10.4: Introduction to Primitivism, Nationalism, and Neoclassicism
- Page ID
- 72662
\( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \) \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)\(\newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\) \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\) \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\) \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\) \( \newcommand{\Span}{\mathrm{span}}\) \(\newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\) \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\) \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\) \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\) \( \newcommand{\Span}{\mathrm{span}}\)\(\newcommand{\AA}{\unicode[.8,0]{x212B}}\)
In this section we’ll explore some other important trends of the early and middle years of the twentieth century: primitivism, nationalism, and neoclassicism. More importantly, we’ll examine the lives and compositional styles of significant composers who worked in or were influenced by those styles: Stravinsky, Bartok, Shostakovich, and Copland.
This section includes the following pages:
- Primitivism
- Igor Stravinsky
- Stravinsky’s The Rite of Spring
- Nationalism
- Bela Bartok
- Concerto for Orchestra
- Aaron Copland
- Rodeo
- Neoclassicism
- Dmitri Shostakovich
- Symphony No. 5
Contributors and Attributions
CC licensed content, Original
- Authored by: Elliott Jones. Provided by: Santa Ana College. Located at: http://www.sac.edu. License: CC BY: Attribution
- Provided by: Lumen Learning. License: CC BY: Attribution