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4: 12 Angry Men- Body Paragraph Structure- Lesson Plans and Activities

  • Page ID
    293468
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    Body Paragraph Structure

    SLO: Establish a clear framework of essay and paragraph organization appropriate to the writing task and the thesis.

    Incorporate reasoning and explanations appropriate to the thesis and its supporting claims.

    This class will be more lecture based, going over the structure of a body paragraph, once again using Twelve Angry Men as a model.

    The instructor will start by presenting this video:

    Essay Writing | Body Paragraphs | 07 Topic Sentences

    The instructor will present the basic body paragraph structure:

    Instructor will clarify that these five parts of the body paragraph do not necessarily equate five sentences, and that especially the presentation and analysis of the evidence is often developed over multiple sentences.

    The instructor will then present explanations for each part of the body paragraph with examples. 

    https://archive.org/details/readingsontwelve0000unse/page/96/mode/2up?q=12+angry+men&view=theater

    The instructor will then project or hand out an example modeling a body paragraph:

    https://docs.google.com/document/u/0/d/1xskG6BrlPncI3au6raJ1fbmSMueQ6wp7Y9qE-EHJoZ0/edit

    Overall Thesis Statement:

    Despite the film/play’s often inaccurate portrayal of how the criminal justice actually operates, the jurors of Twelve Angry Men still serve appropriate justice to the accused, realistically or not. 

    First and foremost, the jurors are able to appropriately exonerate the accused because they establish clear reasonable doubt. While it is unclear if the young man accused of murdering his father is innocent exactly, the jurors analyze and uncover enough details about the evidence that compromise any certainty of his guilt. In his article, “Twelve Angry Men Produces Critical Thinking About the Jury System”, Henry F. Nardone claims, “The jury’s inability to recognize that the evidence against the defendant is in some ways ambiguous, capable of generating a reasonable doubt, is perhaps the moral of the story. . .their certainties dissolve into a reexamination of the ‘facts’. The film is practically a primer in the definition and clarification of those important words ‘reasonable doubt.’ The entire action is concerned with establishing it” (85,86).  Nardone acknowledges that the jury is so positive about the verdict at face value that they initially do not bother to examine possible uncertainties; once they do, however, the uncertainties pile up and it becomes impossible to convict someone on that evidence alone. Their own prejudices created reasonable doubt because they did not bother to uncover the flaws in the evidence presented to them.  For example, Juror # 4 (E.G. Marshall) maintains his vote of “guilty” due to the eye witness testimony of a woman across the street who claimed to have gotten “a good look” at the boy killing his father. This juror labels this “unshakable testimony” (1:22:19). However, this testimony is shaken when the elderly Juror # 9 (Joseph Sweeney) points out how Juror #4 rubbing the pockmarks created by his glasses reminded him of the same eyewitness doing the same on the stand. This implies she might usually wear glasses herself, and, since she was coming from bed wear she likely was not wearing them, there is a high chance she was not wearing them when she witnessed the crime as well. This creates considerable reasonable doubt because the eyes of the eye witness are now in question. Even if one dismisses all the circumstantial evidence that comes before, this compromise erases any certitude that the boy is a hundred percent guilty. “You can’t send someone off to die on evidence like that,” the soft spoken Juror #2 (John Fiedler) exclaims (1:28:14). Therefore, the jury could not ignore all the reasonable doubt they discovered through out and came to a suitable conclusion as a result. 

     


    This page titled 4: 12 Angry Men- Body Paragraph Structure- Lesson Plans and Activities is shared under a CC BY-SA license and was authored, remixed, and/or curated by Rory Jobst, Chicago City Colleges.