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8.3: BEFORE YOU MOVE ON

  • Page ID
    10159
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    Key Concepts

    National and personal identities do not magically happen; they are built on and influenced by immediate and past events, environments, traditions, and cultural legacies. Artists capture and document not only the physical conditions of a society but also the emotional and mental conditions. They construct a sense of who we were and are as a person and as a nation. Society’s identity is always fluid. When we see identity as static, we record people with stereotypes and do not see them for who they are. Art is one way to challenge static notions of identity by engaging the viewer in visual narratives that are unfamiliar to them, and that educate and challenge their previously held notions.

    Since the 1970s, postmodern theories have challenged historical and traditional notions of ethnic and cultural identity by developing a model that views identity as being multifaceted, fluid, and socially constructed. Some scholars contend that we are in a period of post identity and post-ethnicity, repudiating the old essentialist view of identity. Globalization of people, the Internet, and travel have all brought about fluid cultures which may have contributed to people’s more fluid sense of identity, and also to their interest in researching their heritage, culture, and ethnic identity. Heritage is the treasure and symbols of pride for an individual, country, and nation. Many works of art are seen as part of national heritage because they help citizens appreciate their past. Art provides life to the past, something that can be visualized, touched, walk through, and identified as being part of a legacy and culture.

    Test Yourself

    1. On the surface Kim Sooja’s art seems simple, but underneath it is an enigma of traditions that make a metaphoric identity statement; for example, her use of fabric as an art form evokes intimacy and honor of her culture and history. Discuss and identify at-least two artists whose work makes a personal and historical statement. Be specific as you reference each image associated with your essay. (minimum of 500 words).
    2. A number of circumstances throughout history have compelled artists to confront the context of social issues, select at-least two works of art that best describe an event or issue. Discuss the problems associated with the issue, and how the event and art shaped the legacy or identity of the country or nation. Describe the power the work communicates, discuss the significance of the work and how it convey a message, and identity of the people in that period of time. At the end of your essay make commentary on why you selected the art works what you think about the art. (Attach selected work with captions.) Answer to the question is located throughout the chapter).
    3. Throughout history building were constructed in a manner to symbolize power; spirituality; and godlessness. Structures house institutions that guide, influence and shape a society’s morals, values, politics, religious and social conditioning. Select 4 structures that best symbolize the identity or culture of a society. Describe its impact on influencing a nation, significance to the nation and how the structure contributes to national or individual identity. At the end of your essay discuss why you selected the structures and the aesthetics of the building. (Attach selected structures with captions.)
    4. Compare and contrast four works of art that best describe a personal or national identity. Discuss with specifics how the artist is able to capture the character of the person or nation. At the end of your essay add a commentary why you selected the works and their significance. (Attach selected works with captions.)

    KEY TERMS

    Baroque: a style of architecture and art that originating in Italy in the early seventeenth century

    Bottari: Cloth wrapped and tied around clothes , fabric, or/and items into a bundle for carry

    Grave stele: is a stone or wooden slab, generally taller than it is wide, erected usually in Greek cemeteries as a monument, for funerary or commemorative purposes.

    Hypogeum: an underground prehistoric burial site

    Impressionism: is a nineteenth-century art movement that developed in France during the late nineteenth century by a group of artists called the Anonymous Society of Painters, Sculptors

    Impressionist: A painter whose painting have characteristics of the impressionism movement, emphasizing accurate depiction of light in its changing qualities, uses small, thin, yet visible brush strokes, open composition,

    Individualism: emphasizes potential of man and self development own beliefs. The Individualism during the Renaissance period became a prominent theme in Italy

    Industrial Revolution: period during the late eighteenth and nineteenth centuries in western Europe and the United States when industry quickly developed due to the invention of steam powered engines and the growth of factories. Fundamental changes occurred in agriculture, textile and metal manufacture, transportation, economic and policies, and had a major impact on how people lived

    Obas: The title of “oba,” or king, is passed on to the firstborn son of each successive king of Benin, Africa at the time of his death

    Renaissance Period: a period of time from the fourteenth to the seventeenth century in Europe. The era bridged the time between the Middle Ages and modern

    Tableau: is an incidental scene, as of a group of people

    Tower tomb: are mausoleums, built in 1067 and 1093


    This page titled 8.3: BEFORE YOU MOVE ON is shared under a CC BY-SA license and was authored, remixed, and/or curated by Pamela Sachant, Peggy Blood, Jeffery LeMieux, & Rita Tekippe (GALILEO Open Learning Materials) via source content that was edited to the style and standards of the LibreTexts platform; a detailed edit history is available upon request.