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4.1: INTRODUCTION

  • Page ID
    10129
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    Developing the ability to examine and understand works of art makes sense for many good reasons. For one, art is powerful. In subtle but real ways, we are influenced by the visual culture that surrounds us.

    In Chapter Two: The Structure of Art—Form and Design, we identified, defined, and discussed the elements and principles of design. Now, we will focus on the analysis of art. Formal or critical analysis is an examination of the elements and principles of design present in an artwork and the process of deriving meaning from how those elements and principles are used by visual artists to communicate a concept, idea, or emotion.

    How and what is communicated in a work of art is linked to the type or category in which it falls: representational or non-representational. Within the broad category of representation, that is, a visual reference to the experiential world, we can further characterize the work of art using terms such as naturalistic, idealized, or abstract. Art that does not attempt to present an aspect of the recognizable world is non-objective or non-representational. In such work meaning is communicated through shapes, colors, and textures.

    Style can refer to the general appearance of a work or a group of works that were created in accordance with a specific set of principles about form or appearance. Style can refer to the art as a whole that was made during a particular era and within a certain culture. More specifically, we can consider whether the artwork belongs to a stylistic movement such as the Italian Renaissance, Realism, or Abstract Expressionism. Style can also refer to how elements and principles of design are employed by an individual artist: the visual characteristics of that artist’s work.


    4.1: INTRODUCTION is shared under a CC BY-SA license and was authored, remixed, and/or curated by Pamela Sachant, Peggy Blood, Jeffery LeMieux, & Rita Tekippe.

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