11.1: Introduction
Religious practitioners around the world have long used music to express their spiritual convictions. Music plays a particularly significant role in the context of worship. This is hardly surprising: Music has the power to encourage a wide variety of emotional states, ranging from meditative calm to frenzied excitement. It can help participants in worship to feel close to each other and to their deity. It also aids in the memorization and communal recitation of texts, which often define religious practice. Individual creative artists also draw inspiration from their religious convictions, even if the music they produce is not intended for the purpose of facilitating worship.
In this chapter, we will explore a variety of examples related to Christian worship and beliefs. The focus on Christianity is the result of the Western and classical bias of this text. Christianity has been the dominant religion of Europe since the 4th century, when it was legalized by the Roman emperor Constantine the Great. Most of the influential composers in the classical tradition belonged to Christian denominations, and many wrote beautiful music for use in church services. As a result, church music through the ages has both reflected and shaped broader musical practices. The stylistic variety of this music is nearly infinite. This variety results from the combined forces of general musical taste, the requirements of religious authorities, and the needs and histories of congregations.
This chapter will be dedicated to the examination of worship music from different eras. Although today we are more likely to hear most of this music in concert halls or on recordings, much of it was first intended for practical use in church services. To understand how this music came to be and what it meant in its time and place, we will consider each example in its religious context.