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Humanities Libertexts

6.2: Introduction

  • Page ID
    1206
  • In 458 BCE, facing a military attack from the two neighboring tribes of the Aequi and the Sabines, the Roman Senate took a drastic measure, reserved for the direst of circumstances: they appointed a dictator, who would single-handedly lead the state in this time of trouble. As the Roman historian Livy tells it, Cincinnatus, the senator who was appointed dictator, received the news while working on his farm. Abandoning the plow, he immediately rushed to join the army, which he then led to a swift and brilliant victory. Then something astonishing happened: Cincinnatus resigned his extraordinary powers and returned to his farm. For the remainder of the Roman Republic, and well into the Imperial Period, Cincinnatus continued to be seen as the quintessential Roman cultural hero and model of virtue: an aristocratic man who was a talented soldier, general, and politician who put the interests of Rome first, above his own. While no other Roman politician displayed Cincinnatus’ degree of self-sacrificing humility, the other Roman heroes of the Republic and the Empire were still uniformly male, predominantly aristocratic, and famed for military and political achievements.

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    Figure \(\PageIndex{1}\): Cincinnatus leaves the plow to accept the dictatorship Author: User “Antonius Proximo” Source: Wikimedia Commons License: CC BY-SA 3.0

    But something happened to give rise to a rather different sort of cultural hero by the Late Roman Empire. In 203 CE, a young noblewoman and her slave were executed in Carthage, thrown into the arena with the lions. Their crime? A stubborn faith: the belief that a Jewish man who lived in Judaea a century earlier was the son of God who had died on the cross and rose again. Eager to emulate his suffering in order to win eternal life with their God, the two women, Perpetua and Felicity, gave up a life of relative comfort and the chance to raise their babies—indeed, Felicity gave birth in prison mere hours before her execution!—placing their God above all else. They were not the only ones. Stories of martyrs abound in the Later Roman Empire and were told repeatedly by Christians, thus perpetuating the status of these martyrs as the new cultural heroes. But far from repelling others from imitating their example, these stories, rather, encouraged the rise of more willing martyrs to follow their suit. As a result of the spread of Christianity, therefore, the Roman cultural heroes of Late Antiquity were a far cry from Cincinnatus. Instead of aristocratic generals and politicians, they were nursing mothers and even slave-women who chose to die a humiliating and painful death for their faith and its promise of an eternal reward.

    The story of the Roman world from the foundation of the city of Rome and to the fall of the Roman Empire in the West is, overall, a tale of two different transformations. The first of these is the dramatic transformation in cultural values and beliefs, a glimpse of which is reflected in the two stories above. The second is a similarly dramatic geographical transformation, which also brought about drastic clashes of cultures and a variety of changes throughout the entire Mediterranean world and beyond, that is, the transformation of a small village on the Tiber into one of the largest empires in all of world history, followed by a collapse of a part of that Empire, but a collapse from whose ashes arose what we now know as Europe.

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