6.10: References
- Page ID
- 294322
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)Allen, M. (2022, February 18). Sound clash to Verzuz. The Grio. https://thegrio.com/2022/02/18/how-caribbeans-influenced-black-music-culture/
BBC News. (2010, January 21). Banksy film to debut at Sundance. http://news.bbc.co.uk/2/hi/entertainment/arts_and_culture/8471145.stm
Bynoe, Y. (2006). Encyclopedia of rap and hip-hop culture, Greenwood Press.
Chang, J. (October 12, 2009). It's a hip-hop world. Foreign Policy. pp. 58–65.
Chang, J. (2005). Can't Stop, Won't Stop: A History of the Hip-Hop Generation (1st ed.). Picador St. Martin's Press.
Elkady, A. (2013, November 19). Ramy Donjewan ضد الحكومة. YouTube. https://www.youtube.com/watch?v=fzKC6AaCwWQ
Farrell, S. (2012, April 26). Graffiti Grapher. Culturally-Situated Design Tools. https://csdt.org/culture/graffiti/index.html
Graham, R. (2005, April 5). Slip a Big Mac into a rap, get a check from Ronald. The Boston Globe.
Kaufman, G. (2003, June 9). Push the Courvoisier: Are rappers paid for product placement? MTV.com. http://www.mtv.com/news/articles/1472393/20030606/p_diddy.jhtml?headlines=true
Kiley, D. (2005, May 15). Hip-hop gets down with the deals. Bloomberg.com. https://www.bloomberg.com/news/articles/2005-05-15/hip-hop-gets-down-with-the-deals#xj4y7vzkg
Mabingo, A. (2019). Intercultural dance education in the era of neo-state nationalism: The relevance of African dances to student performers’ learning experiences in the United States. Journal of Dance Education, 19(2), 47-57. https://doi.org/10.1080/15290824.2018.1434527
McCarthy-Brown, N., & Carter, S. (2019). Radical response dance making dismantling racism through embodied conversations. International Journal of Education & the Arts, 20(13), 1-23. https://doi.org/10.26209/ijea20n13
Offendum, O. (2015, November 7). Syrianamericana. YouTube. https://www.youtube.com/watch?v=gJafWrwMnKY
Olivesi, M. (2014, April 24). In the spotlight: Breakdancing (and hope) in Tunisia. Public Radio International [PRI], The World.
https://www.pri.org/stories/2014-04-24/breakdancing-101-tunisia-style
Pabon, Jorge “Popmaster Fabel”. (2006). Physical graffiti: The history of hip-hop dance. Total Chaos: The Art and Aesthetics of Hip-Hop, in Chang, J. (Ed). Basic Civitas Books, pp. 18-26.
Peso, J. (2008, January 29). Can hip-hop save the struggling U.S. auto industry? Corporate Takeover. https://corporatetakeover.wordpress.com/2008/01/29/feature-can-hip-hop-save-the-struggling-us-auto-industry/
Price, E.G., III. (2006). Hip-Hop Culture. ABC-CLIO.
Samuels, S. (1999, October 10). DANCE; Europe's hip-hop isn't an exact copy. New York Times. https://www.nytimes.com/1999/10/10/arts/dance-europe-s-hip-hop-isn-t-an-exact-copy.html
Thompson, R. (1979). African art in motion: Icon and act in the collection of Katherine Coryton White. National Gallery of Art. Washington, D.C. Frederick Wight Art Gallery. Reproduced by permission of University of California Press.
Urbanist. (2007, July 19). The Banksy paradox: 7 sides to the world's most infamous street artist. Web Urbanist. https://weburbanist.com/2007/07/19/banksy-paradox-unofficial-guide-to-the-worlds-most-infamous-urban-guerilla-street-artist/
Walker, A. (2019, February 1). Rebalancing dance curricula through repurposing black dance aesthetic. Research in Dance Education, 20(1), 36-53.