3.7: References
- Page ID
- 315106
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)Kenrick, J. (2017). Musical Theatre: a History (2nd ed.). Bloomsbury Methuen Drama, an Imprint of Bloomsbury Publishing Plc.
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Bloom, M. (2001). Thinking like a director: A practical handbook (1st ed.). Oxford: Faber & Faber.
Bogart, A. (2001). A director prepares: Seven essays on art in theatre. New York: Routledge.
Broadway Musical Legend Gwen Verdon Is Dead at 75. (2024). Playbill. https://playbill.com/article/broadway-musical-legend-gwen-verdon-is-dead-at-75-com-92549
Burston, J. (1998). Theatre space as virtual place: Audio technology, the reconfigured singing body, and the megamusical. Popular Music, 17(2), 205-218.
Cobb, M. Abrams (1978). Principal influences on the development of musical theatre (Masters thesis, California State University, Sacramento, 1978).
Cole, J. (2008). Liberatory pedagogy and activated directing: Restructuring the college rehearsal room. Theatre Survey, 18(2), 191-204.
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Ewen, D. (1959). Complete book of the American musical theater. NY: Henry Hold & Company.
Guichard, J (2006). Shifting pedagogy: Integrating critical thinking and artistic practice in the voice and speech classroom. Theatre Topics 16(2), 145-166.
HAIR the Musical on Broadway-Official Site: Home. (n.d.). HAIR the Musical on Broadway-Official Site: Home. Retrieved December 7, 2009, from http://hairbroadway.com
Hirsch, F. (2005). Harold Prince and the American musical theatre: Expanded edition. New York: Applause Books.
Huddleston, T. (2019, October 28). Where to begin with Busby Berkeley. BFI. https://www.bfi.org.uk/features/where-begin-busby-berkeley
John Bush Jones. (2003). Our musicals, ourselves : a social history of the American musical theatre. Brandeis University Press ; Hanover ; London.
Jones, D. R. (1986). Great directors at work: Stanislavsky, Brecht, Kazan, Brook. Berkeley: Univ Of California Pr.
Laufe, A. (1977). Broadway's greatest musicals (Revised ed.). Mahwah: Funk & Wagnalls Co.
Laughlin, H. & Wheeler. R. (1984). Producing the musical. Westport, CT: Greenwood Press.
Mates, J.(1985). America’s musical stage. Westport, CT: Greenwood Press.
Miller, S. (2007). Strike Up the Band. Heinemann Drama.
Mitchell, J. D. (1982). Theatre, the search for style: Master directors on style, Chekhov to Kabuki to musical comedy. New York: Fordham University Press.
Mordden, E. (1976). Better foot forward. New York, NY: Grossman Publishers.
Mordden, E. (1983). Broadway babies : The people who made the American musical. New York: Oxford University Press, USA.
Novak, E. A. & Deborah Novak (1996). Staging musical theatre. Cincinnati, OH: Betterway Books.
Peithman, S. (2001). A simple little system. In Peithman, S. & Offen, N. (Eds.) The stage directions guide to musical theater (p. 67-70). Portsmouth, NH: Heinmann.
Savran, D. (2004). Toward a historiography of the popular. Theatre Survey, 45(2), 211-217.
Thelen, L. (2000). The Show makers: Great directors of the American musical theatre. New York: Routledge.
Walsh, D. & Platt, L. (2003). Musical theater and American culture. Westport, CT: Praeger Publishers.
Wolf, S. (2007). In defense of pleasure: Musical theatre history in the liberal arts (A manifesto). Theatre Topics, 17(1), 51-60.
Worthen, W. (2004). Acting, singing, dancing, and so forth: Theatre (research) in the university. Theatre Survey, 45(2), 263-269.