4.1: Thinking about Artist Contracts- How to Protect Your Work
- Page ID
- 354257
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)How to Protect Your Work
It’s imperative to know how to protect your work before entering into any situation in which you will be paid for it. A contract is a necessary part of working with any client. Different than a copyright for a visual artwork, which must be filed with with US Copyright Office and which protects your artwork against unauthorized use, a contract rather lays out the ways in which another may pay to use or to own your work outright. Moreover, a contract signals to your client that you are a professional who is not only making sure that their work is protected, but is also protecting the client, as well. In the case of any future legal disputes, having a contract signed before the start of work will be your best legal defense against bad behavior.
I will add a sample contract below with sections that must be filled out and edited to suit your particular needs, but will discuss certain portions at the start of this section to clear up any misunderstandings.
Scope of Work Commissioned
This section defines what exactly is being commissioned from you as the illustrator. Is it an album design, a t-shirt, a single image, a self-published book?* You will want to be specific with what you will provide, from sketches to final works and the specific usage.
*When working for publishers, they will provide the contract to you. It’s important that you read it carefully or have a lawyer versed in book and entertainment law read it over for you before signing. Hiring a lawyer for an hour may be well worth it if there is ever a contract dispute.
Deadlines and Completion
It will ease the mind of your client and keep you on task if you agree upon a necessary end date. Remember, the client may need a very tight deadline. Be sure to keep your end of the contract here. This should be agreed upon with the client in advance of drawing up the contract.
Rights Transferred
You need to consider what rights the client will have access to regarding your illustrations. Is it a one time use? Will they own the works outright (will they have exclusive rights? Are they licensing them? If so, what are the terms of the license? Will you be paid a royalty?Will you have the ability to retain the copyright (if you have applied for one) or other owner’s rights to the works? Can you use the artwork in your portfolio, social media, or other promotional sites?
Compensation
You must have the conversation regarding compensation before filling out of a contract. Again, this might depend on the type of usage. Will you be paid a lump sum for the creation of the work and a royalty each time a work is sold? Will you have an advance that you must pay back before a royalty kicks in (most common in publishing)? Will you be paid to give the full rights away–you can never use that work again? (If so, ask for MORE). Will you retain the rights and continue to market this as other sellable media, such as t-shirts, prints, or other goods? Be sure to detail what you will be paid, when you will be paid, and how you will be paid. It’s always a good idea to take a deposit upon approval of sketches. Do not deliver the final work before you receive the final payment.
Termination / Kill Fee
A kill fee protects the artist if the client changes their mind about needing the work once the work has progressed.
Non-Payment; Remedies
This portion seeks to protect the artist who has not been paid. It’s a good idea, as mentioned above, to at least take a deposit at the start so you are not left with nothing at all.
Severability; Integration.
This reinforces the entirety of the contract, and suggests that it cannot be changed once signed without both client and artist agreeing (and signing a modified contract!).
Unauthorized Use by Client; Indemnity
If it is found that the client has used the artwork in ways which were not permitted, this clause means that upon legal action, the legal fees of the artist will be compensated for their expenses. This is called indemnification.
Warranty of Originality
This protects the client from you passing off a work used elsewhere as original. If they are paying for an original, give them an original.
Release of Liability
This protects the artist from being sued for damages if for some reason the work cannot be completed. This is not a license to not complete your work, but rather would be used in extreme cases.
*Note: The information at the start of this chapter was written by an artist, not a lawyer. When in doubt about contracts, seek the services of a lawyer.
A Sample Artist’s Contract (EDIT EACH SECTION AS NEEDED)

