objective is to capture the feeling of the subject's movement and general physical presence.
For Example:
• Practice gesture drawing using live models in various poses or referencing photographs. Start with quick 1–2-minute sketches, gradually increasing the time as needed for more complex poses.
• Experiment with capturing diverse types of movement, such as a dancer's graceful motions or an animal's erratic movements.
• Reflect on each sketch, considering how effectively you captured the essence and movement of the subject.
Gesture drawing is a vital skill for artists, particularly useful in developing a more free-flowing and confident approach to drawing. It encourages an intuitive connection with the subject, focusing on the overall impression rather than minute details. This technique enhances an artist's ability to quickly capture a subject's form and mood and lays the foundation for more detailed and accurate representations in future works. In summary, these techniques, each with historical significance and practical utility, provide artists with a rich palette of expressive possibilities. By integrating these methods, artists can enhance their technical abilities and deepen their understanding of line as a vital component of artistic storytelling and emotional conveyance.