2.5: Conclusion and Contrast
- Page ID
- 31818
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\(\newcommand{\avec}{\mathbf a}\) \(\newcommand{\bvec}{\mathbf b}\) \(\newcommand{\cvec}{\mathbf c}\) \(\newcommand{\dvec}{\mathbf d}\) \(\newcommand{\dtil}{\widetilde{\mathbf d}}\) \(\newcommand{\evec}{\mathbf e}\) \(\newcommand{\fvec}{\mathbf f}\) \(\newcommand{\nvec}{\mathbf n}\) \(\newcommand{\pvec}{\mathbf p}\) \(\newcommand{\qvec}{\mathbf q}\) \(\newcommand{\svec}{\mathbf s}\) \(\newcommand{\tvec}{\mathbf t}\) \(\newcommand{\uvec}{\mathbf u}\) \(\newcommand{\vvec}{\mathbf v}\) \(\newcommand{\wvec}{\mathbf w}\) \(\newcommand{\xvec}{\mathbf x}\) \(\newcommand{\yvec}{\mathbf y}\) \(\newcommand{\zvec}{\mathbf z}\) \(\newcommand{\rvec}{\mathbf r}\) \(\newcommand{\mvec}{\mathbf m}\) \(\newcommand{\zerovec}{\mathbf 0}\) \(\newcommand{\onevec}{\mathbf 1}\) \(\newcommand{\real}{\mathbb R}\) \(\newcommand{\twovec}[2]{\left[\begin{array}{r}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\ctwovec}[2]{\left[\begin{array}{c}#1 \\ #2 \end{array}\right]}\) \(\newcommand{\threevec}[3]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\cthreevec}[3]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \end{array}\right]}\) \(\newcommand{\fourvec}[4]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\cfourvec}[4]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \end{array}\right]}\) \(\newcommand{\fivevec}[5]{\left[\begin{array}{r}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\cfivevec}[5]{\left[\begin{array}{c}#1 \\ #2 \\ #3 \\ #4 \\ #5 \\ \end{array}\right]}\) \(\newcommand{\mattwo}[4]{\left[\begin{array}{rr}#1 \amp #2 \\ #3 \amp #4 \\ \end{array}\right]}\) \(\newcommand{\laspan}[1]{\text{Span}\{#1\}}\) \(\newcommand{\bcal}{\cal B}\) \(\newcommand{\ccal}{\cal C}\) \(\newcommand{\scal}{\cal S}\) \(\newcommand{\wcal}{\cal W}\) \(\newcommand{\ecal}{\cal E}\) \(\newcommand{\coords}[2]{\left\{#1\right\}_{#2}}\) \(\newcommand{\gray}[1]{\color{gray}{#1}}\) \(\newcommand{\lgray}[1]{\color{lightgray}{#1}}\) \(\newcommand{\rank}{\operatorname{rank}}\) \(\newcommand{\row}{\text{Row}}\) \(\newcommand{\col}{\text{Col}}\) \(\renewcommand{\row}{\text{Row}}\) \(\newcommand{\nul}{\text{Nul}}\) \(\newcommand{\var}{\text{Var}}\) \(\newcommand{\corr}{\text{corr}}\) \(\newcommand{\len}[1]{\left|#1\right|}\) \(\newcommand{\bbar}{\overline{\bvec}}\) \(\newcommand{\bhat}{\widehat{\bvec}}\) \(\newcommand{\bperp}{\bvec^\perp}\) \(\newcommand{\xhat}{\widehat{\xvec}}\) \(\newcommand{\vhat}{\widehat{\vvec}}\) \(\newcommand{\uhat}{\widehat{\uvec}}\) \(\newcommand{\what}{\widehat{\wvec}}\) \(\newcommand{\Sighat}{\widehat{\Sigma}}\) \(\newcommand{\lt}{<}\) \(\newcommand{\gt}{>}\) \(\newcommand{\amp}{&}\) \(\definecolor{fillinmathshade}{gray}{0.9}\)About 40,000 years ago, indigenous people roamed the planet, living on six different continents and drawing on caves' walls. People decorated their caves' walls for multiple purposes, including communication with others about the animals available for hunting or leaving a message about dangers, or for spiritual meanings. Some of the caves have well-developed images, and in other shelters, the images are more primitive, but all of them display the inhabitant's desire to create. Although geographically scattered around the world, people used similar materials and symbols in their caves, even using their hands as a template to spray pigment around them and leave a record of themselves.
The cave drawings across the world have many similarities, like color, pigment, charcoal, and rock walls. However, there are still several regional differences, as well. Some drawings are more childlike and primitive, and some drawings, such as the fish from the Kakadu, Australia, show great detail, fish with a backbone, fins, and embellishments not usually seen in cave art. The fine lines are delicate and different colors used to define the skeleton of the fish. The caves' art reflected their daily life, ensuring success in hunting, paranormal, religious, or educational stories.
To think of cave art is to imagine a hostile world where people hunt for food, escape from wild animals, seek shelter in caves, and survive as best as possible. Nevertheless, they had time for art, time to make the art materials, and time to improve and perfect their craft. Putting together a few dots on the walls has turned cave art into a line of several hundred thousand art pieces, recently rediscovered so today we can appreciate the art. Unfortunately, cave art cannot be seen in person today because our presence destroys the atmosphere in the caves. Most caves are not open to the public, but many countries have created authentic reproductions for visitors to explore and enjoy the wonders of art from our prehistoric ancestors.
Caves Around the World
Place |
Name |
Years |
Pictures |
Materials |
Namibia, Africa |
Apollo 11 |
27,500 – 25,500 |
Red & white paintings, geometric patterns, bees, animals |
Charcoal, ochre, kaolin |
France, Europe |
Chauvet Cave |
32,000 – 30,000 |
13 species of animals, lions, panthers, bears, hyenas, hand prints, scenes |
Red ochre, charcoal |
France, Europe |
Lascaux Caves |
2,000 figures, animals, human figures, abstract signs, large animals |
Mineral pigments |
|
DeCabrerets, France |
Pech-Merle Cave |
25,000 |
Polychrome painting of Dappled/Spotted Horses, hand stencils, abstract signs, dots and circles, engravings |
Black manganese oxide, red ochre |
Spain, Europe |
El Castillo |
40,800 |
Deer, bison, ibex, cows, handprints, red discs |
Red iron oxide |
Verona, Italy |
Fumane Cave |
35,000 |
Animals, abstract signs, unusual figures |
Hematite, titanium, red & yellow ochre |
Romania, Europe |
Coliboaia Cave |
32,000 – 30,000 |
Animals, bison, bears, rhinos |
Charcoal |
India |
Pachmari |
9,000 – 3,000 |
Animals, humans, scenes |
Hematite, iron oxide, kaolin |
Indonesia |
Sulawesi |
35,000 |
Animals, hand prints |
Ochre, ironstone, hematite |
China |
Damaidi Caves |
8,000 – 7,000 |
Chinese characters, people hunting, herding, fighting, sun, moon, animals, scenes |
Carving, iron ore ochre |
Northern Territory, Australia |
Nawaria Gabarnmang Rock Shelf |
26,000 |
Collage of mural paintings with human and spiritual figures, crocodiles, kangaroos, wallabies |
Charcoal, ochre of mulberry, red, orange, white, colors |
Kakadu, Australia |
Kakadu Rock |
20,000 |
Scenes, animals, ceremonials, people |
Hematite, Limonite, ochre, Kaolin, manganese oxide, charcoal |
RioPinturas, Argentina |
Cueva de las Manos |
13,000 – 9,500 |
Hand outlines, animals, hunting scenes |
Iron oxides, kaolin, natrojarosite, manganese oxide |
1. What were the main types of materials used to draw images?
2. What are the three major colors used in cave art and why were those colors predominant?
3. What similarities are found in cave art around the world?
4. What are some of the differences discovered in cave art in different locations?