Glossary
- Page ID
- 286053
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)Words (or words that have the same definition) | The definition is case sensitive | (Optional) Image to display with the definition [Not displayed in Glossary, only in pop-up on pages] | (Optional) Caption for Image | (Optional) External or Internal Link | (Optional) Source for Definition |
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(Eg. "Genetic, Hereditary, DNA ...") | (Eg. "Relating to genes or heredity") | ![]() | The infamous double helix | https://bio.libretexts.org/ | CC-BY-SA; Delmar Larsen |
Word(s) | Definition | Image | Caption | Link | Source |
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Aesthetic | The principles and values guiding the appreciation of beauty and artistic expression in dance. | ||||
Alignment | The correct placement of the body parts in relation to each other for optimal efficiency and safety in movement. | ||||
Anthropology (Dance Anthropology) | The study of human societies and cultures through the lens of dance as a form of social expression. | ||||
Ballet | A highly technical form of dance with origins in the Italian Renaissance courts, later refined in France and Russia. | ||||
Bone Health | A component of dance wellness focusing on bone density, strength, and injury prevention. | ||||
Choreography | The art of designing and arranging movements in dance; the process of creating a dance piece. | ||||
Classical Ballet | A traditional form of ballet characterized by formalized steps, symmetry, and narrative elements. | ||||
Contemporary Ballet | A blend of classical ballet technique with modern dance influences, often abstract and expressive. | ||||
Cultural Context | The social, historical, and cultural environment in which a dance form originates or evolves. | ||||
Dance Pedagogy | The method and practice of teaching dance, incorporating curriculum, instruction, and assessment strategies. | ||||
Diaghilev and Ballet Russes | A groundbreaking Russian ballet company founded by Sergei Diaghilev that revolutionized ballet in the 20th century. | ||||
Hip-Hop Dance | A street-style dance form rooted in African American and Latino communities, often linked with elements of graffiti, DJing, and MCing. | ||||
Injury Prevention | Techniques and practices used by dancers to avoid physical harm and prolong their performance careers. | ||||
Jazz Dance | A dance style with African American roots characterized by rhythmic, expressive, and improvisational movements. | ||||
Kinesiology | The scientific study of human movement, particularly in relation to physical activity and performance. | ||||
Ligament | A tough band of tissue that connects bones and stabilizes joints, crucial in dance injury prevention. | ||||
Modern Dance | A genre that emerged as a rebellion against classical ballet, emphasizing natural movement and individual expression. | ||||
Movement Manipulations | Creative alterations of movement such as changes in timing, space, or dynamics used in choreography. | ||||
Narrative Dance | A dance that tells a story or conveys a specific theme through movement and expression. | ||||
Neoclassical Ballet | A 20th-century ballet style combining classical technique with more modern and abstract choreography. | ||||
Nutrition | The study of food and its impact on the body, especially important for dancers’ energy, recovery, and performance. | ||||
Pedestrian Movement | Ordinary, everyday movements (like walking or sitting) used in modern and postmodern dance to challenge traditional aesthetics. | ||||
Polynesian Dance | Dance forms from the Polynesian islands (e.g., Hula, Siva, Haka) deeply rooted in cultural rituals and storytelling. | ||||
Postmodern Dance | A reaction against the constraints of modern dance, often using improvisation, minimalism, and conceptual frameworks. | ||||
Romantic Ballet | A 19th-century ballet movement characterized by supernatural themes, emotional expression, and ethereal aesthetics. | ||||
Sinulog | A cultural and religious dance from the Philippines performed in honor of the Santo Niño. | ||||
Somatics | Movement approaches that emphasize internal physical perception and awareness, often used in dance training. | ||||
Technique | The specific skills and methods used in a dance form that ensure precision, safety, and expression. | ||||
Tempo Design | The structuring of timing and rhythm in choreography to affect mood, energy, and audience engagement. | ||||
Wellness (Six Dimensions) | A holistic model encompassing physical, emotional, intellectual, social, spiritual, and occupational well-being. |