Skip to main content
Humanities LibreTexts

6.10: References

  • Page ID
    294322
  • \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)

    \( \newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\)

    ( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\)

    \( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

    \( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\)

    \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)

    \( \newcommand{\Span}{\mathrm{span}}\)

    \( \newcommand{\id}{\mathrm{id}}\)

    \( \newcommand{\Span}{\mathrm{span}}\)

    \( \newcommand{\kernel}{\mathrm{null}\,}\)

    \( \newcommand{\range}{\mathrm{range}\,}\)

    \( \newcommand{\RealPart}{\mathrm{Re}}\)

    \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

    \( \newcommand{\Argument}{\mathrm{Arg}}\)

    \( \newcommand{\norm}[1]{\| #1 \|}\)

    \( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)

    \( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\AA}{\unicode[.8,0]{x212B}}\)

    \( \newcommand{\vectorA}[1]{\vec{#1}}      % arrow\)

    \( \newcommand{\vectorAt}[1]{\vec{\text{#1}}}      % arrow\)

    \( \newcommand{\vectorB}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \( \newcommand{\vectorC}[1]{\textbf{#1}} \)

    \( \newcommand{\vectorD}[1]{\overrightarrow{#1}} \)

    \( \newcommand{\vectorDt}[1]{\overrightarrow{\text{#1}}} \)

    \( \newcommand{\vectE}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash{\mathbf {#1}}}} \)

    \( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

    \( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)

    \(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)

    Allen, M. (2022, February 18). Sound clash to Verzuz. The Grio. https://thegrio.com/2022/02/18/how-caribbeans-influenced-black-music-culture/

    BBC News. (2010, January 21). Banksy film to debut at Sundance. http://news.bbc.co.uk/2/hi/entertainment/arts_and_culture/8471145.stm

    Bynoe, Y. (2006). Encyclopedia of rap and hip-hop culture, Greenwood Press.

    Chang, J. (October 12, 2009). It's a hip-hop world. Foreign Policy. pp. 58–65.

    Chang, J. (2005). Can't Stop, Won't Stop: A History of the Hip-Hop Generation (1st ed.). Picador St. Martin's Press.

    Elkady, A. (2013, November 19). Ramy Donjewan ضد الحكومة. YouTube. https://www.youtube.com/watch?v=fzKC6AaCwWQ

    Farrell, S. (2012, April 26). Graffiti Grapher. Culturally-Situated Design Tools. https://csdt.org/culture/graffiti/index.html

    Graham, R. (2005, April 5). Slip a Big Mac into a rap, get a check from Ronald. The Boston Globe.

    Kaufman, G. (2003, June 9). Push the Courvoisier: Are rappers paid for product placement? MTV.com. http://www.mtv.com/news/articles/1472393/20030606/p_diddy.jhtml?headlines=true

    Kiley, D. (2005, May 15). Hip-hop gets down with the deals. Bloomberg.com. https://www.bloomberg.com/news/articles/2005-05-15/hip-hop-gets-down-with-the-deals#xj4y7vzkg

    Mabingo, A. (2019). Intercultural dance education in the era of neo-state nationalism: The relevance of African dances to student performers’ learning experiences in the United States. Journal of Dance Education, 19(2), 47-57. https://doi.org/10.1080/15290824.2018.1434527

    McCarthy-Brown, N., & Carter, S. (2019). Radical response dance making dismantling racism through embodied conversations. International Journal of Education & the Arts, 20(13), 1-23. https://doi.org/10.26209/ijea20n13

    Offendum, O. (2015, November 7). Syrianamericana. YouTube. https://www.youtube.com/watch?v=gJafWrwMnKY

    Olivesi, M. (2014, April 24). In the spotlight: Breakdancing (and hope) in Tunisia. Public Radio International [PRI], The World.

    https://www.pri.org/stories/2014-04-24/breakdancing-101-tunisia-style

    Pabon, Jorge “Popmaster Fabel”. (2006). Physical graffiti: The history of hip-hop dance. Total Chaos: The Art and Aesthetics of Hip-Hop, in Chang, J. (Ed). Basic Civitas Books, pp. 18-26.

    Peso, J. (2008, January 29). Can hip-hop save the struggling U.S. auto industry? Corporate Takeover. https://corporatetakeover.wordpress.com/2008/01/29/feature-can-hip-hop-save-the-struggling-us-auto-industry/

    Price, E.G., III. (2006). Hip-Hop Culture. ABC-CLIO.

    Samuels, S. (1999, October 10). DANCE; Europe's hip-hop isn't an exact copy. New York Times. https://www.nytimes.com/1999/10/10/arts/dance-europe-s-hip-hop-isn-t-an-exact-copy.html

    Thompson, R. (1979). African art in motion: Icon and act in the collection of Katherine Coryton White. National Gallery of Art. Washington, D.C. Frederick Wight Art Gallery. Reproduced by permission of University of California Press.

    Urbanist. (2007, July 19). The Banksy paradox: 7 sides to the world's most infamous street artist. Web Urbanist. https://weburbanist.com/2007/07/19/banksy-paradox-unofficial-guide-to-the-worlds-most-infamous-urban-guerilla-street-artist/

    Walker, A. (2019, February 1). Rebalancing dance curricula through repurposing black dance aesthetic. Research in Dance Education, 20(1), 36-53.


    This page titled 6.10: References is shared under a CC BY 4.0 license and was authored, remixed, and/or curated by Debra Worth.