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4.3: The College Essay Assignment- Analysis, Rubrics, and Critical Thinking

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    Figure: Image by Pixabay

    The Prompt: What Does “Analyze” Mean Anyway?

    Often, the handout or other written text explaining the assignment—what professors call the assignment prompt—will explain the purpose of the assignment, the required parameters (length, number and type of sources, referencing style, etc.), and the criteria for evaluation. Sometimes, though—especially when you are new to a field—you will encounter the baffling situation in which you comprehend every single sentence in the prompt but still have absolutely no idea how to approach the assignment. No one is doing anything wrong in a situation like that. It just means that further discussion of the assignment is in order. Here are some tips:

    1. Focus on the verbs. Look for verbs like “compare,” “explain,” “justify,” “reflect” or the all-purpose “analyze.” You’re not just producing a paper as an artifact; you’re conveying, in written communication, some intellectual work you have done. So the question is, what kind of thinking are you supposed to do to deepen your learning?
    2. Put the assignment in context. Many professors think in terms of assignment sequences. For example, a social science professor may ask you to write about a controversial issue three times: first, arguing for one side of the debate; second, arguing for another; and finally, from a more comprehensive and nuanced perspective, incorporating text produced in the first two assignments. A sequence like that is designed to help you think through a complex issue. Another common one is a scaffolded research paper sequence: you first propose a topic, then prepare an annotated bibliography, then a first draft, then a final draft, and, perhaps, a reflective paper. The preparatory assignments help ensure that you’re on the right track, beginning the research process long before the final due date, and taking the time to consider recasting your thesis, finding additional sources, or reorganizing your discussion.5 If the assignment isn’t part of a sequence, think about where it falls in the semester, and how it relates to readings and other assignments. Are there headings on the syllabus that indicate larger units of material? For example, if you see that a paper comes at the end of a three-week unit on the role of the Internet in organizational behavior, then your professor likely wants you to synthesize that material in your own way. You should also check your notes and online course resources for any other guidelines about the workflow. Maybe you got a rubric a couple weeks ago and forgot about it. Maybe your instructor posted a link about “how to make an annotated bibliography” but then forgot to mention it in class.
    3. Try a free-write. When handing out an assignment, teachers often ask students to do a five-minute or ten-minute free-write. A free-write is when you just write, without stopping, for a set period of time. That doesn’t sound very “free;” it actually sounds kind of coerced. The “free” part is what you write—it can be whatever comes to mind. Professional writers use free-writing to get started on a challenging (or distasteful) writing task or to overcome writers block or a powerful urge to procrastinate. The idea is that if you just make yourself write, you can’t help but produce some kind of useful nugget. Thus, even if the first eight sentences of your free write are all variations on “I don’t understand this” or “I’d really rather be doing something else,” eventually you’ll write something like “I guess the main point of this is …” and then you’re off and running. As instructors, we’ve found that asking students to do a brief free-write right after I hand out an assignment generates useful clarification questions. If your instructor doesn’t make time for that in class, a quick free-write on your own will quickly reveal whether you need clarification about the assignment and, often, what questions to ask.
    4. Ask for clarification the right way. Even the most skillfully crafted assignments may need some verbal clarification, especially because students’ familiarity with the field can vary enormously. Asking for clarification is a good thing. Be aware, though, that instructors get frustrated when they perceive that students want to skip doing their own thinking and instead receive an exact recipe for an 'A' paper. Go ahead and ask for clarification, but try to convey that you want to learn and you’re ready to work.In general, avoid starting a question with “Do we have to …” because I can guarantee that your instructor is thinking, “You don’t have to do crap. You’re an adult. You chose college. You chose this class. You’re free to exercise your right to fail.” Similarly, avoid asking the professor about what he or she “wants.” You’re not performing some service for the professor when you write a paper. What they “want” is for you to really think about the material.
    5. So what does analyze mean? Analyze means breaking down a topic into component parts and exploring and examining those various parts to come to some sort of new understanding.

    Table 4.3.1 -- Clarifying Questions for Essay Assignments

    Questions that may not get you a useful answer Preferable alternatives
    I don’t get it. Can you explain this more? or What do you want us to do? I see that we are comparing and contrasting these two cases. What should be our focus? Their causes? Their impacts? Their implications? All of those things? or I’m unfamiliar with how art historians analyze a painting. Could you say more about what questions I should have in mind to do this kind of analysis? (Note: be specific with your questions.)
    How many sources do we have to cite? Is there a typical range for the number of sources a well written paper would cite for this assignment? or Could you say more about what the sources are for? Is it more that we’re analyzing these texts in this paper, or are we using these texts to analyze some other case?
    What do I have to do to get an 'A' on this paper? Could I meet with you to get feedback on my (pre-prepared) plans/outline/thesis/draft? or I’m not sure how to approach this assignment. Are there any good examples or resources you could point me to?

    Three Common Types of College Writing Assignments

    From our experience, you are likely to get three kinds of writing assignments based upon the instructor’s degree of direction for the assignment. We’ll take a brief look at each kind of academic writing task.

    The Closed Writing Assignment

    • Does your advertisement employ techniques of propaganda, and if so what kind?
    • Was the South justified in seceding from the Union?
    • Was Hitler evil or just mad?

    These kinds of writing assignments present you with two counter claims and ask you to determine from your own analysis the more valid claim. They resemble yes-no questions. These topics define the claim for you, so the major task of the writing assignment then is working out the support for the claim. They resemble a math problem in which the teacher has given you the answer and now wants you to “show your work” in arriving at that answer. Be careful with these writing assignments, however, because often these topics don’t have a simple yes/no, either/or answer (despite the nature of the essay question). A close analysis of the subject matter often reveals nuances and ambiguities within the question that your eventual claim should reflect. Perhaps a claim such as, “In my opinion, Hitler was mad” might work, but I urge you to avoid such a simplistic thesis. This thesis would be better: “I believe Hitler's unhinged mind borders on insanity but doesn’t quite reach it.”

    The Semi-Open Writing Assignment

    • Discuss the role of law in Antigone.
    • Show how the Fugitive Slave Act influenced the Abolitionist Movement.

    Although these topics chart out a subject matter for you to write about, they don’t offer up claims you can easily use in your paper. It would be a misstep to offer up claims such as, “Law plays a role in Antigone." Such statements express the obvious and what the topic takes for granted. The question, for example, is not whether law plays a role in Antigone, but rather what sort of role law plays. What is the nature of this role? What influences does it have on the characters or actions or theme? This kind of writing assignment resembles a kind of archeological dig. The teacher cordons off an area, hands you a shovel, and says dig here and see what you find. Be sure to avoid summary and mere explanation in this kind of assignment. Despite using key words in the assignment such as “explain,” “illustrate,” analyze,” “discuss,” or “show how,” these topics still ask you to make an argument. Implicit in the topic is the expectation that you will analyze the reading and arrive at some insights into patterns and relationships about the subject. Your eventual paper, then, needs to present what you found from this analysis—the treasure you found from your digging. Determining your own claim represents the biggest challenge for this type of writing assignment.

    The Open Writing Assignment

    • What does it mean to be an “American” in the 21st Century?
    • Analyze the influence of slavery upon one cause of the Civil War.

    These kinds of writing assignments require you to decide both your writing topic and your claim (or thesis). Which character in the Inferno will I pick to analyze? What two themes in Pride and Prejudice will I choose to write about? Many students struggle with these types of assignments because they have to understand their subject matter well before they can intelligently choose a topic. For instance, you need a good familiarity with the characters in The Inferno before you can pick one. You have to have a solid understanding defining elements of American identity as well as 21st century culture before you can begin to connect them. This kind of writing assignment resembles riding a bike without the training wheels on. It says, “You decide what to write about.” The biggest decision, then, becomes selecting your topic and limiting it to a manageable size.

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    Figure: Image from Pixabay

    Rubrics as Road Maps

    If a professor provides a grading rubric with an assignment prompt, thank your lucky stars (and your professor). If the professor took the trouble to prepare and distribute it, you can be sure that he or she will use it to grade your paper. He or she may not go over it in class, but it’s the clearest possible statement of what the professor is looking for in the paper. If it’s wordy, it may seem like those online “terms and conditions” that we routinely accept without reading. But you really should read it over carefully before you begin and again as your work progresses. A lot of rubrics do have some useful specifics. Ours, for example, often contain phrases like “makes at least six error-free connections to concepts or ideas from the course,” or “gives thorough consideration to at least one plausible counter-argument.” Even less specific criteria (such as “incorporates course concepts” and “considers counter-arguments”) will tell you how you should be spending your writing time.

    Even the best rubrics aren’t completely transparent. They simply can’t be. Take, for example, this AAC&U rubric. It has been drafted and repeatedly revised by a multidisciplinary expert panel and tested multiple times on sample student work to ensure reliability. But it is still seems kind of vague. What is the real difference between “demonstrating a thorough understanding of context, audience, and purpose” and “demonstrating adequate consideration” of the same? It depends on the specific context. So how can you know whether you’ve done that? A big part of what you’re learning, through feedback from your professors, is to judge the quality of your writing for yourself. Your future managers are counting on that. At this point, it is better to think of rubrics as roadmaps, displaying your destination, rather than a GPS system directing every move you make.

    Behind any rubric is the essential goal of higher education: helping you take charge of your own learning, which means writing like an independently motivated scholar. Are you tasked with proposing a research paper topic? Don’t just tell the professor what you want to do, convince him or her of the salience of your topic, as if you were a scholar seeking grant money. Is it a reflection paper? Then outline both the insights you’ve gained and the intriguing questions that remain, as a scholar would. Are you writing a thesis-driven analytical paper? Then apply the concepts you’ve learned to a new problem or situation. Write as if your scholarly peers around the country are eagerly awaiting your unique insights. Descriptors like “thoroughness” or “mastery” or “detailed attention” convey the vision of student writers making the time and rigorous mental effort to offer something new to the ongoing, multi-stranded academic conversation. What your professor wants, in short, is critical thinking.

    Critical Thinking in the College Essay Assignments

    What’s critical about critical thinking? Why do college professors gravitate towards essay assignments that encourage critical thinking?

    Critical thinking is one of those terms that has been used so often and in so many different ways that if often seems meaningless. It also makes one wonder, is there such a thing as uncritical thinking? If you aren’t thinking critically, then are you even thinking?

    Despite the prevalent ambiguities, critical thinking actually does mean something. The Association of American Colleges and Universities usefully defines it as “a habit of mind characterized by the comprehensive exploration of issues, ideas, artifacts, and events before accepting or formulating an opinion or conclusion.”6

    That definition aligns with the best description of critical thinking I ever heard; it came from junior high art teacher, Joe Bolger.7 He once asked, “What color is the ceiling?” In that withering 'tween tone, we reluctantly replied, “Whiiiite.” He then asked, “What color is it really?” We deigned to aim our pre-adolescent eyes upwards, and eventually began to offer more accurate answers: “Ivory?” “Yellow-ish tan.” “It’s grey in that corner.” After finally getting a few thoughtful responses, Mr. Bolger said something like, “Making good art is about drawing what you see, not what you think you’re supposed to see.” The AAC&U definition, above, essentially amounts to the same thing: taking a good look and deciding what you really think rather than relying on the first idea or assumption that comes to mind.

    The critical thinking rubric produced by the AAC&U describes the relevant activities of critical thinking in more detail. To think critically, one must …

    1. “clearly state and comprehensively describe the issue or problem,”
    2. “independently interpret and evaluate sources,”
    3. “thoroughly analyze assumptions behind and context of your own or others’ ideas,”
    4. “argue a complex position and one that takes counter-arguments into account,” and
    5. “arrive at logical and well informed conclusions”.8

    While you are probably used to providing some evidence for your claims, you can see that college-level expectations go quite a bit further. When professors assign an analytical paper, they don’t just want you to formulate a plausible-sounding argument. They want you to dig into the evidence, think hard about unspoken assumptions and the influence of context, and then explain what you really think and why.

    Interestingly, the AAC&U defines critical thinking as a “habit of mind” rather than a discrete achievement. And there are at least two reasons to see critical thinking as a craft or art to pursue rather than a task to check off. First, the more you think critically, the better you get at it. As you get more and more practice in closely examining claims, their underlying logic, and alternative perspectives on the issue, it’ll begin to feel automatic. You’ll no longer make or accept claims that begin with “Everyone knows that …” or end with “That’s just human nature.” Second, just as artists and crafts persons hone their skills over a lifetime, learners continually expand their critical thinking capacities, both through the feedback they receive from others and from their own reflections. Artists of all kinds find satisfaction in continually seeking greater challenges. Continual reflection and improvement is part of the craft.

    This comment about critical thinking was provided by student, Aly Button: "As soon as I see the phrase 'critical thinking,' the first thing I think is more work. It always sounds as if you’re going to have to think harder and longer. But I think the AAC&U’s definition is on point; critical thinking is a habit. Seeing that phrase shouldn’t be a scary thing because by this point in many people’s college career this is an automatic response. I never expect an answer to a question to be in the text; by now I realize that my professors want to know what I have to say about something or what I have learned. In a paper or essay, the three-step thesis process is a tool that will help you get this information across. While you’re doing the hard work (the thinking part), this formula offers you a way to clearly state your position on a subject. It’s as simple as: make a general statement, make an arguable statement, and finally, say why it is important. This is my rule of thumb, and I would not want to start a thesis-driven paper any other way!

    Critical thinking is hard work. Even those who actively choose to do it experience it as tedious, difficult, and sometimes surprisingly emotional. Nobel-prize winning psychologist Daniel Kahneman explains that our brains aren’t designed to think; rather, they’re designed to save us from having to think.9 Our brains are great at developing routines and repertoires that enable us to accomplish fairly complex tasks like driving cars, choosing groceries, and having a conversation without thinking consciously and thoroughly about every move we make. Kahneman calls this “fast thinking.” “Slow thinking,” which is deliberate and painstaking, is something our brains seek to avoid. That built-in tendency can lead us astray. Kahneman and his colleagues often used problems like this one in experiments to gauge how people used fast and slow thinking in different contexts:

    A bat and ball cost $1.10.

    The bat costs one dollar more than the ball.

    How much does the ball cost?

    Most people automatically say the ball costs $0.10. However, if the bat costs $1 more, than the bat would cost $1.10 leading to the incorrect total of $1.20. The ball costs $0.05. Kahneman notes, “Many thousands of university students have answered the bat-and-ball puzzle, and the results are shocking. More than 50% of students at Harvard, MIT, and Princeton gave the intuitive—incorrect—answer.” These and other results confirm that “many people are overconfident, prone to place too much faith in their intuitions.” Thinking critically—thoroughly questioning your immediate intuitive responses—is difficult work, but every organization and business in the world needs people who can do that effectively. Some students assume that an unpleasant critical thinking experience means that they’re either doing something wrong or that it’s an inherently uninteresting (and oppressive) activity. While we all relish those times when we’re pleasantly absorbed in a complex activity (what psychologist Mihaly Czikszentmihalyi calls “flow”12), the more tedious experiences can also bring satisfaction, sort of like a good work-out.

    Critical thinking can also be emotionally challenging, researchers have found. Facing a new realm of uncertainty and contradiction without relying on familiar assumptions is inherently anxiety-provoking because when you’re doing it, you are, by definition, incompetent. Recent research has highlighted that both children and adults need to be able to regulate their own emotions in order to cope with the challenges of building competence in a new area.13 The kind of critical thinking your professors are looking for—that is, pursuing a comprehensive, multi-faceted exploration in order to arrive at an arguable, nuanced argument—is inevitably a struggle and it may be an emotional one. Your best bet is to find ways to make those processes as efficient, pleasant, and effective as you can.

    Kaethe Leonard, another student, says: "The thing no one tells you when you get to college is that critical thinking papers are professors’ favorites. College is all about learning how to think individual thoughts so you’ll have to do quite a few of them. Have no fear though; they do get easier with time. The first step? Think about what you want to focus on in the paper (aka your thesis) and go with it.

    The demands students face are not at all unique to their academic pursuits. Professional working roles demand critical thinking, as 81% of major employers reported in an AAC&U-commissioned survey14, and it’s pretty easy to imagine how critical thinking helps one make much better decisions in all aspects of life. Embrace it. And just as athletes, artists, and writers sustain their energy and inspiration for hard work by interacting with others who share these passions, look to others in the scholarly community—your professors and fellow students—to keep yourself engaged in these ongoing intellectual challenges. While writing time is often solitary, it’s meant to plug you into a vibrant academic community. What your professors want, overall, is for you to join them in asking and pursuing important questions about the natural, social, and creative worlds.

    Other Resources

    1. This website from the Capital Community College Foundation has some good advice about overcoming writer’s block. And student contributor Aly Button recommends this funny clip from SpongeBob Squarepants.
    2. The Foundation for Critical Thinking maintains a website with many useful articles and tools.
    3. The Online Writing Laboratory (OWL) at Purdue University is a wonderful set of resources for every aspect of college writing. Especially germane to this chapter is this summary of the most common types of writing assignments.
    4. This website, BrainBashers.com, offers logic puzzles and other brain-teasers for your entertainment.

    Exercise 1

    1. Free-write on an assignment prompt. If you have one, do that one. If not, here’s one to practice with: A. “Please write a five-page paper analyzing the controversy surrounding genetically modified organisms (GMOs) in the food supply.” B. What clarification questions would you like to ask your professor? What additional background knowledge do you need to deeply understand the topic? What are some starter ideas that could lead to a good thesis and intriguing argument?
    2. Find a couple of sample student papers from online paper mills such as this one (Google “free college papers”) and journals featuring excellent undergraduate writing (such as this one from Cornell University), and use the AAC&U rubric on critical thinking to evaluate them. Which descriptor in each row most closely fits the paper?

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